Anni Albers
Bibliographic Data
| ID | 3872744 |
|---|---|
| Authors | Tanya Harrod (corresponding author) |
| Year | 2018 |
| Publication date | 2018-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.47456 |
| OpenAlex | W4252849345 |
| Language | EN |
In scattered workshops in Northern Europe, experimental hand-weaving made an important contribution to artistic and industrial modernism in the first part of the 20th century. The story of the weaver Anni Albers reminds us of the complexities and contradictions of this "lost" 20th century modernism, which was almost entirely led by women. Aside from the Bauhaus in Germany where Albers studied alongside great figures like Gunta Stölzl, Otti Berger, Margaret Leischner, and Benita Otte, there we
Art, Politics, and Modernism · Crafts, Textile, and Design · Fashion and Cultural Textiles · Geology
| Highly cited | No |
|---|