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The Modern Woman Revisited

Paris between the Wars

Bibliographic Data

ID19384346
AuthorsUte L Tellini, Whitney Chadwick, Tirza True Latimer
Year2005
Volume26
Issue1
Pages44
Publication date2005-01-01
Open AccessNo
TypeARTICLE
VenueWoman s Art Journal (JOURNAL)
Journal identifiersISSN: 0270-7993 • E-ISSN: 2158-8457
PublisherJSTOR (PUBLISHER)
DOI10.2307/3566534
OpenAlexW575149115
LanguageEN
Citations received19

contributions of female artists to the development of literary and modernism in early 20th-century France remain poorly understood. It was during this period that a so-called began occupying urban spaces associated with the development of modern art and modernism's struggles to define subjectivities and sexualities. Whereas most studies of modernism's formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussions of gender, race, class and sexual orientation, the contributors to The Modern Woman Revisited inject these perspectives into the discussion. Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women made lasting contributions to art and literature. Some of the artists discussed include: Colette; Tamara de Lempicka; Sonia Delaunay; Djuna Barnes; Augusta Savage; and Lee Miller. In this text, an internationally recognized roster of art historians, literary critics, and other scholars offers a nuanced portrait of what it meant to be a modern woman during this decisive period of modernism's development. Individual essays explore the challenges faced by women in the early decades of the 20th century, as well as the strategies these women deployed to create their art and build meaningful lives and careers. introduction underscores the importance of the contributors' efforts to engender larger questions about modernity, sexuality, race and class

Art · French Historical and Cultural Studies · Historical Gender and Feminism Studies · Historical Studies and Socio-cultural Analysis · History

  • Transatlantic Baggage

    Patrick Bond, Patrick Bonds•2011

  • Discursive encounters

    Tayana L Hardin•Journal of Transatlantic Studies•2016

  • Chana Orloff

    Paula J Birnbaum•Journal of Modern Jewish Studies•2015

  • Sonia Delaunay's Robe Simultanée

    Tom Slevin•Fashion Theory•2013

  • Explorations, Simulations

    Open Access•Viviana Gravano•European Journal of Women s Studies•2009

  • The hard work of leisure

    Kathleen Horton, Tiziana Ferrero‐regi et al.•Annals of Leisure Research•2016

  • Revolting Doubles

    Olu Jenzen•Journal of Lesbian Studies•2013

  • Entre Nous

    Tirza True Latimer•GLQ A Journal of Lesbian and Gay…•2006

  • Portraits of the garçonne as artist

    Katherine Shingler•Modern & Contemporary France•2018

  • The Shadow of Lynching in Nella Larsen’s Passing

    Kangyl Ko•Women s Studies•2017

  • Le miracle et le mirage’

    Holly Grout•Business History•2024

  • The Interwar Period

    Melanie Hawthorne•Oxford Handbook of Decadence•2021

  • Ovid in French

    Helena Taylor, Fiona Cox•Ovid in French•2023

  • Buying In

    Open Access•Tani E Barlow•The Modern Girl Around the World:…•2008

  • Disabling the Flâneur

    Open Access•David Serlin•Journal of Visual Culture•2006

  • Fantasies of Universality

    Uta G Poiger•The Modern Girl Around the World:…•2008

  • Who Is Afraid of the Chinese Modern Girl

    Open Access•Madeleine Yue Dong•The Modern Girl Around the World:…•2008

  • “Blackfella Missus Too Much Proud”

    Open Access•Liz Conor•The Modern Girl Around the World:…•2008

  • Women Modernists and Fascism

    Open Access•Annalisa Zox-Weaver•Women Modernists and Fascism•2011

Citations per year0.95
Citation span2006 - 2024 (19)
Highly citedNo

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