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Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism

Bibliographic Data

ID19159778
AuthorsLü Xinyu (0000-0002-9676-750X, East China Normal University, corresponding author), Xinyu Lu (0009-0004-4238-8960, East China Normal University, Shanghai)
Year2020
Volume22
Issue5
Publication date2020-12-13
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCLCWeb Comparative Literature and Culture (JOURNAL)
Journal identifiersISSN: 1481-4374 • E-ISSN: 1481-4374
PublisherPurdue University Press (PUBLISHER • US)
DOI10.7771/1481-4374.3826
OpenAlexW3112980340
LanguageEN
Citations received4
References cited3

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC

Aesthetics · Art · China · Chinese language · Ethnic group · Immigration · Linguistics · Literature · Movie theater · Nationality · Political science · Politics · Sociology · Anthropology · Asian Culture and Media Studies · Gender Studies · Law · Philosophy

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Unique citing works4
Citations per year0,67
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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