A Mouse, a Frog, the Hawaiian Guitar and World Music Aesthetics
Vishwa Mohan Bhatt and Ry Cooder Meet by the River
Bibliographic Data
| ID | 14970536 |
|---|---|
| Authors | Adrian Mcneil (0000-0003-0791-9143, corresponding author) |
| Year | 2015 |
| Volume | 2 |
| Issue | 3 |
| Pages | 82-97 |
| Publication date | 2015-10-06 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.v2i3.28780 |
| OpenAlex | W2526115187 |
| Language | EN |
| Citations received | 2 |
Adrian McNeil's contextual analysis of the collaboration between VM Bhatt and Ry Cooder on their Meeting by the River CD, and the degree to which its project reflected the earlier intersection of Hawaiian styles and traditional Indian music, also shows how the contemporary notion of 'World Music' tends to collapse complex cultural exchanges into a simple commodity tag - one which privileges the West's identification and enablement of the global 'other' within a Western market
Acoustics · Aesthetics · Art · Art history · Call and response · Cartography · Commodity · Geography · Guitar · Intersection (aeronautics · Music history · Musical · Popular music · Visual arts · Asian American and Pacific Histories · Asian Culture and Media Studies · History · Music History and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,09 |
| Citation span | 2004 - 2017 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |