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Lost in scales

Balkan folk music research and the ottoman legacy

Bibliographic Data

ID8063140
AuthorsRisto Pekka Pennanen (corresponding author), Risto Pennanen (Društvo za visoke studije, Helsinki, Finland)
Year2008
Issue8
Pages127-147
Publication date2008-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMuzikologija (JOURNAL)
Journal identifiersISSN: 1450-9814 • E-ISSN: 2406-0976
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/muz0808127p
OpenAlexW2068133500
LanguageEN
Citations received7
References cited1

Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian classical raga scales as sources for Oriental scales in the Balkans. In addition, some scholars have viewed the 'Oriental' characteristics as stemming from ancient Greece. The treatment of the Seg?h family of Ottoman makams in theories and analyses reveals several features of folk music research in the Balkans, the most important of which are the use of Western concepts and the exclusive dependence on printed sources. The strategies for handling the Orient within have meandered between Occidentalism and Orientalism, creating an ambiguity which is called Balkanism

Ambiguity · Ancient history · Art · Classical music · Folk music · Linguistics · Literature · Musical · Orientalism · Persian · Turkish · Diverse Musicological Studies · Music Education and Analysis · Philippine History and Culture · History · Philosophy

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Unique citing works7
Citations per year0,5
Citation span2012 - 2025 (14)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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