Minimalist Orientations in Romanian Music
Corneliu Dan Georgescu and the Concept of 'Archetypal Monotony
Bibliographic Data
| ID | 3858764 |
|---|---|
| Authors | Oana Andreica (0009-0000-5025-7144, The Gheorghe Dima National Academy of Music, corresponding author) |
| Year | 2025 |
| Volume | 43 |
| Issue | 2-4 |
| Pages | 1-20 |
| Publication date | 2025-08-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494467.2025.2541465 |
| OpenAlex | W4413420853 |
| Language | EN |
| Citations received | 2 |
This article explores Romanian minimalism from the perspective of the theoretical framework proposed by composer and musicologist Corneliu Dan Georgescu. Labelled as ‘archetypal minimalism’, this approach traces the origins of Romanian minimalism not in the minimalist music developed in the United States, but rather in the Romanian folk repertoire with which it shares fundamental characteristics. The first part of the article deals with Georgescu’s theoretical contributions, while the second examines some of his minimalist compositions
Art · Humanities · Linguistics · Romanian · Sociology · Visual arts · Musicology and Musical Analysis · Philosophy · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 2 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |