Serial Intervention in Nono'sIl canto sospeso
Bibliographic Data
| ID | 4390656 |
|---|---|
| Authors | Jeannie Ma Guerrero (Eastman School of Music, corresponding author) |
| Year | 2006 |
| Volume | 12 |
| Issue | 1 |
| Publication date | 2006-02-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.12.1.3 |
| OpenAlex | W2555687025 |
| Language | IT |
| Citations received | 3 |
| References cited | 18 |
The instrumental movements of Luigi Nono'sIl canto sospesoexhibit a variety of procedures that override determinations made by serial structures. The overrides, as I describe them, yield novel textures in multiple musical dimensions and seem to inspire Nono's experimentation with electronic media later in his career. Further, multidimensional textures create formal musical and symbolic regions that underlie Nono's projection of highly charged textual matter
Art · Canto · Literature · Musical · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Artificial Intelligence
| Citations per year | 0.16 |
|---|---|
| Citation span | 2007 - 2015 (9) |
| Highly cited | No |