Introduction-world music
Politics, production and pedagogy a special thematic issue of the asia pacific journal of anthropology
Bibliographic Data
| ID | 2174440 |
|---|---|
| Authors | P G Toner (,), Stephen A Wild (,), Stephen Wild (0000-0003-3290-8761) |
| Year | 2004 |
| Volume | 5 |
| Issue | 2 |
| Pages | 95-112 |
| Publication date | 2004-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Canberra Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0314-9099 • E-ISSN: 1740-9314 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1444221042000247652 |
| OpenAlex | W2060492712 |
| Language | EN |
| References cited | 22 |
This article examines some of the key issues discussed and debated in the literature on ‘world music’ in anthropology and ethnomusicology. In particular, it focuses on the kinds of aesthetic and musical decisions made by non-Western musicians as they produce music for a global market; as both producers and consumers of global music, musicians labelled by the term ‘world music’ must consider both local and global audiences when they take the stage or enter the recording studio. The article then relates these issues to the other articles in this issue of TAPJA, which explore a variety of local responses to the world music phenomenon
Aesthetics · Art · Epistemology · Ethnomusicology · Key (lock) · Music Geography · Music history · Musical · Phenomenon · Political science · Politics · Sociology · Studio · Variety (cybernetics) · Visual arts · Anthropological Studies and Insights · Anthropology · Computer Science · Diverse Musicological Studies · History · Music History and Culture · Philosophy
Cassette culture
Sound Alliances
Music Grooves
Music, modernity, and the global imagination
A Sweet Lullaby for World Music
Sound of Africa
Site as Song - Song as Site
A Mouse, a Frog, the Hawaiian Guitar and World Music Aesthetics
World Music, Indigenous Music and Music Television in Australia
Yothu Yindi and Ganma
Burr-Gi Wargugu ngu-Ninya Rrawa
Disjuncture and Difference in the Global Cultural Economy
Noise, the Political Economy of Music
The/An Ethnomusicologist and the Record Business
Nitmiluk
Mozart in Mirrorshades
Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning
The Aesthetics of the Global Imagination
Disjuncture and Difference in the Global Cultural Economy
| Citation velocity | historical |
|---|---|
| Highly cited | No |