Horace J Maxile
Biographic Data
| ID | 1302792 |
|---|---|
| NAME | Horace J Maxile |
| GIVEN NAMES | Horace J |
| FAMILY NAME | Maxile |
| SIGNATURE | MAXILE H J |
| AFFILIATIONS | Columbia College Chicago, IL, USA, |
| ORCID | 0000-0003-0444-0911 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Healing for the Soul
A book review is presented for Braxton D. Shelley's Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination (Oxford: Oxford University Press, 2021)
Fantasie nègre
Since the recent processing of the addenda to the Florence Beatrice Smith Price Collection at the University of Arkansas Library and Archives and G. Schirmer’s acquisition of her catalog, interest in the composer and her music has flowered into a revival, albeit one with a peculiar frame. In concert halls, on recordings, and in musicological discourse and pedagogy, the revival of this Black woman’s music unfolds in a sociopolitical climate where …
Colloquy
On August 18, 2019, the New York Times published “The 1619 Project,” a multifaceted and far-reaching initiative to retell the nation's history starting not with the revolutionary events at the end of the eighteenth century but with the year the first African slaves arrived the at the of the African and Times the to the of the and a to to the and to the of and the of of of the to the to the and at the of and the of and to not but the to the histor…
Extensions to the Pedagogical Canon
College Music Symposium is the premier journal of The College Music Society, published for over 50 years, since 1961. Symposium is an online, refereed, journal through which The College Music Society will present the work of its members for use by the public and professional musicians. The name \"College Music Symposium\" honors the achievements of the past while using new technologies to meet the continuing need of the public and all working in …
McClurkin, Donnie
On Vernacular Emblems and Signification in David N. Baker’s The Black Experience
Research Article| July 01 2014 On Vernacular Emblems and Signification in David N. Baker’s The Black Experience Horace J. Maxile Jr. Horace J. Maxile Jr. Search for other works by this author on: This Site Google American Music (2014) 32 (2): 223–251. https://doi.org/10.5406/americanmusic.32.2.0223 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Horace J. Maxile Jr.; On Vernacular Emblems and Signi…
Extensions on a Black Musical Tropology
This essay uses as its foundation the work of Samuel A. Floyd, Jr. in his article, “Troping the Blues: From Spirituals to the Concert Hall.” Whereas Floyd drew connections between the chariot of the Negro spiritual and the blues train, I extend this line of musical tropology into gospel trains, soul trains, and the mothership (as evoked by funk musician George Clinton). Through surveys and analyses of selected songs by artists from differing gene…
No prominent works on this page.
Extensions on a Black Musical Tropology
This essay uses as its foundation the work of Samuel A. Floyd, Jr. in his article, “Troping the Blues: From Spirituals to the Concert Hall.” Whereas Floyd drew connections between the chariot of the Negro spiritual and the blues train, I extend this line of musical tropology into gospel trains, soul trains, and the mothership (as evoked by funk musician George Clinton). Through surveys and analyses of selected songs by artists from differing gene…
McClurkin, Donnie
On Vernacular Emblems and Signification in David N. Baker’s The Black Experience
Research Article| July 01 2014 On Vernacular Emblems and Signification in David N. Baker’s The Black Experience Horace J. Maxile Jr. Horace J. Maxile Jr. Search for other works by this author on: This Site Google American Music (2014) 32 (2): 223–251. https://doi.org/10.5406/americanmusic.32.2.0223 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Horace J. Maxile Jr.; On Vernacular Emblems and Signi…
Extensions to the Pedagogical Canon
College Music Symposium is the premier journal of The College Music Society, published for over 50 years, since 1961. Symposium is an online, refereed, journal through which The College Music Society will present the work of its members for use by the public and professional musicians. The name \"College Music Symposium\" honors the achievements of the past while using new technologies to meet the continuing need of the public and all working in …
Colloquy
On August 18, 2019, the New York Times published “The 1619 Project,” a multifaceted and far-reaching initiative to retell the nation's history starting not with the revolutionary events at the end of the eighteenth century but with the year the first African slaves arrived the at the of the African and Times the to the of the and a to to the and to the of and the of of of the to the to the and at the of and the of and to not but the to the histor…
Fantasie nègre
Since the recent processing of the addenda to the Florence Beatrice Smith Price Collection at the University of Arkansas Library and Archives and G. Schirmer’s acquisition of her catalog, interest in the composer and her music has flowered into a revival, albeit one with a peculiar frame. In concert halls, on recordings, and in musicological discourse and pedagogy, the revival of this Black woman’s music unfolds in a sociopolitical climate where …
Healing for the Soul
A book review is presented for Braxton D. Shelley's Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination (Oxford: Oxford University Press, 2021)
Art (5 works) · Music History and Culture (4 works) · Art history (3 works) · Computer Science (3 works) · Literature (3 works) · Theater, Performance, and Music History (3 works) · Citation (2 works) · Gospel (2 works) · History (2 works) · Icon (2 works)