The Modern Woman Revisited
Paris between the Wars
Bibliographic Data
| ID | 19384346 |
|---|---|
| Authors | Ute L Tellini, Whitney Chadwick, Tirza True Latimer |
| Year | 2005 |
| Volume | 26 |
| Issue | 1 |
| Pages | 44 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Woman s Art Journal (JOURNAL) |
| Journal identifiers | ISSN: 0270-7993 • E-ISSN: 2158-8457 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3566534 |
| OpenAlex | W575149115 |
| Language | EN |
| Citations received | 19 |
contributions of female artists to the development of literary and modernism in early 20th-century France remain poorly understood. It was during this period that a so-called began occupying urban spaces associated with the development of modern art and modernism's struggles to define subjectivities and sexualities. Whereas most studies of modernism's formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussions of gender, race, class and sexual orientation, the contributors to The Modern Woman Revisited inject these perspectives into the discussion. Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women made lasting contributions to art and literature. Some of the artists discussed include: Colette; Tamara de Lempicka; Sonia Delaunay; Djuna Barnes; Augusta Savage; and Lee Miller. In this text, an internationally recognized roster of art historians, literary critics, and other scholars offers a nuanced portrait of what it meant to be a modern woman during this decisive period of modernism's development. Individual essays explore the challenges faced by women in the early decades of the 20th century, as well as the strategies these women deployed to create their art and build meaningful lives and careers. introduction underscores the importance of the contributors' efforts to engender larger questions about modernity, sexuality, race and class
Art · French Historical and Cultural Studies · Historical Gender and Feminism Studies · Historical Studies and Socio-cultural Analysis · History
Transatlantic Baggage
Discursive encounters
Chana Orloff
Sonia Delaunay's Robe Simultanée
Explorations, Simulations
The hard work of leisure
Revolting Doubles
Entre Nous
Portraits of the garçonne as artist
The Shadow of Lynching in Nella Larsen’s Passing
Le miracle et le mirage’
The Interwar Period
Ovid in French
Buying In
Disabling the Flâneur
Fantasies of Universality
Who Is Afraid of the Chinese Modern Girl
“Blackfella Missus Too Much Proud”
Women Modernists and Fascism
| Citations per year | 0.95 |
|---|---|
| Citation span | 2006 - 2024 (19) |
| Highly cited | No |