Giovanni Verri
Biographic Data
| ID | 1344830 |
|---|---|
| NAME | Giovanni Verri |
| GIVEN NAMES | Giovanni |
| FAMILY NAME | Verri |
| SIGNATURE | VERRI G |
| AFFILIATIONS | Art Institute of Chicago |
| ORCID | 0000-0002-1297-2152 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
“Tomb of the Philosophers” in Pella, Macedonia Revisited
This article discusses the new findings on the iconography of the two figural friezes painted in the interior of the “Tomb of the Philosophers”, an early Hellenistic, monumental, built cist grave, situated in the east cemetery of Pella, Macedonia. A new technical investigation of the tomb’s wall paintings has allowed the revision of older readings of the two friezes. In the lower, main figural frieze new observations pertain to figure characteriz…
Investigating Colors and Techniques on the Wall Paintings of the ‘Tomb of the Philosophers’, an Early Hellenistic Macedonian Monumental Cist Tomb in Pella (Macedonia, Greece)
The ‘Tomb of the Philosophers’, owing its name to the iconographic theme depicted on the interior of its walls, offers a rare example of high-quality early Hellenistic painting, which enhances our knowledge on the use of painting materials and techniques in Greece during the late 4th–early 3rd century BC. The tomb was excavated in 2001 by the 17th Ephorate of Prehistoric and Classical Antiquities, in the area of the east cemetery of the ancient c…
Color and Light
During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow. Some of the best-preserved examples clearly show the subtlety of such pictorial effects. Among them is a statuette of a standing Maenad, held in the collections of the National Archaeological Museum in Athens (inv. 5000…
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
The “lost art” of Archaic Greek painting
In the present work, four wooden panels dated to the second half of the 6th century B.C., discovered in 1934 inside a cave located in Corinthia near the ancient city of Sicyon, are examined. The “Pitsa pinakes” are the oldest known examples of panel painting in ancient Greece. The application of non-invasive and non-contact imaging and analytical techniques (imaging techniques, including infrared-reflected and visible-induced luminescence, micros…
Investigations of a Gandharan stucco head of the Buddha at the Victoria and Albert Museum (IM.3-1931)
This study presents the results of a technical and art historical study of an important Gandharan head from the Victoria and Albert Museum. For several years, the head has played an important role in the history of Gandharan art, because of its high aesthetic qualities. However, the head has received limited scholarly attention since its first display in the 1930s. This study reviewed the head’s physical, curatorial and conservation history and d…
Two Short Essays by Árni Magnússon on the Origins of the Icelandic Language
This article presents two essays by the renowned Icelandic manuscript collector Árni Magnússon (1663-1730): De gothicæ lingvæ nomine [On the expression 'the Gothic language'] and Annotationes aliqvot de lingvis et migrationibus gentium septentrionalium [Some notes on the languages and migrations of the northern peoples]. The two essays are here edited and published in their original language, Latin. Moreover, an English translation is also presen…
Looted, Recovered, Returned
Flint procurement strategies in the Late Lower Palaeolithic recorded by in situ produced cosmogenic 10Be in Tabun and Qesem Caves (Israel)
Flint procurement strategies in the Late Lower Palaeolithic recorded by in situ produced cosmogenic 10Be in Tabun and Qesem Caves (Israel)
Investigating Colors and Techniques on the Wall Paintings of the ‘Tomb of the Philosophers’, an Early Hellenistic Macedonian Monumental Cist Tomb in Pella (Macedonia, Greece)
The ‘Tomb of the Philosophers’, owing its name to the iconographic theme depicted on the interior of its walls, offers a rare example of high-quality early Hellenistic painting, which enhances our knowledge on the use of painting materials and techniques in Greece during the late 4th–early 3rd century BC. The tomb was excavated in 2001 by the 17th Ephorate of Prehistoric and Classical Antiquities, in the area of the east cemetery of the ancient c…
Color and Light
During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow. Some of the best-preserved examples clearly show the subtlety of such pictorial effects. Among them is a statuette of a standing Maenad, held in the collections of the National Archaeological Museum in Athens (inv. 5000…
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
Flint procurement strategies in the Late Lower Palaeolithic recorded by in situ produced cosmogenic 10Be in Tabun and Qesem Caves (Israel)
Looted, Recovered, Returned
Two Short Essays by Árni Magnússon on the Origins of the Icelandic Language
This article presents two essays by the renowned Icelandic manuscript collector Árni Magnússon (1663-1730): De gothicæ lingvæ nomine [On the expression 'the Gothic language'] and Annotationes aliqvot de lingvis et migrationibus gentium septentrionalium [Some notes on the languages and migrations of the northern peoples]. The two essays are here edited and published in their original language, Latin. Moreover, an English translation is also presen…
The “lost art” of Archaic Greek painting
In the present work, four wooden panels dated to the second half of the 6th century B.C., discovered in 1934 inside a cave located in Corinthia near the ancient city of Sicyon, are examined. The “Pitsa pinakes” are the oldest known examples of panel painting in ancient Greece. The application of non-invasive and non-contact imaging and analytical techniques (imaging techniques, including infrared-reflected and visible-induced luminescence, micros…
Investigations of a Gandharan stucco head of the Buddha at the Victoria and Albert Museum (IM.3-1931)
This study presents the results of a technical and art historical study of an important Gandharan head from the Victoria and Albert Museum. For several years, the head has played an important role in the history of Gandharan art, because of its high aesthetic qualities. However, the head has received limited scholarly attention since its first display in the 1930s. This study reviewed the head’s physical, curatorial and conservation history and d…
Investigating Colors and Techniques on the Wall Paintings of the ‘Tomb of the Philosophers’, an Early Hellenistic Macedonian Monumental Cist Tomb in Pella (Macedonia, Greece)
The ‘Tomb of the Philosophers’, owing its name to the iconographic theme depicted on the interior of its walls, offers a rare example of high-quality early Hellenistic painting, which enhances our knowledge on the use of painting materials and techniques in Greece during the late 4th–early 3rd century BC. The tomb was excavated in 2001 by the 17th Ephorate of Prehistoric and Classical Antiquities, in the area of the east cemetery of the ancient c…
Color and Light
During the Hellenistic period and under the growing influence of the art of painting, the polychromy of Greek terracotta figurines focused not only on an elaborate rendering of color, but also on the interplay of light and shadow. Some of the best-preserved examples clearly show the subtlety of such pictorial effects. Among them is a statuette of a standing Maenad, held in the collections of the National Archaeological Museum in Athens (inv. 5000…
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
“Tomb of the Philosophers” in Pella, Macedonia Revisited
This article discusses the new findings on the iconography of the two figural friezes painted in the interior of the “Tomb of the Philosophers”, an early Hellenistic, monumental, built cist grave, situated in the east cemetery of Pella, Macedonia. A new technical investigation of the tomb’s wall paintings has allowed the revision of older readings of the two friezes. In the lower, main figural frieze new observations pertain to figure characteriz…
Archaeology (6 works) · Art (6 works) · History (6 works) · Cultural Heritage Materials Analysis (5 works) · Art history (4 works) · Building materials and conservation (4 works) · Conservation Techniques and Studies (4 works) · Ancient history (3 works) · Geography (3 works) · Painting (3 works)