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Tanya Harrod

Biographic Data

ID1383720
NAMETanya Harrod
GIVEN NAMESTanya
FAMILY NAMEHarrod
SIGNATUREHARROD T
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The Origins of the Journal of Modern Craft

    Tanya Harrod•ARTICLE•The Journal of Modern Craft•2021

    It has been seventeen years since the idea of our Journal was first mooted. Kathryn Earle, director of what was then Berg Publishers, based in Oxford & New York, took me out for lunch in July 2004

  • Introduction

    Tanya Harrod, Mariam Rosser-Owen•ARTICLE•The Journal of Modern Craft•2020

    The essays assembled here represent a selection of the papers presented at the international conference, “Middle Eastern Crafts: Yesterday, Today and Tomorrow”, held at the Victoria and Albert Muse

  • Crafting a future of knowledge

    Open Access•Isik Sayarer, Eva Knutsdotter et al.•ARTICLE•Futures•2019•Cited by: 3•References: 2

  • Anni Albers

    Tanya Harrod•ARTICLE•Critique d’art•2018

    In scattered workshops in Northern Europe, experimental hand-weaving made an important contribution to artistic and industrial modernism in the first part of the 20th century. The story of the weaver Anni Albers reminds us of the complexities and contradictions of this "lost" 20th century modernism, which was almost entirely led by women. Aside from the Bauhaus in Germany where Albers studied alongside great figures like Gunta Stölzl, Otti Berger…

  • Arundel Society

    Tanya Harrod•CHAPTER•2003

  • Crafting a future of knowledge

    Open Access•Isik Sayarer, Eva Knutsdotter et al.•ARTICLE•Futures•2019•Cited by: 3•References: 2

  • Arundel Society

    Tanya Harrod•CHAPTER•2003

  • Anni Albers

    Tanya Harrod•ARTICLE•Critique d’art•2018

    In scattered workshops in Northern Europe, experimental hand-weaving made an important contribution to artistic and industrial modernism in the first part of the 20th century. The story of the weaver Anni Albers reminds us of the complexities and contradictions of this "lost" 20th century modernism, which was almost entirely led by women. Aside from the Bauhaus in Germany where Albers studied alongside great figures like Gunta Stölzl, Otti Berger…

  • Crafting a future of knowledge

    Open Access•Isik Sayarer, Eva Knutsdotter et al.•ARTICLE•Futures•2019•Cited by: 3•References: 2

  • Introduction

    Tanya Harrod, Mariam Rosser-Owen•ARTICLE•The Journal of Modern Craft•2020

    The essays assembled here represent a selection of the papers presented at the international conference, “Middle Eastern Crafts: Yesterday, Today and Tomorrow”, held at the Victoria and Albert Muse

  • The Origins of the Journal of Modern Craft

    Tanya Harrod•ARTICLE•The Journal of Modern Craft•2021

    It has been seventeen years since the idea of our Journal was first mooted. Kathryn Earle, director of what was then Berg Publishers, based in Oxford & New York, took me out for lunch in July 2004

Art (3 works) · Crafts, Textile, and Design (3 works) · Fashion and Cultural Textiles (3 works) · History (3 works) · Visual arts (3 works) · Art history (2 works) · Artificial Intelligence (2 works) · Computer Science (2 works) · Craft (2 works) · Engineering (2 works)

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