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Marc Lapprand

Biographic Data

ID1354375
NAMEMarc Lapprand
GIVEN NAMESMarc
FAMILY NAMELapprand
SIGNATURELAPPRAND M
AFFILIATIONSUniversity of Victoria
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Boris Vian en son deuxième siècle

    Open Access•Marc Lapprand•ARTICLE•Études littéraires•2022

  • L'Oulipo vu par la critique anglo-saxonne

    Marc Lapprand•ARTICLE•Contemporary French and…•2016•References: 1

    This article proposes that Oulipo is observed and criticized in quite opposite manners on each side of the Atlantic Ocean, despite an overall mix of admiration and distance. While the French generally consider Oulipo as a sort of closed elite club, speaking to a small crowd of adequately trained readers, the English, and notably the North Americans, tend to assimilate Oulipo to an avant-garde, despite the aberration of an avant-garde exceeding ha…

  • De Rabelais à l'Oulipo

    Marc Lapprand•ARTICLE•Australian Journal of French…•2012

    Toute subversion langagière présuppose une norme de la langue, que celle-ci déstabilise tout en la raffermissant. Mais les jeux de langage s'apparentent aussi à la parodie car les normes grammaticales, sémantiques et textuelles leur sont constamment sous-jacentes. Les multiples jeux sur le langage, dans leur infinie variété, exploitent sans cesse la potentialité du système, en la mettant ainsi davantage en évidence. Ce principe est au coeur des r…

  • Jacques Jouet, Metro Poet

    Marc Lapprand•ARTICLE•SubStance•2001•Cited by: 2

    Jacques Jouet has invented a unique form of poetry: the "poème de métro," literally a poem exclusively written on the subway. The reader will find in Jouet's own article, "With (and Without) Constraints," details about the genesis of this particular genre along with the so-called self-defining poem, which is itself a metro poem. I would like to examine this new genre in its two complementary aspects: its mode of enunciation, which in effect "kill…

  • Le discours politique de Boris Vian

    Marc Lapprand•ARTICLE•Australian Journal of French…•1991•Cited by: 1

    Avant d'elaborer un modele theorique, l'A. distingue trois postures politiques fortement marquees chez B. Vian: l'antimilitarisme; l'anticlericalisme; l'anti-imperialisme (avec des relents d'anti-americanisme), et en rappelle les manifestations textuelles notables

  • Jacques Jouet, Metro Poet

    Marc Lapprand•ARTICLE•SubStance•2001•Cited by: 2

    Jacques Jouet has invented a unique form of poetry: the "poème de métro," literally a poem exclusively written on the subway. The reader will find in Jouet's own article, "With (and Without) Constraints," details about the genesis of this particular genre along with the so-called self-defining poem, which is itself a metro poem. I would like to examine this new genre in its two complementary aspects: its mode of enunciation, which in effect "kill…

  • Le discours politique de Boris Vian

    Marc Lapprand•ARTICLE•Australian Journal of French…•1991•Cited by: 1

    Avant d'elaborer un modele theorique, l'A. distingue trois postures politiques fortement marquees chez B. Vian: l'antimilitarisme; l'anticlericalisme; l'anti-imperialisme (avec des relents d'anti-americanisme), et en rappelle les manifestations textuelles notables

  • Le discours politique de Boris Vian

    Marc Lapprand•ARTICLE•Australian Journal of French…•1991•Cited by: 1

    Avant d'elaborer un modele theorique, l'A. distingue trois postures politiques fortement marquees chez B. Vian: l'antimilitarisme; l'anticlericalisme; l'anti-imperialisme (avec des relents d'anti-americanisme), et en rappelle les manifestations textuelles notables

  • Jacques Jouet, Metro Poet

    Marc Lapprand•ARTICLE•SubStance•2001•Cited by: 2

    Jacques Jouet has invented a unique form of poetry: the "poème de métro," literally a poem exclusively written on the subway. The reader will find in Jouet's own article, "With (and Without) Constraints," details about the genesis of this particular genre along with the so-called self-defining poem, which is itself a metro poem. I would like to examine this new genre in its two complementary aspects: its mode of enunciation, which in effect "kill…

  • De Rabelais à l'Oulipo

    Marc Lapprand•ARTICLE•Australian Journal of French…•2012

    Toute subversion langagière présuppose une norme de la langue, que celle-ci déstabilise tout en la raffermissant. Mais les jeux de langage s'apparentent aussi à la parodie car les normes grammaticales, sémantiques et textuelles leur sont constamment sous-jacentes. Les multiples jeux sur le langage, dans leur infinie variété, exploitent sans cesse la potentialité du système, en la mettant ainsi davantage en évidence. Ce principe est au coeur des r…

  • L'Oulipo vu par la critique anglo-saxonne

    Marc Lapprand•ARTICLE•Contemporary French and…•2016•References: 1

    This article proposes that Oulipo is observed and criticized in quite opposite manners on each side of the Atlantic Ocean, despite an overall mix of admiration and distance. While the French generally consider Oulipo as a sort of closed elite club, speaking to a small crowd of adequately trained readers, the English, and notably the North Americans, tend to assimilate Oulipo to an avant-garde, despite the aberration of an avant-garde exceeding ha…

  • Boris Vian en son deuxième siècle

    Open Access•Marc Lapprand•ARTICLE•Études littéraires•2022

Art (4 works) · History (3 works) · Humanities (3 works) · Law (2 works) · Law (2 works) · Linguistics and Discourse Analysis (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae