Discoveries in the biscuit tin
The role of archives and collections in the history of artists’ moving image in Scotland
Bibliographic Data
| ID | 7927435 |
|---|---|
| Authors | Sharlotte Neely (0000-0001-8291-0638, University of Stirling, corresponding author), Sarah Neely |
| Year | 2017 |
| Volume | 6 |
| Issue | 1 |
| Pages | 132-146 |
| Publication date | 2017-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Moving Image Review & Art Journal (MIRAJ (JOURNAL) |
| Journal identifiers | ISSN: 2045-6298 • E-ISSN: 2045-6301 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/miraj.6.1-2.132_1 |
| OpenAlex | W2767198848 |
| Language | EN |
| References cited | 2 |
This article examines the situation of artists’ moving image works within existing archives and collections. With a specific focus on the archiving of experimental film in Scotland, the article makes use of existing research in the field, while drawing from recent interviews with artists, curators and archivists in Scotland, Ireland and Norway
Art · Visual arts · Art History and Market Analysis · Cinema and Media Studies · Cultural Industries and Urban Development · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |