Sound Acts, Part 1
Calling Back Performance Studies
Bibliographic Data
| ID | 22123790 |
|---|---|
| Authors | Caitlin Marshall (University of Maryland, College Park), Patricia Herrera (0000-0003-2799-7675, University of Richmond), Marci R Mcmahon (0000-0001-8448-5276, The University of Texas Rio Grande Valley) |
| Year | 2021 |
| Volume | 6 |
| Issue | 2 |
| Pages | 1-7 |
| Publication date | 2021-03-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Performance Matters (JOURNAL) |
| Journal identifiers | ISSN: 2369-2537 • E-ISSN: 2369-2537 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/1075795ar |
| OpenAlex | W3126500605 |
| Language | EN |
| Citations received | 2 |
| References cited | 11 |
Acoustics · Physics · Computer Science · Diverse Musicological Studies · Music Technology and Sound Studies · Musicology and Musical Analysis
Disidentifications
In the break
“Rip It Up”
Asian Americanist Critique and Listening Practices of Contemporary Popular Music
Who's the Crack Whore at the End?” Performance, Violence, and Sonic Borderlands in the Music of Yva las Vegass
The Oxford Handbook of Voice Studies
Performance Studies
This voice which is not one
Punk and Its Afterlives
Tricky and the Bug
Tropical Renditions
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |