Styles of the Sahnai in Recent Decades
From naubat to gayaki ang
Bibliographic Data
| ID | 4737533 |
|---|---|
| Authors | Reis Flora (corresponding author) |
| Year | 1995 |
| Volume | 27 |
| Pages | 52 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/768103 |
| OpenAlex | W2315104726 |
| Language | EN |
| Citations received | 1 |
La place et la fonction du « śahnāī », aerophone indien a double anche, ont evolue au 20 eme siecle comme le montrent les differentes illustrations analysees. Si dans l'ensemble instrumental « nawbāt », les timbales dominaient, elles furent progressivement substituees par les « śahnāī », le style musical changeant lui aussi
Art · Humanities · Literature · Political science · Diverse Musicological Studies · Southeast Asian Sociopolitical Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,04 |
| Citation span | 2000 - 2000 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |