Marci R Mcmahon
Biographic Data
| ID | 1355178 |
|---|---|
| NAME | Marci R Mcmahon |
| GIVEN NAMES | Marci R |
| FAMILY NAME | Mcmahon |
| SIGNATURE | MCMAHON M R |
| AFFILIATIONS | The University of Texas Rio Grande Valley |
| ORCID | 0000-0001-8448-5276 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Sound Acts, Part 2: Copresen(t/c)ing Vibration
Dear readers, if you are just tuning in to this ongoing jam session, we invite you to get (un)settled and listen to the frequencies tapped herein. You can always replay our opening salvo to sound and performance studies in Sound Acts, Part I or immerse yourself in the melodic lines of argument put forth in this second issue
Sound Acts, Part 1: Calling Back Performance Studies
Domestic Negotiations: Gender, Nation, and Self-Fashioning in US Mexicana and Chicana Literature and Art
This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through "negotiation"—a concept that accounts for artistic practices outside the duality of resistance/accommodation—and "self-fashioning," Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring de…
Oye, Oye
Research Article| March 01 2019 ¡Oye, Oye!: A Manifesto for Listening to Latinx Theater Patricia Herrera, Patricia Herrera Patricia Herrera is associate professor in the Department of Theatre and Dance at the University of Richmond. Her research focuses on contemporary theater and performance, with an emphasis on social justice, Latinx cultural production, and identity politics. She is the author of the forthcoming book Nuyorican Feminist Perform…
Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra
Reviewed by: Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra Marci R. McMahon LATINX THEATER IN THE TIMES OF NEOLIBERALISM. By Patricia A. Ybarra. Performance Works series. Evanston, IL: Northwestern University Press, 2017; pp. 264. In Latinx Theater in the Times of Neoliberalism, Patricia Ybarra engages Latinx theatre of the past three decades that stages embodied and affective experiences of neoliberal violence, including for…
Sonic cultural citizenship through performance: Casa 0101’s production of Josefina López’s Detained in the Desert
This essay listens to aurality in conjunction with the visual classification of racialized bodies in neoliberal citizenship through what I term “sonic cultural citizenship.” Through a close listening to the 2010 production of Josefina López’s Detained in the Desert at CASA 0101, the essay amplifies racism as operating through affective performative dimensions, where citizenship is renegotiated and resisted through sonic performance. Detained cent…
Self-Fashioning through Glamour and Punk in East Los Angeles
Patssi Valdez, one of the most influential yet understudied female artists of the Chicana/o movement, was the only original and long-term female member of the 1970s art collective Asco. Through the visual discourses of pachuca glamour and punk, Valdez negotiated and exploited the gendered ideologies that visually put her at the center of the group. She used self-fashioning, or the intersection of dress with bodily performance, to respond to gende…
Sonic cultural citizenship through performance: Casa 0101’s production of Josefina López’s Detained in the Desert
This essay listens to aurality in conjunction with the visual classification of racialized bodies in neoliberal citizenship through what I term “sonic cultural citizenship.” Through a close listening to the 2010 production of Josefina López’s Detained in the Desert at CASA 0101, the essay amplifies racism as operating through affective performative dimensions, where citizenship is renegotiated and resisted through sonic performance. Detained cent…
Self-Fashioning through Glamour and Punk in East Los Angeles
Patssi Valdez, one of the most influential yet understudied female artists of the Chicana/o movement, was the only original and long-term female member of the 1970s art collective Asco. Through the visual discourses of pachuca glamour and punk, Valdez negotiated and exploited the gendered ideologies that visually put her at the center of the group. She used self-fashioning, or the intersection of dress with bodily performance, to respond to gende…
Sonic cultural citizenship through performance: Casa 0101’s production of Josefina López’s Detained in the Desert
This essay listens to aurality in conjunction with the visual classification of racialized bodies in neoliberal citizenship through what I term “sonic cultural citizenship.” Through a close listening to the 2010 production of Josefina López’s Detained in the Desert at CASA 0101, the essay amplifies racism as operating through affective performative dimensions, where citizenship is renegotiated and resisted through sonic performance. Detained cent…
Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra
Reviewed by: Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra Marci R. McMahon LATINX THEATER IN THE TIMES OF NEOLIBERALISM. By Patricia A. Ybarra. Performance Works series. Evanston, IL: Northwestern University Press, 2017; pp. 264. In Latinx Theater in the Times of Neoliberalism, Patricia Ybarra engages Latinx theatre of the past three decades that stages embodied and affective experiences of neoliberal violence, including for…
Domestic Negotiations: Gender, Nation, and Self-Fashioning in US Mexicana and Chicana Literature and Art
This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through "negotiation"—a concept that accounts for artistic practices outside the duality of resistance/accommodation—and "self-fashioning," Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring de…
Oye, Oye
Research Article| March 01 2019 ¡Oye, Oye!: A Manifesto for Listening to Latinx Theater Patricia Herrera, Patricia Herrera Patricia Herrera is associate professor in the Department of Theatre and Dance at the University of Richmond. Her research focuses on contemporary theater and performance, with an emphasis on social justice, Latinx cultural production, and identity politics. She is the author of the forthcoming book Nuyorican Feminist Perform…
Sound Acts, Part 1: Calling Back Performance Studies
Sound Acts, Part 2: Copresen(t/c)ing Vibration
Dear readers, if you are just tuning in to this ongoing jam session, we invite you to get (un)settled and listen to the frequencies tapped herein. You can always replay our opening salvo to sound and performance studies in Sound Acts, Part I or immerse yourself in the melodic lines of argument put forth in this second issue
Art (5 works) · Latin American and Latino Studies (5 works) · Sociology (5 works) · Gender Studies (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · Aesthetics (3 works) · Acoustics (2 works) · Art history (2 works)