Stephen A Wild

Biographic Data

ID135827
NAMEStephen A Wild
GIVEN NAMESStephen A
FAMILY NAMEWild
SIGNATUREWILD S A
AFFILIATIONS,
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS33
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2004
H-INDEX3

  • Introduction-world music

    P G Toner, Stephen A Wild et al.ARTICLECanberra Anthropology2004References: 11

    This article examines some of the key issues discussed and debated in the literature on ‘world music’ in anthropology and ethnomusicology. In particular, it focuses on the kinds of aesthetic and musical decisions made by non-Western musicians as they produce music for a global market; as both producers and consumers of global music, musicians labelled by the term ‘world music’ must consider both local and global audiences when they take the stage…

  • Corroboree

    Alice M Moyle, Stephen A Wild et al.CHAPTERThe new Grove dictionary of music…2001

  • Songs of Aboriginal Australia

    Linda Barwick, Margaret Clunies Ro et al.ARTICLEEthnomusicology1990

  • Aboriginal music

    Stephen A Wild, Stephen WildARTICLEMusicology Australia1986Cited by: 11

    In the last two years (1984-85) two major books in Australian musicology have focussed on ethnomusicology, even more precisely, on Australian Aboriginal music. The first, reviewed in Musicology Australia VIII, was a series of essays (the majority on Aboriginal music) in honour of Alice M. Moyle.1 Catherine J. Ellis and Alice M. Moyle have both been involved continuously in research and publication in Aboriginal music for the last quarter-century …

  • Oceania

    Stephen A Wild, Stephen WildARTICLEEthnomusicology1985

  • Formal Performance

    Margaret Clunies Ro, Margaret Clunies Ross et al.ARTICLEEthnomusicology1984Cited by: 7

    The or manikay of Arnhem Land in the Northern Territory, Australia are realized by their Aboriginal owners in performance alone and are orally transmitted.1 These performances are formal in that they obey certain variable rules and achieve variable but consistent structures depending on the nature of the different performance occasions for which they are deemed appropriate (Clunies Ross 1983). The variability of their performance contexts, determ…

  • Antropologiska Studier

    Stephen A Wild, Stephen Wild et al.ARTICLEEthnomusicology1980

  • Movements Toward Understanding Humans Through the Anthropological Study of Dance [and Comments and Reply]

    Judith Lynne Hanna, Roger D Abrahams et al.ARTICLECurrent Anthropology1979Cited by: 13References: 23

    An attempt is made to identify the study of dance as a specialization and peripheral interest within each of the four fields of anthropology, in order to suggest how our understanding of Homo sapiens may be enhanced by dance study. The neglect, gestation, and emergence of the anthropological study of dance, its theoretical and methodological areas of consensus and disagreement, and some specific approaches and their strengths and limitations are …

  • Audiovisual Book

    Open AccessStephen A Wild, Stephen WildARTICLEAmerican Anthropologist1979

  • Men as Women

    Open AccessStephen A Wild, Stephen WildARTICLEDance Research Journal1977Cited by: 2References: 2

    Dance in a particular cultural tradition may be analyzed from any of several different perspectives, which may be classified in two categories. In the first, analysis may be structural or stylistic. By structure I mean the set of relationships among discrete movements characteristic of a dance tradition; it is similar to grammar in language (cf. Woodard 1976). Style refers to the general qualities of a dance tradition or classes of the tradition:…