Michelle Zerba
Biographic Data
| ID | 1375946 |
|---|---|
| NAME | Michelle Zerba |
| GIVEN NAMES | Michelle |
| FAMILY NAME | Zerba |
| SIGNATURE | ZERBA M |
| AFFILIATIONS | Louisiana State University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
Renaissance Homer and Wedding Chests
Broadening the interdisciplinary base of study on Renaissance Homer, this essay looks to cassone (wedding chest) painting in the Quattrocento to explore how the textual reception of the “Odyssey” was enriched by the visual arts. As artifacts, wedding chests had a role in the public sphere, though they were destined for the private, and they made the epic available to audiences of nonelites. Nausicaa is a key figure, merging the vernacular courtly…
Doubt and Skepticism in Antiquity and the Renaissance
What Penelope Knew
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Medea Hypokrites
Hypokrites: an answerer; I. an interpreter or expounder (of riddles, of oracles, of dreams); II. 1. of an actor, one who plays a part on the stage (Attic); 2. of an orator, one who delivers, recites, declaims; 3. a rhapsodist; 4. a pretender, dissimulator, hypocrite. Liddell and Scott, A Greek-English Lexicon I The locution Medea hypokrites is not likely to have circulated in classical Greece. In the fifth century, the term hypokrites had come to…
"Love, Envy, and Pantomimic Morality in Cicero's "De oratore
What Penelope Knew
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"Love, Envy, and Pantomimic Morality in Cicero's "De oratore
Medea Hypokrites
Hypokrites: an answerer; I. an interpreter or expounder (of riddles, of oracles, of dreams); II. 1. of an actor, one who plays a part on the stage (Attic); 2. of an orator, one who delivers, recites, declaims; 3. a rhapsodist; 4. a pretender, dissimulator, hypocrite. Liddell and Scott, A Greek-English Lexicon I The locution Medea hypokrites is not likely to have circulated in classical Greece. In the fifth century, the term hypokrites had come to…
"Love, Envy, and Pantomimic Morality in Cicero's "De oratore
What Penelope Knew
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Doubt and Skepticism in Antiquity and the Renaissance
Renaissance Homer and Wedding Chests
Broadening the interdisciplinary base of study on Renaissance Homer, this essay looks to cassone (wedding chest) painting in the Quattrocento to explore how the textual reception of the “Odyssey” was enriched by the visual arts. As artifacts, wedding chests had a role in the public sphere, though they were destined for the private, and they made the epic available to audiences of nonelites. Nausicaa is a key figure, merging the vernacular courtly…
Philosophy (5 works) · Art (4 works) · Epistemology (4 works) · Literature (4 works) · Philosophy (4 works) · Art history (3 works) · Cicero (2 works) · Classical Antiquity Studies (2 works) · History (2 works) · Humanism (2 works)