Lü Xinyu
Biographic Data
| ID | 1375235 |
|---|---|
| NAME | Lü Xinyu |
| GIVEN NAMES | Lü |
| FAMILY NAME | Xinyu |
| SIGNATURE | XINYU L |
| AFFILIATIONS | Fudan University, Shanghai, China |
| ORCID | 0000-0002-9676-750X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Chinese-Style Modernization
Since the 1980s, writes Lu Xinyu, a division between industrial and agricultural labor has grown in China, reflected in the fractured relationship between urban and rural areas. China's successful navigation of the issue, Lu concludes, relies on creating a vigorous alliance between the rural peasantry and urban workers that aids in the ultimate delinking of China from the imperialist, world system. Chinese-style modernization, Lu concludes, repre…
Lessons from Weibo
This paper focuses on the historical relationship between new media development and Chinese politics that led to the formation of the Chinese state’s strategy on media convergence in 2014. Specifically, it analyses a series of influential public controversies in China’s microblog or Weibo sphere in the formative years of Weibo’s development (2011–2012) to reveal the profound class biases, partisan excesses, as well as symbolic violence of Weibo a…
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices o…
Government Subsidies, Market Socialism, and the “Public” Character of Chinese Television
In March 2011 Chongqing Satellite TV was made a public-interest channel and discontinued advertising, losing 0.3 billion yuan in revenue. The shortfall is to be partially made up by annual government subsidies of 0.15 billion yuan. The transformation of Chongqing Satellite TV is very much related to the widely debated reform of governance in Chongqing (the so-called Chongqing model), and thus is inevitably controversial. It has attracted critical…
West of the Tracks
Tiexi—“West of the Tracks”—is a district of Shenyang, the city once known as Mukden. For 50 years it was China's oldest and largest industrial base, a fortress of the socialist planned economy. This chapter examines the significance Wang Bing's decision to look at the death of a heavy industry district that once symbolized the triumph of socialism. It argues that the film demands attention to the price being paid for marketization, in terms of bo…
The New Chinese Documentary Film Movement
The New Chinese Documentary Film Movement is a project unveiling recent documentary film work that has transformed visual culture in China, and brought new immediacy along with a broader base of participation to Chinese media. This volume provides an introduction to the topic of Chinese documentary film, the signature mode of contemporary Chinese visual culture. The chapters here examine how documentary filmmakers have opened up a unique new spac…
Les ruines du futur
Xinyu Lü, Laureillard Marie. Les ruines du futur . In: Communications, 79, 2006. Des faits et des gestes. Le parti pris du document, 2, sous la direction de Jean-François Chevrier et Philippe Roussin. pp. 271-283
Government Subsidies, Market Socialism, and the “Public” Character of Chinese Television
In March 2011 Chongqing Satellite TV was made a public-interest channel and discontinued advertising, losing 0.3 billion yuan in revenue. The shortfall is to be partially made up by annual government subsidies of 0.15 billion yuan. The transformation of Chongqing Satellite TV is very much related to the widely debated reform of governance in Chongqing (the so-called Chongqing model), and thus is inevitably controversial. It has attracted critical…
Les ruines du futur
Xinyu Lü, Laureillard Marie. Les ruines du futur . In: Communications, 79, 2006. Des faits et des gestes. Le parti pris du document, 2, sous la direction de Jean-François Chevrier et Philippe Roussin. pp. 271-283
West of the Tracks
Tiexi—“West of the Tracks”—is a district of Shenyang, the city once known as Mukden. For 50 years it was China's oldest and largest industrial base, a fortress of the socialist planned economy. This chapter examines the significance Wang Bing's decision to look at the death of a heavy industry district that once symbolized the triumph of socialism. It argues that the film demands attention to the price being paid for marketization, in terms of bo…
The New Chinese Documentary Film Movement
The New Chinese Documentary Film Movement is a project unveiling recent documentary film work that has transformed visual culture in China, and brought new immediacy along with a broader base of participation to Chinese media. This volume provides an introduction to the topic of Chinese documentary film, the signature mode of contemporary Chinese visual culture. The chapters here examine how documentary filmmakers have opened up a unique new spac…
Government Subsidies, Market Socialism, and the “Public” Character of Chinese Television
In March 2011 Chongqing Satellite TV was made a public-interest channel and discontinued advertising, losing 0.3 billion yuan in revenue. The shortfall is to be partially made up by annual government subsidies of 0.15 billion yuan. The transformation of Chongqing Satellite TV is very much related to the widely debated reform of governance in Chongqing (the so-called Chongqing model), and thus is inevitably controversial. It has attracted critical…
Lessons from Weibo
This paper focuses on the historical relationship between new media development and Chinese politics that led to the formation of the Chinese state’s strategy on media convergence in 2014. Specifically, it analyses a series of influential public controversies in China’s microblog or Weibo sphere in the formative years of Weibo’s development (2011–2012) to reveal the profound class biases, partisan excesses, as well as symbolic violence of Weibo a…
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices o…
Chinese-Style Modernization
Since the 1980s, writes Lu Xinyu, a division between industrial and agricultural labor has grown in China, reflected in the fractured relationship between urban and rural areas. China's successful navigation of the issue, Lu concludes, relies on creating a vigorous alliance between the rural peasantry and urban workers that aids in the ultimate delinking of China from the imperialist, world system. Chinese-style modernization, Lu concludes, repre…
Law (5 works) · Political science (5 works) · China (4 works) · Politics (4 works) · Art (3 works) · Economics (3 works) · History (3 works) · Hong Kong and Taiwan Politics (3 works) · Aesthetics (2 works) · Archaeology (2 works)