Reis Flora
Biographic Data
| ID | 1352166 |
|---|---|
| NAME | Reis Flora |
| GIVEN NAMES | Reis |
| FAMILY NAME | Flora |
| SIGNATURE | FLORA R |
| AFFILIATIONS | The University of Melbourne |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Mukhavīṇā
Raja Sir Sourindro Mohun Tagore (1840–1914)
Raja Sir Sourindro Mohun Tagore contributed extensively to music education in his home city of Calcutta during the late nineteenth century and also to the global distribution of information about N
Styles of the Sahnai in Recent Decades
La place et la fonction du « śahnāī », aerophone indien a double anche, ont evolue au 20 eme siecle comme le montrent les differentes illustrations analysees. Si dans l'ensemble instrumental « nawbāt », les timbales dominaient, elles furent progressivement substituees par les « śahnāī », le style musical changeant lui aussi
Performing Arts in India
Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249
Spiralled-leaf reedpipes and shawms of the Indian Ocean littoral
Two features distinguish shawms of the Indian Ocean region; an attached bell and a double reed made from multiple layers of leaf material. The origin of both characteristics possibly lies in a type of wind instrument mentioned in an Indian text from ca. A.D. 300. A comparison of contemporary ethnographic data in South and Southeast Asia with ancient textual descriptions and definitions suggests that these early instruments were reedpipes made fro…
Dance and music in south asian drama
This publication, which contains a rich kaleidoscope of information from the third colloquium on Asian Traditional Performing Arts (ATPA), extends a valuable tradition initiated in 1976. Under the patronage of The Japan Foundation, which is to be highly commended for its continuing administrative and financial support, the three ATPA colloquies have enabled performing artists and specialist scholars to meet together in Tokyo to demonstrate variou…
Music
Recent Recordings of Music from the Indian Subcontinent
No prominent works on this page.
Recent Recordings of Music from the Indian Subcontinent
Music
Spiralled-leaf reedpipes and shawms of the Indian Ocean littoral
Two features distinguish shawms of the Indian Ocean region; an attached bell and a double reed made from multiple layers of leaf material. The origin of both characteristics possibly lies in a type of wind instrument mentioned in an Indian text from ca. A.D. 300. A comparison of contemporary ethnographic data in South and Southeast Asia with ancient textual descriptions and definitions suggests that these early instruments were reedpipes made fro…
Dance and music in south asian drama
This publication, which contains a rich kaleidoscope of information from the third colloquium on Asian Traditional Performing Arts (ATPA), extends a valuable tradition initiated in 1976. Under the patronage of The Japan Foundation, which is to be highly commended for its continuing administrative and financial support, the three ATPA colloquies have enabled performing artists and specialist scholars to meet together in Tokyo to demonstrate variou…
Performing Arts in India
Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249
Styles of the Sahnai in Recent Decades
La place et la fonction du « śahnāī », aerophone indien a double anche, ont evolue au 20 eme siecle comme le montrent les differentes illustrations analysees. Si dans l'ensemble instrumental « nawbāt », les timbales dominaient, elles furent progressivement substituees par les « śahnāī », le style musical changeant lui aussi
Raja Sir Sourindro Mohun Tagore (1840–1914)
Raja Sir Sourindro Mohun Tagore contributed extensively to music education in his home city of Calcutta during the late nineteenth century and also to the global distribution of information about N
Mukhavīṇā
Art (5 works) · History (5 works) · Diverse Musicological Studies (4 works) · Computer Science (3 works) · History (3 works) · Literature (3 works) · Ancient history (2 works) · Archaeology (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works)