Paul Steenhuisen
Biographic Data
| ID | 1379314 |
|---|---|
| NAME | Paul Steenhuisen |
| GIVEN NAMES | Paul |
| FAMILY NAME | Steenhuisen |
| SIGNATURE | STEENHUISEN P |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
The Splendid Allure of Europium at the Inaugural Montréal/Nouvelles Musiques
Composer Paul Steenhuisen shares his own views on the Montréal/Nouvelles Musiques Festival by situating it within the context of other Canadian festivals and by discussing its main characteristics. The author also discusses the festival's artistic principles and its thematic orientation. On considering the compartmentalization of the public, he suggests that an artistic approach based on a unifying musical or philosophical idea would be an advant…
Darmstadt 1992 — the Understory
Present at Darmstadt in 1992, this Canadian composer also had several of his works performed, notably by the celebrated violinist Irvine Arditti. He relates his nearly missed encounter with Helmut Lachenmann, and the friendships he made with other Canadian composers and performers. Steenhuisen describes a Darmstadt true to its reputation as arrogant and unhealthily competitive and self-conscious, but also still capable of delivering profoundly in…
Interview with Helmut Lachenmann--Toronto, 20031
Interview with Helmut Lachenmann--Toronto, 20031
The Splendid Allure of Europium at the Inaugural Montréal/Nouvelles Musiques
Composer Paul Steenhuisen shares his own views on the Montréal/Nouvelles Musiques Festival by situating it within the context of other Canadian festivals and by discussing its main characteristics. The author also discusses the festival's artistic principles and its thematic orientation. On considering the compartmentalization of the public, he suggests that an artistic approach based on a unifying musical or philosophical idea would be an advant…
Darmstadt 1992 — the Understory
Present at Darmstadt in 1992, this Canadian composer also had several of his works performed, notably by the celebrated violinist Irvine Arditti. He relates his nearly missed encounter with Helmut Lachenmann, and the friendships he made with other Canadian composers and performers. Steenhuisen describes a Darmstadt true to its reputation as arrogant and unhealthily competitive and self-conscious, but also still capable of delivering profoundly in…
Art history (3 works) · Art (2 works) · History (2 works) · Musical (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Canadian Identity and History (1 works) · Computer Science (1 works)