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Hauke Dorsch

Datos Biográficos

ID134934
NOMBREHauke Dorsch
NOMBRESHauke
APELLIDODorsch
FIRMADORSCH H
AFILIACIONESAMA African Music Archives /Archiv für die Musik Afrikas Institut für Ethnologie und Afrikastudien Forum Universitatis, Mainz, Germany
VERIFICADONo
TOTAL DE OBRAS4
TOTAL DE CITAS9
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2020
ÍNDICE H1
  • La kora et l’imaginaire musical dans le monde et dans le cloître

    Hauke Dorsch, Isabelle Jonveaux et al.•ARTICLE•Hermès•2020•Citada por: 1

  • Diasporizando a Tradição. Griots e Estudiosos no Atlântico Negro

    Open Access•Hauke Dorsch, Hauke Dorscht•ARTICLE•Contemporânea - revista de…•2020

    Esta contribuição segue três gerações de músicos da África Ocidental de famílias griots ao longo de suas viagens pelo Atlântico e conecta suas trajetórias com debates acadêmicos na área dos estudos da diáspora africana. Argumentando que ambos, os debates acadêmicos e as viagens dos griots, refletem tendências sociais e culturais mais amplas, este artigo mostrará como griots e griotes usam suas afirmações sobre tradição como um capital cultural vi…

  • Making Manding in the concert hall - Jali Pop in Paris

    Hauke Dorsch•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 1•Referencias: 12

    This contribution looks at performances of West African musicians in the diaspora in order to find out in which way artists consciously evoke feelings of home and address issues of identity and belonging. Taking as its starting point concerts by Senegambian griots both in the 1990s and in 2015, the article shows the striking continuity of the performance of a Mande and more precisely Mandinka identity. As a contrasting example the article describ…

  • Indépendance Cha Cha

    Open Access•Hauke Dorsch•ARTICLE•Africa Spectrum•2010•Citada por: 7•Referencias: 5

    Investigating why Latin American music came to be the sound-track of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on th…

  • Indépendance Cha Cha

    Open Access•Hauke Dorsch•ARTICLE•Africa Spectrum•2010•Citada por: 7•Referencias: 5

    Investigating why Latin American music came to be the sound-track of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on th…

  • La kora et l’imaginaire musical dans le monde et dans le cloître

    Hauke Dorsch, Isabelle Jonveaux et al.•ARTICLE•Hermès•2020•Citada por: 1

  • Making Manding in the concert hall - Jali Pop in Paris

    Hauke Dorsch•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 1•Referencias: 12

    This contribution looks at performances of West African musicians in the diaspora in order to find out in which way artists consciously evoke feelings of home and address issues of identity and belonging. Taking as its starting point concerts by Senegambian griots both in the 1990s and in 2015, the article shows the striking continuity of the performance of a Mande and more precisely Mandinka identity. As a contrasting example the article describ…

  • Indépendance Cha Cha

    Open Access•Hauke Dorsch•ARTICLE•Africa Spectrum•2010•Citada por: 7•Referencias: 5

    Investigating why Latin American music came to be the sound-track of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on th…

  • Making Manding in the concert hall - Jali Pop in Paris

    Hauke Dorsch•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 1•Referencias: 12

    This contribution looks at performances of West African musicians in the diaspora in order to find out in which way artists consciously evoke feelings of home and address issues of identity and belonging. Taking as its starting point concerts by Senegambian griots both in the 1990s and in 2015, the article shows the striking continuity of the performance of a Mande and more precisely Mandinka identity. As a contrasting example the article describ…

  • La kora et l’imaginaire musical dans le monde et dans le cloître

    Hauke Dorsch, Isabelle Jonveaux et al.•ARTICLE•Hermès•2020•Citada por: 1

  • Diasporizando a Tradição. Griots e Estudiosos no Atlântico Negro

    Open Access•Hauke Dorsch, Hauke Dorscht•ARTICLE•Contemporânea - revista de…•2020

    Esta contribuição segue três gerações de músicos da África Ocidental de famílias griots ao longo de suas viagens pelo Atlântico e conecta suas trajetórias com debates acadêmicos na área dos estudos da diáspora africana. Argumentando que ambos, os debates acadêmicos e as viagens dos griots, refletem tendências sociais e culturais mais amplas, este artigo mostrará como griots e griotes usam suas afirmações sobre tradição como um capital cultural vi…

Art (4 obras) · Law (2 obras) · Political science (2 obras) · Politics (2 obras) · Sociology (2 obras) · Aesthetics (1 obras) · African history and culture studies (1 obras) · Anthropology (1 obras) · Caribbean and African Literature and Culture (1 obras) · Colonialism, slavery, and trade (1 obras)

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