Jeannie Ma Guerrero
Biographic Data
| ID | 1379247 |
|---|---|
| NAME | Jeannie Ma Guerrero |
| GIVEN NAMES | Jeannie Ma |
| FAMILY NAME | Guerrero |
| SIGNATURE | GUERRERO J M |
| AFFILIATIONS | Eastman School of Music |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Rzewski and Nono
Rzewski and Nono both worked directly with The Living Theatre, yet each embraced different aspects of the group. Rzewski favored the collective and communal approach to art as practiced by Malina and Beck. Nono preserved the technologically innovative spirit of Piscator. The differences in their approaches may be seen in compositions based on shared source material: Peter Weiss's Die Ermittlung, and the Greek myths of Antigone and Prometheus. Des…
Francesco’s Dream
Francesco Landini composed a dream-vision in Latin verse, in which he evinces intimate knowledge of works by the logician William of Ockham. Exploring the logic aspect of the dream-vision, as opposed to its theological implications, this study renders Francesco’s music as an explicit exhibition of dialectical and logical principles. To that end, musical motion is represented through paradigms that employ the logical syllogism; the three-term syll…
Serial Intervention in Nono'sIl canto sospeso
The instrumental movements of Luigi Nono'sIl canto sospesoexhibit a variety of procedures that override determinations made by serial structures. The overrides, as I describe them, yield novel textures in multiple musical dimensions and seem to inspire Nono's experimentation with electronic media later in his career. Further, multidimensional textures create formal musical and symbolic regions that underlie Nono's projection of highly charged tex…
No prominent works on this page.
Serial Intervention in Nono'sIl canto sospeso
The instrumental movements of Luigi Nono'sIl canto sospesoexhibit a variety of procedures that override determinations made by serial structures. The overrides, as I describe them, yield novel textures in multiple musical dimensions and seem to inspire Nono's experimentation with electronic media later in his career. Further, multidimensional textures create formal musical and symbolic regions that underlie Nono's projection of highly charged tex…
Francesco’s Dream
Francesco Landini composed a dream-vision in Latin verse, in which he evinces intimate knowledge of works by the logician William of Ockham. Exploring the logic aspect of the dream-vision, as opposed to its theological implications, this study renders Francesco’s music as an explicit exhibition of dialectical and logical principles. To that end, musical motion is represented through paradigms that employ the logical syllogism; the three-term syll…
Rzewski and Nono
Rzewski and Nono both worked directly with The Living Theatre, yet each embraced different aspects of the group. Rzewski favored the collective and communal approach to art as practiced by Malina and Beck. Nono preserved the technologically innovative spirit of Piscator. The differences in their approaches may be seen in compositions based on shared source material: Peter Weiss's Die Ermittlung, and the Greek myths of Antigone and Prometheus. Des…
Art (3 works) · Literature (3 works) · Musical (3 works) · Musicology and Musical Analysis (3 works) · Diverse Musicological Studies (2 works) · Epistemology (2 works) · Music Technology and Sound Studies (2 works) · Philosophy (2 works) · Visual arts (2 works) · Aesthetics (1 work)