C Morgan
Dados Biográficos
| ID | 13099 |
|---|---|
| NOME | C Morgan |
| PRENOMES | C |
| SOBRENOME | Morgan |
| ASSINATURA | MORGAN C |
| AFILIAÇÕES | University of York |
| ORCID | 0000-0001-6907-5535 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 30 |
| TOTAL DE CITAÇÕES | 207 |
| TOTAL COMO AUTOR | 30 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2000 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 8 |
Other Eyes
This publication documents the exciting and complex decision-making processes during the course of the UK Research and Innovation (UKRI)-funded OTHER EYES project through a text-based interactive game (Twine). We invite you to play the game first or after reading the introduction
Towards New Futures for Archaeological Data Production
Archaeologists create vast amounts of specialized data, which are often difficult to access, maintain, and reuse, even for practitioners themselves. In this article, we explore the implication of professional practices of data production in fueling archaeonormativity—i.e., the naturalization of behaviors and structures in archaeology that strip it of affect and meaning and that deny human (and non-human) agency and equity. We contend that storyte…
Archaeology as Worldbuilding
Worldbuilding is a concept that has been used to describe the creation of immersive landscapes in fiction and games and is deeply resonant with archaeological knowledge construction. This article argues for worldbuilding in archaeology as a creative intervention that encourages an exploration of archaeological data throughout the process of creation, interpretation and dissemination to generate past worlds, shaped through community storytelling. …
Current Digital Archaeology
Digital archaeology is both a pervasive practice and a unique subdiscipline within archaeology. The diverse digital methods and tools employed by archaeologists have led to a proliferation of innovative practice that has fundamentally reconfigured the discipline. Rather than reviewing specific technologies, this review situates digital archaeology within broader theoretical debates regarding craft and embodiment; materiality; the uncanny; and eth…
Drawing and Knowledge Construction in Archaeology
The Aide Mémoire Project conducted a survey and a series of observational studies in field recording and artifact illustration to understand 1) the perception of digital and by-hand drawing in archaeology, 2) how drawing contributes to the creation of mental models that allow archaeologists to understand archaeological remains and artifacts, and 3) what impact digital drawing has on the creation of these mental models. Our toolkit includes the NA…
An archaeology of digital things
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Single Context Archaeology as Anarchist Praxis
The organization of archaeological fieldwork often resembles a military-style campaign structured around rigid, top-down hierarchies. This is reflected in many aspects of current practice, including the ultimate authority of the site director, the use of excavation methodologies that remove the act of interpretation from field archaeologists, and the general deskilling and reification of archaeological labor in fieldwork. Though there have been s…
Bodies in Motion
Normative notions of sex and gender were prevalent in discussion of European prehistoric societies until the last quarter of the 20th century. The progressive work that challenged a binary approach, published particularly in the 1990s, created an anticipation for further nuanced interpretation. This paper argues that, in contrast to this expectation, there was a surprising return to narrating a past of binary sex and gender. Societal roles have c…
Human, Transhuman, Posthuman Digital Archaeologies
Current archaeological thought evokes a sparking Catherine wheel: spinning fireworks that detonate light, colour, and sound with every movement. These theoretical turns swirl alongside the ongoing development and adoption of scientific and digital techniques that have wide-ranging implications for archaeological practices and interpretations. Two particularly combustible developments are posthumanism and the ontological turn, which emerged within…
Avatars, Monsters, and Machines
As digital practice in archaeology becomes pervasive and increasingly invisible, I argue that there is a deep creative potential in practising a cyborg archaeology. A cyborg archaeology draws from feminist posthumanism to transgress bounded constructions of past people as well as our current selves. By using embodied technologies to disturb archaeological interpretations, we can push the use of digital media in archaeology beyond traditional, ske…
Pencils and Pixels
Within the context of a growing emphasis on digital recording, what is the place of analog drawing in archaeological fieldwork? In this article, we situate the increased application of digital drawing methods by providing several historical examples of archaeological field drawing in British archaeology to demonstrate the connection between understanding the archaeological record and illustration. Given this background of analog archaeological re…
Shifting diets and the rise of male-biased inequality on the Central Plains of China during Eastern Zhou
Significance Male-biased inequality in Imperial China imposed strong limitations on the economic and intellectual contribution of women to the society and fostered male-biased resource distribution, because females were subordinated to the priorities of the patriarchal state. Analyzing human skeletal remains from early agricultural and later preimperial archaeological sites, we find no evidence of inequality between males and females in early far…
Animated GIFs as Expressive Visual Narratives and Expository Devices in Archaeology
Animated GIFs are uncommonly well suited for representing archaeology. A shudder-start, temporally ambiguous fragment of sequential media, the animated GIF (just GIFs, hereafter) occupies the margins of formal discourse, visually annotating everyday life on the Internet. The creation of a GIF – compiling frames of action into a sequence – draws an easy parallel with the mode of atomizing that characterises excavation, treating archaeological depo…
Punk, DIY, and Anarchy in Archaeological Thought and Practice
Recent developments in archaeological thought and practice involve a seemingly disparate selection of ideas that can be collected and organized as contributing to an anti-authoritarian, “punk” archaeology. This includes the contemporary archaeology of punk rock, the DIY and punk ethos of archaeological labor practices and community involvement, and a growing interest in anarchist theory as a productive way to understand communities in the past. I…
Analog to Digital
Archaeology and photography has a long, co-constructed history that has increasingly come under scrutiny as archaeologists negotiate the visual turn. Yet these investigations do not make use of existing qualitative and quantitative strategies developed by visual studies to understand representation in archaeological photographs. This article queries the large photographic archive created by ongoing work at the archaeological site of Çatalhöyük in…
What is the impact of mental health-related stigma on help-seeking? A systematic review of quantitative and qualitative studies
Background Individuals often avoid or delay seeking professional help for mental health problems. Stigma may be a key deterrent to help-seeking but this has not been reviewed systematically. Our systematic review addressed the overarching question: What is the impact of mental health-related stigma on help-seeking for mental health problems? Subquestions were: ( a ) What is the size and direction of any association between stigma and help-seeking…
Digital Media, Participatory Culture, and Difficult Heritage
A diverse and changing array of digital media have been used to present heritage online. While websites have been created for online heritage outreach for nearly two decades, social media is employed increasingly to complement and in some cases replace the use of websites. These same social media are used by stakeholders as a form of participatory culture, to create communities and to discuss heritage independently of narratives offered by offici…
Materializing Media Archaeologies
Weaving together the theoretical and methodological assets of the fields of archaeology and media archaeology, this paper presents the first phase of the Media Archaeology Drive Project (MAD-P) wherein we aim to articulate a formal procedure for the excavation of media objects. Using an abandoned hard drive as our case study, we introduce our approach, discuss its varied intellectual implications, and suggest a series of next steps for developing…
Dig Houses, Dwelling, and Knowledge Production in Archaeology
Dig houses are where archaeologists dwell during excavations. These accommodations vary as broadly as their accompanying archaeological sites and are integral to the experience of archaeological investigation. Even as interest in embodied approaches to archaeology become popular, dig houses remain invisible in academic literature. In this article we examine the impact of the lived environment on archaeological research. To provide context to this…
Introduction
This special volume of Internet Archaeology collects the leading voices of blogging in archaeology to provide a critical examination of informal, online self-publication. This collection of articles is one result of over a decade of digital communication; the confluence of a conversation that grew from a few lonely voices to a tumultuous cacophony. Even so, blogging has had very little scrutiny in wider archaeological publication (but see Caraher…
Archaeology, the Public and the Recent Past
Archaeology of the recent past is a growing concern across the profession. Archaeology and Preservation of Gendered Landscapes is an edited volume that focuses on gender dynamics across various his
Faces of Archaeology
Archaeology and the Moving Image
Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovat…
Recovery in Severe Mental Illnesses
Recovery is an increasingly important construct in mental health services for adults with serious mental illnesses. It is defined as an active process of integrating mental health care with daily existence, creating a purposeful life regardless of diagnosis. Social work principles align with central values of recovery. Social workers who provide services to consumers may find it helpful to use a standardized recovery instrument in practice. The a…
Archeology & the Uncertain Edge
DIY and digital archaeology
The power and the promise of digital technology provides the opportunity to revolutionise the way we think about and do archaeology. This opportunity has been seized by a few enterprising archaeologists, but can only be fully realised when a culture of participation and sharing is fostered in both academic and professional realms. Digital literacy and critical digital media object creation cannot be the realm of only a few heritage professionals,…
(Re)Building Çatalhöyük
Building virtual models of archaeological sites has been seen as a legitimate mode of representing the past, yet these models are too often the end product of a process in which archaeologists have relatively limited engagement. Instead of building static, isolated, uncanny, and authorless reconstructions, I argue for a more active role for archaeologists in virtual reconstruction and address issues of representational accuracy, personal expressi…
Current Digital Archaeology
Digital archaeology is both a pervasive practice and a unique subdiscipline within archaeology. The diverse digital methods and tools employed by archaeologists have led to a proliferation of innovative practice that has fundamentally reconfigured the discipline. Rather than reviewing specific technologies, this review situates digital archaeology within broader theoretical debates regarding craft and embodiment; materiality; the uncanny; and eth…
Avatars, Monsters, and Machines
As digital practice in archaeology becomes pervasive and increasingly invisible, I argue that there is a deep creative potential in practising a cyborg archaeology. A cyborg archaeology draws from feminist posthumanism to transgress bounded constructions of past people as well as our current selves. By using embodied technologies to disturb archaeological interpretations, we can push the use of digital media in archaeology beyond traditional, ske…
Pencils and Pixels
Within the context of a growing emphasis on digital recording, what is the place of analog drawing in archaeological fieldwork? In this article, we situate the increased application of digital drawing methods by providing several historical examples of archaeological field drawing in British archaeology to demonstrate the connection between understanding the archaeological record and illustration. Given this background of analog archaeological re…
Punk, DIY, and Anarchy in Archaeological Thought and Practice
Recent developments in archaeological thought and practice involve a seemingly disparate selection of ideas that can be collected and organized as contributing to an anti-authoritarian, “punk” archaeology. This includes the contemporary archaeology of punk rock, the DIY and punk ethos of archaeological labor practices and community involvement, and a growing interest in anarchist theory as a productive way to understand communities in the past. I…
Bodies in Motion
Normative notions of sex and gender were prevalent in discussion of European prehistoric societies until the last quarter of the 20th century. The progressive work that challenged a binary approach, published particularly in the 1990s, created an anticipation for further nuanced interpretation. This paper argues that, in contrast to this expectation, there was a surprising return to narrating a past of binary sex and gender. Societal roles have c…
Single Context Archaeology as Anarchist Praxis
The organization of archaeological fieldwork often resembles a military-style campaign structured around rigid, top-down hierarchies. This is reflected in many aspects of current practice, including the ultimate authority of the site director, the use of excavation methodologies that remove the act of interpretation from field archaeologists, and the general deskilling and reification of archaeological labor in fieldwork. Though there have been s…
Materializing Media Archaeologies
Weaving together the theoretical and methodological assets of the fields of archaeology and media archaeology, this paper presents the first phase of the Media Archaeology Drive Project (MAD-P) wherein we aim to articulate a formal procedure for the excavation of media objects. Using an abandoned hard drive as our case study, we introduce our approach, discuss its varied intellectual implications, and suggest a series of next steps for developing…
Towards New Futures for Archaeological Data Production
Archaeologists create vast amounts of specialized data, which are often difficult to access, maintain, and reuse, even for practitioners themselves. In this article, we explore the implication of professional practices of data production in fueling archaeonormativity—i.e., the naturalization of behaviors and structures in archaeology that strip it of affect and meaning and that deny human (and non-human) agency and equity. We contend that storyte…
Human, Transhuman, Posthuman Digital Archaeologies
Current archaeological thought evokes a sparking Catherine wheel: spinning fireworks that detonate light, colour, and sound with every movement. These theoretical turns swirl alongside the ongoing development and adoption of scientific and digital techniques that have wide-ranging implications for archaeological practices and interpretations. Two particularly combustible developments are posthumanism and the ontological turn, which emerged within…
Analog to Digital
Archaeology and photography has a long, co-constructed history that has increasingly come under scrutiny as archaeologists negotiate the visual turn. Yet these investigations do not make use of existing qualitative and quantitative strategies developed by visual studies to understand representation in archaeological photographs. This article queries the large photographic archive created by ongoing work at the archaeological site of Çatalhöyük in…
Archaeology and the Moving Image
Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovat…
An archaeology of digital things
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dig Houses, Dwelling, and Knowledge Production in Archaeology
Dig houses are where archaeologists dwell during excavations. These accommodations vary as broadly as their accompanying archaeological sites and are integral to the experience of archaeological investigation. Even as interest in embodied approaches to archaeology become popular, dig houses remain invisible in academic literature. In this article we examine the impact of the lived environment on archaeological research. To provide context to this…
Archaeology as Worldbuilding
Worldbuilding is a concept that has been used to describe the creation of immersive landscapes in fiction and games and is deeply resonant with archaeological knowledge construction. This article argues for worldbuilding in archaeology as a creative intervention that encourages an exploration of archaeological data throughout the process of creation, interpretation and dissemination to generate past worlds, shaped through community storytelling. …
Ruins of modernity (politics, history, and culture)
Drawing and Knowledge Construction in Archaeology
The Aide Mémoire Project conducted a survey and a series of observational studies in field recording and artifact illustration to understand 1) the perception of digital and by-hand drawing in archaeology, 2) how drawing contributes to the creation of mental models that allow archaeologists to understand archaeological remains and artifacts, and 3) what impact digital drawing has on the creation of these mental models. Our toolkit includes the NA…
Introduction
This special volume of Internet Archaeology collects the leading voices of blogging in archaeology to provide a critical examination of informal, online self-publication. This collection of articles is one result of over a decade of digital communication; the confluence of a conversation that grew from a few lonely voices to a tumultuous cacophony. Even so, blogging has had very little scrutiny in wider archaeological publication (but see Caraher…
Faces of Archaeology
International Relations and Politics
LVAD as destination therapy - the economic dilemma
The artificial heart, after decades of development, remains a long way off as a practical remedy for people with failing hearts. But a related technology, the left ventricular assist device (LVAD), has passed major milestones in its development and is poised for widespread use. This technology, which is an offshoot of the artificial heart program, may well have greater impact on society than the artificial heart. It is time to consider its probab…
(Re)Building Çatalhöyük
Building virtual models of archaeological sites has been seen as a legitimate mode of representing the past, yet these models are too often the end product of a process in which archaeologists have relatively limited engagement. Instead of building static, isolated, uncanny, and authorless reconstructions, I argue for a more active role for archaeologists in virtual reconstruction and address issues of representational accuracy, personal expressi…
Ruins of modernity (politics, history, and culture)
Archeology & the Uncertain Edge
DIY and digital archaeology
The power and the promise of digital technology provides the opportunity to revolutionise the way we think about and do archaeology. This opportunity has been seized by a few enterprising archaeologists, but can only be fully realised when a culture of participation and sharing is fostered in both academic and professional realms. Digital literacy and critical digital media object creation cannot be the realm of only a few heritage professionals,…
Recovery in Severe Mental Illnesses
Recovery is an increasingly important construct in mental health services for adults with serious mental illnesses. It is defined as an active process of integrating mental health care with daily existence, creating a purposeful life regardless of diagnosis. Social work principles align with central values of recovery. Social workers who provide services to consumers may find it helpful to use a standardized recovery instrument in practice. The a…
Faces of Archaeology
Archaeology and the Moving Image
Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovat…
What is the impact of mental health-related stigma on help-seeking? A systematic review of quantitative and qualitative studies
Background Individuals often avoid or delay seeking professional help for mental health problems. Stigma may be a key deterrent to help-seeking but this has not been reviewed systematically. Our systematic review addressed the overarching question: What is the impact of mental health-related stigma on help-seeking for mental health problems? Subquestions were: ( a ) What is the size and direction of any association between stigma and help-seeking…
Digital Media, Participatory Culture, and Difficult Heritage
A diverse and changing array of digital media have been used to present heritage online. While websites have been created for online heritage outreach for nearly two decades, social media is employed increasingly to complement and in some cases replace the use of websites. These same social media are used by stakeholders as a form of participatory culture, to create communities and to discuss heritage independently of narratives offered by offici…
Materializing Media Archaeologies
Weaving together the theoretical and methodological assets of the fields of archaeology and media archaeology, this paper presents the first phase of the Media Archaeology Drive Project (MAD-P) wherein we aim to articulate a formal procedure for the excavation of media objects. Using an abandoned hard drive as our case study, we introduce our approach, discuss its varied intellectual implications, and suggest a series of next steps for developing…
Dig Houses, Dwelling, and Knowledge Production in Archaeology
Dig houses are where archaeologists dwell during excavations. These accommodations vary as broadly as their accompanying archaeological sites and are integral to the experience of archaeological investigation. Even as interest in embodied approaches to archaeology become popular, dig houses remain invisible in academic literature. In this article we examine the impact of the lived environment on archaeological research. To provide context to this…
Introduction
This special volume of Internet Archaeology collects the leading voices of blogging in archaeology to provide a critical examination of informal, online self-publication. This collection of articles is one result of over a decade of digital communication; the confluence of a conversation that grew from a few lonely voices to a tumultuous cacophony. Even so, blogging has had very little scrutiny in wider archaeological publication (but see Caraher…
Archaeology, the Public and the Recent Past
Archaeology of the recent past is a growing concern across the profession. Archaeology and Preservation of Gendered Landscapes is an edited volume that focuses on gender dynamics across various his
Analog to Digital
Archaeology and photography has a long, co-constructed history that has increasingly come under scrutiny as archaeologists negotiate the visual turn. Yet these investigations do not make use of existing qualitative and quantitative strategies developed by visual studies to understand representation in archaeological photographs. This article queries the large photographic archive created by ongoing work at the archaeological site of Çatalhöyük in…
Shifting diets and the rise of male-biased inequality on the Central Plains of China during Eastern Zhou
Significance Male-biased inequality in Imperial China imposed strong limitations on the economic and intellectual contribution of women to the society and fostered male-biased resource distribution, because females were subordinated to the priorities of the patriarchal state. Analyzing human skeletal remains from early agricultural and later preimperial archaeological sites, we find no evidence of inequality between males and females in early far…
Animated GIFs as Expressive Visual Narratives and Expository Devices in Archaeology
Animated GIFs are uncommonly well suited for representing archaeology. A shudder-start, temporally ambiguous fragment of sequential media, the animated GIF (just GIFs, hereafter) occupies the margins of formal discourse, visually annotating everyday life on the Internet. The creation of a GIF – compiling frames of action into a sequence – draws an easy parallel with the mode of atomizing that characterises excavation, treating archaeological depo…
Punk, DIY, and Anarchy in Archaeological Thought and Practice
Recent developments in archaeological thought and practice involve a seemingly disparate selection of ideas that can be collected and organized as contributing to an anti-authoritarian, “punk” archaeology. This includes the contemporary archaeology of punk rock, the DIY and punk ethos of archaeological labor practices and community involvement, and a growing interest in anarchist theory as a productive way to understand communities in the past. I…
Pencils and Pixels
Within the context of a growing emphasis on digital recording, what is the place of analog drawing in archaeological fieldwork? In this article, we situate the increased application of digital drawing methods by providing several historical examples of archaeological field drawing in British archaeology to demonstrate the connection between understanding the archaeological record and illustration. Given this background of analog archaeological re…
Single Context Archaeology as Anarchist Praxis
The organization of archaeological fieldwork often resembles a military-style campaign structured around rigid, top-down hierarchies. This is reflected in many aspects of current practice, including the ultimate authority of the site director, the use of excavation methodologies that remove the act of interpretation from field archaeologists, and the general deskilling and reification of archaeological labor in fieldwork. Though there have been s…
Bodies in Motion
Normative notions of sex and gender were prevalent in discussion of European prehistoric societies until the last quarter of the 20th century. The progressive work that challenged a binary approach, published particularly in the 1990s, created an anticipation for further nuanced interpretation. This paper argues that, in contrast to this expectation, there was a surprising return to narrating a past of binary sex and gender. Societal roles have c…
Human, Transhuman, Posthuman Digital Archaeologies
Current archaeological thought evokes a sparking Catherine wheel: spinning fireworks that detonate light, colour, and sound with every movement. These theoretical turns swirl alongside the ongoing development and adoption of scientific and digital techniques that have wide-ranging implications for archaeological practices and interpretations. Two particularly combustible developments are posthumanism and the ontological turn, which emerged within…
Avatars, Monsters, and Machines
As digital practice in archaeology becomes pervasive and increasingly invisible, I argue that there is a deep creative potential in practising a cyborg archaeology. A cyborg archaeology draws from feminist posthumanism to transgress bounded constructions of past people as well as our current selves. By using embodied technologies to disturb archaeological interpretations, we can push the use of digital media in archaeology beyond traditional, ske…
Drawing and Knowledge Construction in Archaeology
The Aide Mémoire Project conducted a survey and a series of observational studies in field recording and artifact illustration to understand 1) the perception of digital and by-hand drawing in archaeology, 2) how drawing contributes to the creation of mental models that allow archaeologists to understand archaeological remains and artifacts, and 3) what impact digital drawing has on the creation of these mental models. Our toolkit includes the NA…
History (24 obras) · Archaeology (23 obras) · History (21 obras) · Art (15 obras) · Sociology (15 obras) · Political science (12 obras) · Law (10 obras) · Computer Science (9 obras) · Archaeological Research and Protection (8 obras) · Aesthetics (7 obras)