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Dard Neuman

Biographic Data

ID139225
NAMEDard Neuman
GIVEN NAMESDard
FAMILY NAMENeuman
SIGNATURENEUMAN D
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS3
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Pedagogy, Practice, and Embodied Creativity in Hindustani Music

    Dard Neuman•ARTICLE•Ethnomusicology•2012•Cited by: 2

  • The Production of Aura in the Gramophone Age of the "Live" Performance

    Dard Neuman•ARTICLE•Asian Music•2009•Cited by: 1

    Th is essay examines the impact of mass media on the cultivation, consumption, and connoisseurship of Hindustani music in the 20th century. I propose that the gramophone transformed listening habits as it normalized the repetition of listening. Th is, paradoxically, impelled a new phenomenon known as the “live” event, which had the novel quality that it could be experienced only as a single, momentary, and evanescent instant. Consequently, for ma…

  • Pedagogy, Practice, and Embodied Creativity in Hindustani Music

    Dard Neuman•ARTICLE•Ethnomusicology•2012•Cited by: 2

  • The Production of Aura in the Gramophone Age of the "Live" Performance

    Dard Neuman•ARTICLE•Asian Music•2009•Cited by: 1

    Th is essay examines the impact of mass media on the cultivation, consumption, and connoisseurship of Hindustani music in the 20th century. I propose that the gramophone transformed listening habits as it normalized the repetition of listening. Th is, paradoxically, impelled a new phenomenon known as the “live” event, which had the novel quality that it could be experienced only as a single, momentary, and evanescent instant. Consequently, for ma…

  • The Production of Aura in the Gramophone Age of the "Live" Performance

    Dard Neuman•ARTICLE•Asian Music•2009•Cited by: 1

    Th is essay examines the impact of mass media on the cultivation, consumption, and connoisseurship of Hindustani music in the 20th century. I propose that the gramophone transformed listening habits as it normalized the repetition of listening. Th is, paradoxically, impelled a new phenomenon known as the “live” event, which had the novel quality that it could be experienced only as a single, momentary, and evanescent instant. Consequently, for ma…

  • Pedagogy, Practice, and Embodied Creativity in Hindustani Music

    Dard Neuman•ARTICLE•Ethnomusicology•2012•Cited by: 2

Philosophy (2 works) · Aesthetics (1 work) · Aging, Elder Care, and Social Issues (1 work) · Art (1 work) · Communication (1 work) · Creativity (1 work) · Embodied cognition (1 work) · Epistemology (1 work) · Health, Medicine and Society (1 work) · Hermeneutics and Narrative Identity (1 work)

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