Sharlotte Neely
Biographic Data
| ID | 136685 |
|---|---|
| NAME | Sharlotte Neely |
| GIVEN NAMES | Sharlotte |
| FAMILY NAME | Neely |
| SIGNATURE | NEELY S |
| AFFILIATIONS | Northern Kentucky University |
| ORCID | 0000-0001-8291-0638 |
| VERIFIED | Yes |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 24 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Story of Tell England (1931) in Turkey: Transcultural Remakes and the Early Sound Era
Tell England (1931), Anthony Asquith and Geoffrey Barkas’ film depicting the Battle of Gallipoli, unsurprisingly incited emotional responses from its audiences. In Turkey, at a time when memories of the war were still fresh, the feeling was that Tell England would benefit from the insertion of a few ‘local scenes’. Additional scenes were written by author, Ziya Şakir, who also appeared in the film alongside other Turkish actors. In January 1932, …
‘The skailing of the picters’: The Coming of the Talkies in Small Rural Townships in Northern Scotland
Like that of many other nations, Scotland's film history has been characterised largely by its focus on its great metropolitan centres. The occasional studies which do look outside the ‘Central Belt’ stretching between Scotland's two greatest cities, Glasgow and Edinburgh, are likely to concentrate on two of its other sizeable cities, Aberdeen and Dundee. This article will consider cinemas north of Inverness (Scotland's most northerly city), incl…
The story of the reel that went for a swim’: Cinema Memory and the History of the Highlands and Islands Film Guild as Narrated through Oral History Interviews and surrounding Metadata
This article draws from existing work relating to the creative writing strand of the Major Minor Cinema project, which was inspired by the surprising discovery of project's pilot study that some cinema-goers from the period of research had been inspired to write poems or stories in response to their experience of going to the Film Guild screenings. Building on an earlier publication in the journal Participations (May 2019), which largely focused …
The Media and Modernity: Film and New Media in the Highlands and Islands 1946–1971: Introduction
The Highlands and Islands Film Guild is briefly surveyed in this article that introduces the Special Issue on Media and Modernity. The foundations, principles and manner of operation are outlined, as well as the interdisciplinary research project. The article starts with a review of literature on the nature of society in the Highlands and Islands, and the way that researchers regard it as ‘the other’ in historical and ethnographic research within…
No Longer Peripheral: A day of screenings and talks focused on artist moving image cultures in Ireland, Northern Ireland and Scotland
Introduction: From Silent to Sound: Cinema in Scotland in the 1930s
First paragraph: Like any other moment of industrial and institutional transformation, the transition from silent to sound cinema was less linear and inevitable than hindsight would suggest. There was nothing obvious about the emergence of the feature-length fiction film with its unbroken soundtrack of dialogue and music. This special issue uses a tight focus on a few hectic years, and on a peripheral region within a hegemonic power: Scotland, a …
Christopher Meir, Scottish Cinema: Texts and Contexts
Jonathan Murray, The New Scottish Cinema
The cover of Jonathan Murray’s most recent book, examining the development of Scottish cinema from the 1990s to the 2000s, features a striking image from Red Road (Andrea Arnold, 2006). The actor Kate Dickie, who plays the lead character of Jackie, is rendered in dark profile against a bright yellow background, her identity obscured by the high-contrast lighting. The film, an apt choice for the book’s cover, was produced as part of the Advance Pa…
Discoveries in the biscuit tin: The role of archives and collections in the history of artists’ moving image in Scotland
This article examines the situation of artists’ moving image works within existing archives and collections. With a specific focus on the archiving of experimental film in Scotland, the article makes use of existing research in the field, while drawing from recent interviews with artists, curators and archivists in Scotland, Ireland and Norway
The Writer on Film: Screening Literary Authorship
In his essay on Virginia Woolf, written in 1926, Edwin Muir considers how it would be if authors of fiction were able to inhabit the very worlds they had created. Woolf, he writes, ‘might walk into her novels and be at home in them’; likewise, ‘Jane Austen, we feel, is always at the excursions and tea parties she describes; she is one of the characters, the least observed and the most observant of them all’.1 Muir points out, however, that not al…
Wolves and Monogamy: A Comment on Shipman
Stalking the image: Margaret Tait and intimate filmmaking practices
First paragraph: Margaret Tait's artistic concern with the detail of the everyday shares much with general conceptions of feminist filmmaking practices, in which self-expression is identified as an antidote to the oversimplified representations of women in mainstream cinema. As Pam Cook explains, the ‘emphasis on the personal, the intimate and the domestic, has always been important to the Women's Movement and the personal diary form, for instanc…
Central States Anthropological Society
Scotland, heritage and devolving British cinema
First paragraph: In his introduction to the groundbreaking 1986 edited collection All Our Yesterdays: Ninety Years of British Cinema, Charles Barr used the term 'heritage' in relation to a body of films from the 1940s. For Barr, this particular category stemmed from a long-held tradition of British cinema's reliance on the literary in order to 'exploit ... heritage in seeking out prestige material with export potential'. A few years later, in an …
Shawna Slaughter Takes Top Honors
What Do You Want to Do With Your Life? Career Choices in Anthropology
Tacachale: Essays on the Indians of Florida and Southeastern Georgia during the Historic Period. Jerald T. Milanich and Samuel Proctor, eds
The Wind Won't Know Me: A History of the Navajo-Hopi Land Dispute
For the past twenty-five years, our country's last Indian war has been raging in the Joint Use Area around Big Mountain and Coal Mine Mesa, Arizona. There Navajos are pitted against their Hopi neighbors--and against a United States government that has divided the land between the two tribes and then decreed that Indians living on the wrong side must move. With the narrative sweep and emotional veracity of a great novel, Emily Benedek recounts the…
The Ghost-Dance Religion and the Sioux Outbreak of 1890
Responding to the rapid spread of the Ghost Dance among tribes of the western United States in the early 1890s, James Mooney set out to describe and understand the phenomenon. He visited Wovoka, the Ghost Dance prophet, at his home in Nevada and traced the progress of the Ghost Dance from place to place, describing the ritual and recording the distinctive song lyrics of seven separate tribes. His classic work (first published in 1896 and here rep…
The Cherokee
The Cherokees: A Population History
Snowbird Cherokees: People of Persistence
An ethnographic study of Snowbird, North Carolina, a remote mountain community of Cherokees who are regarded as simultaneously the most traditional and the most adaptive members of their entire tribe. This text describes their daily lives and culture
The Federal Road Through Georgia, the Creek Nation, and Alabama, 1806-1836
Ethnology: The Cherokee Indian Nation: A Troubled History . Duane H. King : The Cherokee Freedman: From Emancipation to American Citizenship . Daniel F. Littlefield, Jr. : John Ross, Cherokee Chief . …
The Wind Won't Know Me: A History of the Navajo-Hopi Land Dispute
For the past twenty-five years, our country's last Indian war has been raging in the Joint Use Area around Big Mountain and Coal Mine Mesa, Arizona. There Navajos are pitted against their Hopi neighbors--and against a United States government that has divided the land between the two tribes and then decreed that Indians living on the wrong side must move. With the narrative sweep and emotional veracity of a great novel, Emily Benedek recounts the…
Wolves and Monogamy: A Comment on Shipman
Stalking the image: Margaret Tait and intimate filmmaking practices
First paragraph: Margaret Tait's artistic concern with the detail of the everyday shares much with general conceptions of feminist filmmaking practices, in which self-expression is identified as an antidote to the oversimplified representations of women in mainstream cinema. As Pam Cook explains, the ‘emphasis on the personal, the intimate and the domestic, has always been important to the Women's Movement and the personal diary form, for instanc…
Scotland, heritage and devolving British cinema
First paragraph: In his introduction to the groundbreaking 1986 edited collection All Our Yesterdays: Ninety Years of British Cinema, Charles Barr used the term 'heritage' in relation to a body of films from the 1940s. For Barr, this particular category stemmed from a long-held tradition of British cinema's reliance on the literary in order to 'exploit ... heritage in seeking out prestige material with export potential'. A few years later, in an …
Ethnology: The Cherokee Indian Nation: A Troubled History . Duane H. King : The Cherokee Freedman: From Emancipation to American Citizenship . Daniel F. Littlefield, Jr. : John Ross, Cherokee Chief . …
The Federal Road Through Georgia, the Creek Nation, and Alabama, 1806-1836
The Ghost-Dance Religion and the Sioux Outbreak of 1890
Responding to the rapid spread of the Ghost Dance among tribes of the western United States in the early 1890s, James Mooney set out to describe and understand the phenomenon. He visited Wovoka, the Ghost Dance prophet, at his home in Nevada and traced the progress of the Ghost Dance from place to place, describing the ritual and recording the distinctive song lyrics of seven separate tribes. His classic work (first published in 1896 and here rep…
The Cherokee
The Cherokees: A Population History
Snowbird Cherokees: People of Persistence
An ethnographic study of Snowbird, North Carolina, a remote mountain community of Cherokees who are regarded as simultaneously the most traditional and the most adaptive members of their entire tribe. This text describes their daily lives and culture
The Wind Won't Know Me: A History of the Navajo-Hopi Land Dispute
For the past twenty-five years, our country's last Indian war has been raging in the Joint Use Area around Big Mountain and Coal Mine Mesa, Arizona. There Navajos are pitted against their Hopi neighbors--and against a United States government that has divided the land between the two tribes and then decreed that Indians living on the wrong side must move. With the narrative sweep and emotional veracity of a great novel, Emily Benedek recounts the…
What Do You Want to Do With Your Life? Career Choices in Anthropology
Tacachale: Essays on the Indians of Florida and Southeastern Georgia during the Historic Period. Jerald T. Milanich and Samuel Proctor, eds
Shawna Slaughter Takes Top Honors
Scotland, heritage and devolving British cinema
First paragraph: In his introduction to the groundbreaking 1986 edited collection All Our Yesterdays: Ninety Years of British Cinema, Charles Barr used the term 'heritage' in relation to a body of films from the 1940s. For Barr, this particular category stemmed from a long-held tradition of British cinema's reliance on the literary in order to 'exploit ... heritage in seeking out prestige material with export potential'. A few years later, in an …
Central States Anthropological Society
Stalking the image: Margaret Tait and intimate filmmaking practices
First paragraph: Margaret Tait's artistic concern with the detail of the everyday shares much with general conceptions of feminist filmmaking practices, in which self-expression is identified as an antidote to the oversimplified representations of women in mainstream cinema. As Pam Cook explains, the ‘emphasis on the personal, the intimate and the domestic, has always been important to the Women's Movement and the personal diary form, for instanc…
Wolves and Monogamy: A Comment on Shipman
The Writer on Film: Screening Literary Authorship
In his essay on Virginia Woolf, written in 1926, Edwin Muir considers how it would be if authors of fiction were able to inhabit the very worlds they had created. Woolf, he writes, ‘might walk into her novels and be at home in them’; likewise, ‘Jane Austen, we feel, is always at the excursions and tea parties she describes; she is one of the characters, the least observed and the most observant of them all’.1 Muir points out, however, that not al…
Discoveries in the biscuit tin: The role of archives and collections in the history of artists’ moving image in Scotland
This article examines the situation of artists’ moving image works within existing archives and collections. With a specific focus on the archiving of experimental film in Scotland, the article makes use of existing research in the field, while drawing from recent interviews with artists, curators and archivists in Scotland, Ireland and Norway
Christopher Meir, Scottish Cinema: Texts and Contexts
Jonathan Murray, The New Scottish Cinema
The cover of Jonathan Murray’s most recent book, examining the development of Scottish cinema from the 1990s to the 2000s, features a striking image from Red Road (Andrea Arnold, 2006). The actor Kate Dickie, who plays the lead character of Jackie, is rendered in dark profile against a bright yellow background, her identity obscured by the high-contrast lighting. The film, an apt choice for the book’s cover, was produced as part of the Advance Pa…
Introduction: From Silent to Sound: Cinema in Scotland in the 1930s
First paragraph: Like any other moment of industrial and institutional transformation, the transition from silent to sound cinema was less linear and inevitable than hindsight would suggest. There was nothing obvious about the emergence of the feature-length fiction film with its unbroken soundtrack of dialogue and music. This special issue uses a tight focus on a few hectic years, and on a peripheral region within a hegemonic power: Scotland, a …
‘The skailing of the picters’: The Coming of the Talkies in Small Rural Townships in Northern Scotland
Like that of many other nations, Scotland's film history has been characterised largely by its focus on its great metropolitan centres. The occasional studies which do look outside the ‘Central Belt’ stretching between Scotland's two greatest cities, Glasgow and Edinburgh, are likely to concentrate on two of its other sizeable cities, Aberdeen and Dundee. This article will consider cinemas north of Inverness (Scotland's most northerly city), incl…
The story of the reel that went for a swim’: Cinema Memory and the History of the Highlands and Islands Film Guild as Narrated through Oral History Interviews and surrounding Metadata
This article draws from existing work relating to the creative writing strand of the Major Minor Cinema project, which was inspired by the surprising discovery of project's pilot study that some cinema-goers from the period of research had been inspired to write poems or stories in response to their experience of going to the Film Guild screenings. Building on an earlier publication in the journal Participations (May 2019), which largely focused …
The Media and Modernity: Film and New Media in the Highlands and Islands 1946–1971: Introduction
The Highlands and Islands Film Guild is briefly surveyed in this article that introduces the Special Issue on Media and Modernity. The foundations, principles and manner of operation are outlined, as well as the interdisciplinary research project. The article starts with a review of literature on the nature of society in the Highlands and Islands, and the way that researchers regard it as ‘the other’ in historical and ethnographic research within…
No Longer Peripheral: A day of screenings and talks focused on artist moving image cultures in Ireland, Northern Ireland and Scotland
The Story of Tell England (1931) in Turkey: Transcultural Remakes and the Early Sound Era
Tell England (1931), Anthony Asquith and Geoffrey Barkas’ film depicting the Battle of Gallipoli, unsurprisingly incited emotional responses from its audiences. In Turkey, at a time when memories of the war were still fresh, the feeling was that Tell England would benefit from the insertion of a few ‘local scenes’. Additional scenes were written by author, Ziya Şakir, who also appeared in the film alongside other Turkish actors. In January 1932, …
History (16 works) · Sociology (15 works) · Art (12 works) · History (11 works) · Archaeology (10 works) · Visual arts (9 works) · Media studies (8 works) · Movie theater (8 works) · Archaeology and Natural History (7 works) · Cinema and Media Studies (7 works)