Risto Pekka Pennanen
Biographic Data
| ID | 1352189 |
|---|---|
| NAME | Risto Pekka Pennanen |
| GIVEN NAMES | Risto Pekka |
| FAMILY NAME | Pennanen |
| SIGNATURE | PENNANEN R P |
| AFFILIATIONS | Tampere University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Play and Pay: The Ill-Starred Project of the Municipal Tax on Musical Instruments in Prague, 1910–1913
Utilising archival documents and the press, this article scrutinises aspects of the connections between local government, taxation and domestic music in Prague, 1910–1913; of all the European tax initiatives on musical instruments, the Prague one was the most ambitious and comprehensive. The administration aimed at raising considerable revenues and lessening the disturbance from music by taxing pianos, harmoniums, gramophones and orchestrions in …
Zagreb, London, Berlin, New York: The Origins of the Record Industry in Croatia (1902–1939)
The record industry grew rapidly between 1900 and 1914. Although record production was concentrated in the largest industrialised countries, companies set out to create a global market by recording songs in all major languages. Typically, they sent their engineers on expeditions which took them to major European cities. They made recordings with local artists selected by the company’s local representatives. The recording masters were shipped to a…
Merih Erol, Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform
Lost in scales: Balkan folk music research and the ottoman legacy
Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian clas…
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
This article addresses the effects of chordal harmony on makam‐ or dromos‐based Greek popular music, a feature almost completely ignored in previous research. The goal is to reconsider the asserted rapid Westernization of rebetika and especially laika styles after the World War II. Processes of change examined are Westernization, modernization and Orientalization. The analyses are based on interviews with professional musicians and transcriptions…
The God-Praising Drums of Sarajevo
Description des differents instruments et essentiellement des tambours utilises par les derviches de Sarajevo lors des rituels « zikr » bien que leur emploi tende a diminuer
Lost in scales: Balkan folk music research and the ottoman legacy
Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian clas…
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
This article addresses the effects of chordal harmony on makam‐ or dromos‐based Greek popular music, a feature almost completely ignored in previous research. The goal is to reconsider the asserted rapid Westernization of rebetika and especially laika styles after the World War II. Processes of change examined are Westernization, modernization and Orientalization. The analyses are based on interviews with professional musicians and transcriptions…
The God-Praising Drums of Sarajevo
Description des differents instruments et essentiellement des tambours utilises par les derviches de Sarajevo lors des rituels « zikr » bien que leur emploi tende a diminuer
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
This article addresses the effects of chordal harmony on makam‐ or dromos‐based Greek popular music, a feature almost completely ignored in previous research. The goal is to reconsider the asserted rapid Westernization of rebetika and especially laika styles after the World War II. Processes of change examined are Westernization, modernization and Orientalization. The analyses are based on interviews with professional musicians and transcriptions…
Lost in scales: Balkan folk music research and the ottoman legacy
Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian clas…
Merih Erol, Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform
Zagreb, London, Berlin, New York: The Origins of the Record Industry in Croatia (1902–1939)
The record industry grew rapidly between 1900 and 1914. Although record production was concentrated in the largest industrialised countries, companies set out to create a global market by recording songs in all major languages. Typically, they sent their engineers on expeditions which took them to major European cities. They made recordings with local artists selected by the company’s local representatives. The recording masters were shipped to a…
Play and Pay: The Ill-Starred Project of the Municipal Tax on Musical Instruments in Prague, 1910–1913
Utilising archival documents and the press, this article scrutinises aspects of the connections between local government, taxation and domestic music in Prague, 1910–1913; of all the European tax initiatives on musical instruments, the Prague one was the most ambitious and comprehensive. The administration aimed at raising considerable revenues and lessening the disturbance from music by taxing pianos, harmoniums, gramophones and orchestrions in …
Art (5 works) · Diverse Musicological Studies (4 works) · History (4 works) · Ancient history (3 works) · Political science (3 works) · History (2 works) · Law (2 works) · Linguistics (2 works) · Literature (2 works) · Music Education and Analysis (2 works)