The Big and Small Theatres of Guy Debord

Bibliographic Data

ID14998623
AuthorsJean-Marie Apostolidès (Jean-Marie Apostolidès is Professor of Classical and Contemporary French Theatre and the William H. Bonsall Professor of French at Stanford University. Author of several books in literary criticism and cultural studies, he is also a director and a playwright. His volume The Metamorphosis of Tintin was published by Stanford University Press in 2010., corresponding author)
TranslatorsMarie Pecorari (0000-0002-5786-5625, Marie Pecorari is Associate Professor of English at the University of Paris IV-Sorbonne. She has published various articles on contemporary American theatre and translated works by Richard Schechner, David Mamet, and Alexander Mackendrick. She is currently completing a book on the theatre of Charles Ludlam (Seagull Press, forthcoming 2011).)
Year2011
Volume55
Issue1
Pages84-103
Publication date2011-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTDR/The Drama Review (JOURNAL)
Journal identifiersISSN: 1054-2043 • E-ISSN: 1531-4715
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/dram_a_00050
OpenAlexW2091337078
LanguageEN
References cited3

Founder of the avantgarde movement Internationale situationniste in 1957, Guy Debord is also known for his provocative essay The Society of the Spectacle, first published in 1967 and since translated into numerous languages. Is it possible to connect the concept of “spectacle” to theatre

Aesthetics · Art · Art history · Literature · Political science · Spectacle · Art, Politics, and Modernism · Cinema and Media Studies · Cultural Studies and Postmodernism · History · Law

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