Mariana Larison
Biographic Data
| ID | 1409006 |
|---|---|
| NAME | Mariana Larison |
| GIVEN NAMES | Mariana |
| FAMILY NAME | Larison |
| SIGNATURE | LARISON M |
| AFFILIATIONS | Columbia University |
| ORCID | 0000-0003-4615-5457 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Beyond Constitution
In opposition to the modern category of constitution, which has become in some sense irrelevant for contemporary forms of organizing subjective life, this article sets out to explore the hermeneutic possibilities of Maurice Merleau-Ponty's proposal for a phenomenology of the institution. Specifically, it points out some of the consequences that stem from this project and that allow new perspectives to be developed from its basic intuitions. Towar…
Renaud Barbaras y el Seminario de Buenos Aires
Cuestiones fundamentales de fenomenología clásica
Phenomenology is a philosophical perspective first established at the beginning of the twentieth century andremains being developed. It was shaped during the first quarter of that century, diversified during the secondone, and took multiple roads since the 1950s. As a result, it is not possible to talk of ‘the one’ phenomenology, but instead it is necessary to speak of a phenomenological ‘project’. The article presents an approach to the issues, …
L’anthropologie a-t-elle une philosophie
L'imaginaire et ses lieux communs
Carbone, M. La chair des images
Resenha
Merleau-Ponty
El presente texto intenta comprender porqué el arte y, particularmente, la pintura, se presentan, dentro de la obra del filósofo francés Maurice Merleau-Ponty, como modos ejemplares del fenómeno expresivo y nos permiten, en este sentido, comprender las características propias de la operación perceptiva
No prominent works on this page.
Merleau-Ponty
El presente texto intenta comprender porqué el arte y, particularmente, la pintura, se presentan, dentro de la obra del filósofo francés Maurice Merleau-Ponty, como modos ejemplares del fenómeno expresivo y nos permiten, en este sentido, comprender las características propias de la operación perceptiva
Carbone, M. La chair des images
Resenha
L'imaginaire et ses lieux communs
L’anthropologie a-t-elle une philosophie
Cuestiones fundamentales de fenomenología clásica
Phenomenology is a philosophical perspective first established at the beginning of the twentieth century andremains being developed. It was shaped during the first quarter of that century, diversified during the secondone, and took multiple roads since the 1950s. As a result, it is not possible to talk of ‘the one’ phenomenology, but instead it is necessary to speak of a phenomenological ‘project’. The article presents an approach to the issues, …
Renaud Barbaras y el Seminario de Buenos Aires
Beyond Constitution
In opposition to the modern category of constitution, which has become in some sense irrelevant for contemporary forms of organizing subjective life, this article sets out to explore the hermeneutic possibilities of Maurice Merleau-Ponty's proposal for a phenomenology of the institution. Specifically, it points out some of the consequences that stem from this project and that allow new perspectives to be developed from its basic intuitions. Towar…
Humanities (5 works) · Art (4 works) · Philosophy (3 works) · Phenomenology and Existential Philosophy (2 works) · Philosophical Thought and Analysis (2 works) · Argentine historical studies (1 work) · French Historical and Cultural Studies (1 work) · French Literature and Critical Theory (1 work) · French Urban and Social Studies (1 work) · Historical Studies in Latin America (1 work)