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Renaissance Homer and Wedding Chests

The Odyssey at the Crossroads of Humanist Learning, the Visual Vernacular, and the Socialization of Bodies

Bibliographic Data

ID10420539
AuthorsMichelle Zerba (Louisiana State University, corresponding author)
Year2017
Volume70
Issue3
Pages831-861
Publication date2017-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/693882
OpenAlexW2758576308
LanguageEN
Citations received3
References cited41

Broadening the interdisciplinary base of study on Renaissance Homer, this essay looks to cassone (wedding chest) painting in the Quattrocento to explore how the textual reception of the “Odyssey” was enriched by the visual arts. As artifacts, wedding chests had a role in the public sphere, though they were destined for the private, and they made the epic available to audiences of nonelites. Nausicaa is a key figure, merging the vernacular courtly love tradition and romance. In working across the fields of literary study and art history, this essay introduces new critical concepts to account for the complexities of Renaissance reception of Homer

Art · Art history · EPIC · Humanism · Literature · Painting · Romance · The Renaissance · Vernacular · Visual arts · Hermeneutics and Narrative Identity · Historical and Political Studies · Philosophy · Translation Studies and Practices

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    Open Access•Egbert J Bakker•Meaning of Meat and the Structure…•2013

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    Charles Dempsey•Early Renaissance and Vernacular…•2012

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    John Miles Foley•Homer’s Traditional Art•2015

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    Lilian H Zirpolo, Paola Tinagli•Woman s Art Journal•1999

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Unique citing works3
Citations per year0,38
Citation span2018 - 2024 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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