Afterword
Bibliographic Data
| ID | 21671428 |
|---|---|
| Authors | Benoît Tadié (0009-0004-5197-0637, corresponding author) |
| Year | 2024 |
| Volume | 37 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sillages critiques (JOURNAL) |
| Journal identifiers | ISSN: 1272-3819 • E-ISSN: 1969-6302 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/1319d |
| OpenAlex | W4406137731 |
| Language | EN |
| References cited | 7 |
“In all history there is no analogous case of one Culture making a passionate cult of the memory of another.” (Spengler 1926, 30)When a collection of essays entitled Renascent Joyce appeared about ten years ago, reviewers commented on the productive ambiguity of the word “renascent,” an adjective that foregrounds “the theme of creative renewal” across “more than one age and civilization” while recalling that “the spirit of the Renaissance is deeply linked to modernism” (Levin 2015, 178). In
Art, Aesthetics, and Perception · Historical Art and Culture Studies · Philosophy · Walter Benjamin Studies Compilation
| Citation velocity | historical |
|---|---|
| Highly cited | No |