Caitlin Marshall
Biographic Data
| ID | 3999285 |
|---|---|
| NAME | Caitlin Marshall |
| GIVEN NAMES | Caitlin |
| FAMILY NAME | Marshall |
| SIGNATURE | MARSHALL C |
| AFFILIATIONS | University of Maryland, College Park |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Ear Training for History: Listening to Elizabeth Taylor Greenfield's Double-Voiced Aesthetics
Bend your ear to Saturday, 23 July 1853. On that morning, America's first Black concert vocalist and operatic singer, Elizabeth Taylor Greenfield, performed at Stafford House, home of prominent English Abolitionist the Duchess of Sutherland, during her UK tour. Born into captivity on a plantation in Mississippi and raised free in Philadelphia, Taylor Greenfield's voice sounded out the fever pitch of America's conflict over slavery. A multioctave …
Sound Acts, Part 2: Copresen(t/c)ing Vibration
Dear readers, if you are just tuning in to this ongoing jam session, we invite you to get (un)settled and listen to the frequencies tapped herein. You can always replay our opening salvo to sound and performance studies in Sound Acts, Part I or immerse yourself in the melodic lines of argument put forth in this second issue
Sound Acts, Part 1: Calling Back Performance Studies
Early American Music and the Construction of Race
An ideology of racial difference is baked into American music history. The staggering diversity of music heard in the sixteenth through nineteenth centuries, as waves of colonization, forced migration, enslavement, expulsion, and immigration brought different peoples into prolonged and often violent contact with each other, created lasting ideas and praxes of musical alterity. This holds true across genres and contexts. Native peoples and Europea…
Crippled Speech
QuietBob97 is an alaryngeal speaker who foregrounds prosthetic voices in a series of sound-only YouTube videos. With performances designed to retrain a listener’s ear for different voices, QuietBob aspires to dismantle the stigma of un-naturalness that places the humanness of his voice (and his self) in question. This essay reads QuietBob’s performative moves to develop a theory of crippled speech – the representational crippling of speech and th…
No prominent works on this page.
Crippled Speech
QuietBob97 is an alaryngeal speaker who foregrounds prosthetic voices in a series of sound-only YouTube videos. With performances designed to retrain a listener’s ear for different voices, QuietBob aspires to dismantle the stigma of un-naturalness that places the humanness of his voice (and his self) in question. This essay reads QuietBob’s performative moves to develop a theory of crippled speech – the representational crippling of speech and th…
Sound Acts, Part 1: Calling Back Performance Studies
Early American Music and the Construction of Race
An ideology of racial difference is baked into American music history. The staggering diversity of music heard in the sixteenth through nineteenth centuries, as waves of colonization, forced migration, enslavement, expulsion, and immigration brought different peoples into prolonged and often violent contact with each other, created lasting ideas and praxes of musical alterity. This holds true across genres and contexts. Native peoples and Europea…
Sound Acts, Part 2: Copresen(t/c)ing Vibration
Dear readers, if you are just tuning in to this ongoing jam session, we invite you to get (un)settled and listen to the frequencies tapped herein. You can always replay our opening salvo to sound and performance studies in Sound Acts, Part I or immerse yourself in the melodic lines of argument put forth in this second issue
Ear Training for History: Listening to Elizabeth Taylor Greenfield's Double-Voiced Aesthetics
Bend your ear to Saturday, 23 July 1853. On that morning, America's first Black concert vocalist and operatic singer, Elizabeth Taylor Greenfield, performed at Stafford House, home of prominent English Abolitionist the Duchess of Sutherland, during her UK tour. Born into captivity on a plantation in Mississippi and raised free in Philadelphia, Taylor Greenfield's voice sounded out the fever pitch of America's conflict over slavery. A multioctave …
Acoustics (2 works) · Computer Science (2 works) · Music History and Culture (2 works) · Music Technology and Sound Studies (2 works) · Physics (2 works) · Art (1 works) · Art history (1 works) · Disability Rights and Representation (1 works) · Diverse Musicological Studies (1 works) · Emancipation (1 works)