Benoît Tadié
Biographic Data
| ID | 1382926 |
|---|---|
| NAME | Benoît Tadié |
| GIVEN NAMES | Benoît |
| FAMILY NAME | Tadié |
| SIGNATURE | TADIÉ B |
| AFFILIATIONS | Université Rennes 2 |
| ORCID | 0009-0004-5197-0637 |
| VERIFIED | Yes |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Périodiser le roman noir américain
This second section examines the notion of periodization from various perspectives, as a scientific, institutional, and political construct. Nicolas Martin-Breteau revisits fifty years of African American history in light of the “1619 Project.” Thomas Constantinesco and Cécile Roudeau suggest approaching the nineteenth century as a “vast archive” of “fruitful anachronisms” through the lens of environmental and medical humanities. Caroline Hildebr…
Présentation
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)
Entre horreur et hilarité
Deux rues tortueuses
L'hypnotiseur et la revenante
Afterword
“In all history there is no analogous case of one Culture making a passionate cult of the memory of another.” (Spengler 1926, 30)When a collection of essays entitled Renascent Joyce appeared about ten years ago, reviewers commented on the productive ambiguity of the word “renascent,” an adjective that foregrounds “the theme of creative renewal” across “more than one age and civilization” while recalling that “the spirit of the Renaissance is deep…
Les paradoxes fondateurs du country noir
Cet article a pour sujet les origines et la floraison, entre les années 1930 et 1960, de ce qu’on appelle aujourd’hui le country noir. Situant ce genre dans le sillage de William Faulkner et Erskine Caldwell et dans le contexte d’un roman noir américain qu’on a trop souvent tendance à réduire au thème hammetto-chandlerien de la « ville pourrie », il en analyse les principales options narratives ainsi que les caractéristiques matérielles, dans une…
Black Pulp
Brooks Hefner’s pioneering book deals with popular fiction written by, for, and about African American people between the 1920s and the 1950s. Seen from another angle, it is also about what the Black working- and middle class were reading during that period and how their reading may have offered “utopian solutions to the contradictions of the present” (140), particularly in the face of rampant Jim Crow racism. On these subjects, it delivers fasci…
Unreal Cities
Noir fiction was shaped, in the aftermath of World War II, by a generation of ex-servicemen who wrote, under the guise of crime stories, about the difficulty of returning to American cities and civilian life. Their often paranoid tales of victimization, violence and murder dramatize the homecoming veteran’s radical estrangement from his alienated and alienating city and community. Sometimes the gulf between the two can be bridged, and the stories…
Introduction. Passeurs de la littérature des États-Unis en France, 1917-1967, première partie
premire partie
The Bone Readers de Jacob Ross
Comment introduire les Caraïbes dans le roman policier ? Comment introduire le roman policier dans les Caraïbes ? À travers l’étude de The Bone Readers (2016) de Jacob Ross, cet article considère la politique du roman policier caribéen anglophone, genre de tradition récente. Il montre que l’intrigue multidimensionnelle du roman ainsi que son hybridité générique et linguistique permettent de représenter l’histoire et les géographies complexes de l…
Susanna Lee, Detectives in the Shadows
Hardboiled and noir fiction critics tend to be divided into two groups. There are the fans, who tirelessly discuss long-forgotten stories and novels in personal or collaborative blogs, edit anthologies from the pulps and dig up historical and biographical facts regarding obscure authors. Sometimes these fans are themselves writers of crime fiction. What distinguishes them is a practical, almost tactile knowledge of the old magazines and paperback…
Retraduire The Waste Land
À propos de la parution de : T. S. Eliot, La Terre dévastée (The Waste Land), présentation et traduction de Benoît Tadié, Po&sie, 2020/4 (n° 174), https://www.cairn.info/revue-poesie-2020-4-page-119.htm Chloé Thomas : The Waste Land est un texte qui a déjà été traduit plusieurs fois et dont une édition française, celle de Pierre Leyris, est facilement disponible dans le commerce, en bilingue et en poche. Dans quel contexte as-tu fait cette traduc…
Communautés de papier
International audience
A Strange Two-Front Class War”
International audience
A Strange Two-Front Class War”
Énoncer l’Amérique
Noir fiction embodies the myth of a pure, indigenous and autonomous American language. In order to show the most obvious aspects of this myth, I have chosen to deal with three types of eccentric texts : the translations of the Série noire (which played a great part in the definition of the genre as a whole), the French «fake translations » of American crime fiction in the late 40 's (these were in fact original novels written by French writers us…
That's All in the Protean Character of the Thing
No prominent works on this page.
That's All in the Protean Character of the Thing
Énoncer l’Amérique
Noir fiction embodies the myth of a pure, indigenous and autonomous American language. In order to show the most obvious aspects of this myth, I have chosen to deal with three types of eccentric texts : the translations of the Série noire (which played a great part in the definition of the genre as a whole), the French «fake translations » of American crime fiction in the late 40 's (these were in fact original novels written by French writers us…
A Strange Two-Front Class War”
International audience
A Strange Two-Front Class War”
Communautés de papier
International audience
Susanna Lee, Detectives in the Shadows
Hardboiled and noir fiction critics tend to be divided into two groups. There are the fans, who tirelessly discuss long-forgotten stories and novels in personal or collaborative blogs, edit anthologies from the pulps and dig up historical and biographical facts regarding obscure authors. Sometimes these fans are themselves writers of crime fiction. What distinguishes them is a practical, almost tactile knowledge of the old magazines and paperback…
Retraduire The Waste Land
À propos de la parution de : T. S. Eliot, La Terre dévastée (The Waste Land), présentation et traduction de Benoît Tadié, Po&sie, 2020/4 (n° 174), https://www.cairn.info/revue-poesie-2020-4-page-119.htm Chloé Thomas : The Waste Land est un texte qui a déjà été traduit plusieurs fois et dont une édition française, celle de Pierre Leyris, est facilement disponible dans le commerce, en bilingue et en poche. Dans quel contexte as-tu fait cette traduc…
Unreal Cities
Noir fiction was shaped, in the aftermath of World War II, by a generation of ex-servicemen who wrote, under the guise of crime stories, about the difficulty of returning to American cities and civilian life. Their often paranoid tales of victimization, violence and murder dramatize the homecoming veteran’s radical estrangement from his alienated and alienating city and community. Sometimes the gulf between the two can be bridged, and the stories…
Introduction. Passeurs de la littérature des États-Unis en France, 1917-1967, première partie
premire partie
The Bone Readers de Jacob Ross
Comment introduire les Caraïbes dans le roman policier ? Comment introduire le roman policier dans les Caraïbes ? À travers l’étude de The Bone Readers (2016) de Jacob Ross, cet article considère la politique du roman policier caribéen anglophone, genre de tradition récente. Il montre que l’intrigue multidimensionnelle du roman ainsi que son hybridité générique et linguistique permettent de représenter l’histoire et les géographies complexes de l…
Les paradoxes fondateurs du country noir
Cet article a pour sujet les origines et la floraison, entre les années 1930 et 1960, de ce qu’on appelle aujourd’hui le country noir. Situant ce genre dans le sillage de William Faulkner et Erskine Caldwell et dans le contexte d’un roman noir américain qu’on a trop souvent tendance à réduire au thème hammetto-chandlerien de la « ville pourrie », il en analyse les principales options narratives ainsi que les caractéristiques matérielles, dans une…
Black Pulp
Brooks Hefner’s pioneering book deals with popular fiction written by, for, and about African American people between the 1920s and the 1950s. Seen from another angle, it is also about what the Black working- and middle class were reading during that period and how their reading may have offered “utopian solutions to the contradictions of the present” (140), particularly in the face of rampant Jim Crow racism. On these subjects, it delivers fasci…
Afterword
“In all history there is no analogous case of one Culture making a passionate cult of the memory of another.” (Spengler 1926, 30)When a collection of essays entitled Renascent Joyce appeared about ten years ago, reviewers commented on the productive ambiguity of the word “renascent,” an adjective that foregrounds “the theme of creative renewal” across “more than one age and civilization” while recalling that “the spirit of the Renaissance is deep…
Présentation
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)
Entre horreur et hilarité
Deux rues tortueuses
L'hypnotiseur et la revenante
Périodiser le roman noir américain
This second section examines the notion of periodization from various perspectives, as a scientific, institutional, and political construct. Nicolas Martin-Breteau revisits fifty years of African American history in light of the “1619 Project.” Thomas Constantinesco and Cécile Roudeau suggest approaching the nineteenth century as a “vast archive” of “fruitful anachronisms” through the lens of environmental and medical humanities. Caroline Hildebr…
Art (13 works) · Philosophy (10 works) · History (6 works) · Political science (6 works) · Crime and Detective Fiction Studies (5 works) · Humanities (5 works) · Literature (5 works) · American and British Literature Analysis (3 works) · Law (3 works) · Aesthetics (2 works)