The Splendid Allure of Europium at the Inaugural Montréal/Nouvelles Musiques
Bibliographic Data
| ID | 7724813 |
|---|---|
| Authors | Paul Steenhuisen (corresponding author) |
| Year | 2010 |
| Volume | 14 |
| Issue | 2 |
| Pages | 53-58 |
| Publication date | 2010-02-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Circuit Musiques contemporaines (JOURNAL) |
| Journal identifiers | ISSN: 1183-1693 • E-ISSN: 1488-9692 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/902313ar |
| OpenAlex | W2144024270 |
| Language | FR |
Composer Paul Steenhuisen shares his own views on the Montréal/Nouvelles Musiques Festival by situating it within the context of other Canadian festivals and by discussing its main characteristics. The author also discusses the festival's artistic principles and its thematic orientation. On considering the compartmentalization of the public, he suggests that an artistic approach based on a unifying musical or philosophical idea would be an advantageous replacement to the "star composer" system
Aesthetics · Archaeology · Art · Art history · Musical · Singing · Visual arts · Canadian Identity and History · Cultural Insights and Digital Impacts · History · Literature, Musicology, and Cultural Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |