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Oana Andreica

Biographic Data

ID1379284
NAMEOana Andreica
GIVEN NAMESOana
FAMILY NAMEAndreica
SIGNATUREANDREICA O
AFFILIATIONSGheorghe Dima Music Academy
ORCID0009-0000-5025-7144
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT2
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Minimalist Orientations in Romanian Music

    Oana Andreica•ARTICLE•Contemporary Music Review•2025

    This article explores Romanian minimalism from the perspective of the theoretical framework proposed by composer and musicologist Corneliu Dan Georgescu. Labelled as ‘archetypal minimalism’, this approach traces the origins of Romanian minimalism not in the minimalist music developed in the United States, but rather in the Romanian folk repertoire with which it shares fundamental characteristics. The first part of the article deals with Georgescu…

  • Polystylistic Traits in Ede Terényi's Music

    Oana Andreica•ARTICLE•Studia musicologica•2024

    This paper presents some aspects concerning a group of works written by Ede Terényi in the 1980s, a time in which composers were preoccupied with regaining a certain expression through the revival of the musical past. Romania was not an exception to this orientation, and composers applied the same technical devices as their Western colleagues, such as quotation, collage, allusion, pastiche, etc. This stylistic approach provided Terényi with the o…

  • Exotic and Topical References in Gustav Mahler’s Das Lied von der Erde

    Open Access•Oana Andreica•ARTICLE•Roczniki Humanistyczne•2024

    This article discusses the topical content of Mahler’s Das Lied von der Erde in the context of the “exotic” character of the work. The work combines the formal layout of the symphony with that of the song, thus bringing together the extrovert attributes of a social genre with the introvert touch of a private musical manifestation. This also means the synthesis of elements apparently disparate, but that with Mahler become amazingly similar. Das Li…

  • Music as Cultural Heritage and Novelty

    Open Access•Oana Andreica•BOOK•Music as Cultural Heritage and…•2022

  • Music As Cultural Heritage and Novelty

    Oana Andreica•BOOK•Music As Cultural Heritage and…•2022

  • Readings in Numanities

    Open Access•Oana Andreica, Alin Olteanu•BOOK•Readings in Numanities•2018

No prominent works on this page.

  • Readings in Numanities

    Open Access•Oana Andreica, Alin Olteanu•BOOK•Readings in Numanities•2018

  • Music as Cultural Heritage and Novelty

    Open Access•Oana Andreica•BOOK•Music as Cultural Heritage and…•2022

  • Music As Cultural Heritage and Novelty

    Oana Andreica•BOOK•Music As Cultural Heritage and…•2022

  • Polystylistic Traits in Ede Terényi's Music

    Oana Andreica•ARTICLE•Studia musicologica•2024

    This paper presents some aspects concerning a group of works written by Ede Terényi in the 1980s, a time in which composers were preoccupied with regaining a certain expression through the revival of the musical past. Romania was not an exception to this orientation, and composers applied the same technical devices as their Western colleagues, such as quotation, collage, allusion, pastiche, etc. This stylistic approach provided Terényi with the o…

  • Exotic and Topical References in Gustav Mahler’s Das Lied von der Erde

    Open Access•Oana Andreica•ARTICLE•Roczniki Humanistyczne•2024

    This article discusses the topical content of Mahler’s Das Lied von der Erde in the context of the “exotic” character of the work. The work combines the formal layout of the symphony with that of the song, thus bringing together the extrovert attributes of a social genre with the introvert touch of a private musical manifestation. This also means the synthesis of elements apparently disparate, but that with Mahler become amazingly similar. Das Li…

  • Minimalist Orientations in Romanian Music

    Oana Andreica•ARTICLE•Contemporary Music Review•2025

    This article explores Romanian minimalism from the perspective of the theoretical framework proposed by composer and musicologist Corneliu Dan Georgescu. Labelled as ‘archetypal minimalism’, this approach traces the origins of Romanian minimalism not in the minimalist music developed in the United States, but rather in the Romanian folk repertoire with which it shares fundamental characteristics. The first part of the article deals with Georgescu…

Art (4 works) · Aesthetics (2 works) · Humanities (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Psychology (2 works) · Visual arts (2 works) · Archaeology (1 work) · Art history (1 work) · Baroque (1 work)

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