Marie Pecorari

Biographic Data

ID1375246
NAMEMarie Pecorari
GIVEN NAMESMarie
FAMILY NAMEPecorari
SIGNATUREPECORARI M
AFFILIATIONSMarie Pecorari is Associate Professor of English at the University of Paris IV-Sorbonne. She has published various articles on contemporary American theatre and translated works by Richard Schechner, David Mamet, and Alexander Mackendrick. She is currently completing a book on the theatre of Charles Ludlam (Seagull Press, forthcoming 2011).
ORCID0000-0002-5786-5625
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2014
H-INDEX0

  • Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield, and: Live Art in La: Performance in Southern California , 1970–1983 ed. by Peggy Phelan (review)

    Marie PecorariARTICLETheatre Journal2014

    Reviewed by: Perform, Repeat, Record: Live Art in History ed. by Amelia Jones and Adrian Heathfield, and: Live Art in La: Performance in Southern California, 1970–1983 ed. by Peggy Phelan Marie Pecorari PERFORM, REPEAT, RECORD: LIVE ART IN HISTORY. Edited by Amelia Jones and Adrian Heathfield. Bristol, UK: Intellect Ltd., 2012; pp. 650. LIVE ART IN LA: PERFORMANCE IN SOUTHERN CALIFORNIA, 1970–1983. Edited by Peggy Phelan. Abingdon, UK: Routledge,…

  • Les « points de contact » entre anthropologie et performance

    R Schechner, Marie PecorariARTICLECommunications2013References: 15

    L’article interroge la pertinence actuelle des six points de contact entre théâtre et anthropologie définis en 1985 par l’auteur, Richard Schechner. À l’aide d’outils critiques caractéristiques de l’hybridité disciplinaire des Performance Studies (anthropologie, médecine, histoire), il envisage comme performances des pratiques rituelles dites « indigènes » et préhistoriques représentatives d’un « savoir incarné » délaissé ou déformé par le cadrag…

  • The Big and Small Theatres of Guy Debord

    Jean-Marie Apostolidès, Marie PecorariARTICLETDR/The Drama Review2011

    Founder of the avantgarde movement Internationale situationniste in 1957, Guy Debord is also known for his provocative essay The Society of the Spectacle, first published in 1967 and since translated into numerous languages. Is it possible to connect the concept of “spectacle” to theatre

  • Off Stage: The West Village Fragments (review)

    Marie PecorariARTICLETheatre Journal2007

    Reviewed by: Off Stage: The West Village Fragments Marie Pecorari Off Stage: The West Village Fragments. Produced by Ralph Lewis, Catherine Porter, and Barry Rowell . The Peculiar Works Project, site-specific tour of the West Village, New York City. 2209 2006. A few minutes before the production of OFF Stage: The West Village Fragmentswas set to begin, a dozen or so spectators reached the traffic circle between Sixth Avenue and Ninth Street, quie…