Fotini Hadjittofi
Biographic Data
| ID | 1428430 |
|---|---|
| NAME | Fotini Hadjittofi |
| GIVEN NAMES | Fotini |
| FAMILY NAME | Hadjittofi |
| SIGNATURE | HADJITTOFI F |
| AFFILIATIONS | University of Lisbon |
| ORCID | 0000-0002-2092-2497 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Smyrna and Its Local Traditions in the Poetic Investiture of Quintus’ Posthomerica
The poetic investiture scene in Quintus’ Posthomerica (12.308–13) is the only passage in which this epic’s narrator speaks about himself in the first person. These lines have often been commented upon from an intertextual and metaliterary perspective, but the specificity of the geographical markers mentioned by Quintus has not been adequately explained. This article proposes that Quintus places his Homer specifically at the site of the old city o…
Short-Circuiting Heroism
Quintus' Posthomerica includes no fewer than three episodes in which Achillean characters bring about their own deaths: Achilles himself, Ajax, and Oenone. The last episode, coming soon after the successful resolution of Philoctetes' wrath in Book 9, suggests that this Achillean type of heroism irrevocably leads to (self-)destruction but also that an epic poem written in the traditional mold cannot entirely dispense with this type of short-circui…
Staging Rachel
Lamentations Rabbah Proem 24, a late ancient rabbinic midrash, is in many ways a unique text within the entire rabbinic corpus. It presents an extraordinary array of characters (including Abraham, Moses, the Torah, and even the alphabet) who are called upon to placate God, but fail. As their quest proves inconclusive, the biblical Rachel jumps into the fray to tell her story: how out of sisterly compassion she allowed Leah to take her own place i…
The Genres of Late Antique Christian Poetry
Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems:…
The Poet and the Evangelist in Nonnus’ Paraphrase of the Gospel According to John
Christian poetry, and biblical epic in particular, is intensely self-conscious. Both Greek and Latin Christian poets begin or end their compositions, paraphrases and centos with poetological reflections on the value and objectives of their works. The fifth-century Paraphrase of the Gospel according to John is an anomaly in this tradition. While Nonnus’ mythological epic, the Dionysiaca , is heavily self-conscious in that it includes a strong auth…
Sleeping Europa From Plato Comicus to Moschus and Horace
The rape (or threatened rape) of a sleeping Europa in Plato Comicus has curiously not attracted any attention from critics commenting on later texts which narrate the story of Europa. Yet, the motifs of night, sleep and dreaming play a prominent role in the Europa poems of both Moschus and Horace. This article will investigate the role of these motifs and argue for a closer connection between these two poems than has thus far been allowed. It wil…
Midas, the Golden Age Trope, and Hellenistic Kingship in Ovid's Metamorphoses
This article proposes a sustained politicized reading of the myth of Midas in Ovid's Metamorphoses. It argues that Midas stands, first, as the embodiment of failed, Hellenistic kingship, with its ostentatious display of wealth and heralding of a new Golden Age, and, second, as a warning against the infectious "love of gold", to which Roman politicians are far from immune. While the capture of Silenus and the golden touch episode link Midas with t…
Ποικιλόνωτος Ἀνήρ
This article examines three passages in Nonnus' Paraphrase of the Gospel according to John (19.21-25; 19.118-132; 20.81-82), all of which mention pieces of clothing in the context of Christ's passion and resurrection. It argues that Nonnus allows, and indeed encourages, both literal readings and metaphorical interpretations of the garments as stand-ins for Christ's body. The readings which do not turn garments into symbols of the body would be mo…
Major Themes and Motifs in the Dionysiaca
The Death of Love in Nonnus' Dionysiaca
The rapes of Nicaea and Aura, in Books 15-16 and 48 respectively of the Dionysiaca , are two of the most disturbing episodes in Nonnus' epic. The first figures a young huntress who does not hesitate to murder her persistent admirer; the second has another huntress—ex-protegée of Artemis—killing and eating her own offspring. As will become obvious in this section, these two stories have attracted a fair amount of attention from scholars of the Dio…
The Death of Love in Nonnus' Dionysiaca
The rapes of Nicaea and Aura, in Books 15-16 and 48 respectively of the Dionysiaca , are two of the most disturbing episodes in Nonnus' epic. The first figures a young huntress who does not hesitate to murder her persistent admirer; the second has another huntress—ex-protegée of Artemis—killing and eating her own offspring. As will become obvious in this section, these two stories have attracted a fair amount of attention from scholars of the Dio…
The Death of Love in Nonnus' Dionysiaca
The rapes of Nicaea and Aura, in Books 15-16 and 48 respectively of the Dionysiaca , are two of the most disturbing episodes in Nonnus' epic. The first figures a young huntress who does not hesitate to murder her persistent admirer; the second has another huntress—ex-protegée of Artemis—killing and eating her own offspring. As will become obvious in this section, these two stories have attracted a fair amount of attention from scholars of the Dio…
Major Themes and Motifs in the Dionysiaca
Midas, the Golden Age Trope, and Hellenistic Kingship in Ovid's Metamorphoses
This article proposes a sustained politicized reading of the myth of Midas in Ovid's Metamorphoses. It argues that Midas stands, first, as the embodiment of failed, Hellenistic kingship, with its ostentatious display of wealth and heralding of a new Golden Age, and, second, as a warning against the infectious "love of gold", to which Roman politicians are far from immune. While the capture of Silenus and the golden touch episode link Midas with t…
Ποικιλόνωτος Ἀνήρ
This article examines three passages in Nonnus' Paraphrase of the Gospel according to John (19.21-25; 19.118-132; 20.81-82), all of which mention pieces of clothing in the context of Christ's passion and resurrection. It argues that Nonnus allows, and indeed encourages, both literal readings and metaphorical interpretations of the garments as stand-ins for Christ's body. The readings which do not turn garments into symbols of the body would be mo…
Sleeping Europa From Plato Comicus to Moschus and Horace
The rape (or threatened rape) of a sleeping Europa in Plato Comicus has curiously not attracted any attention from critics commenting on later texts which narrate the story of Europa. Yet, the motifs of night, sleep and dreaming play a prominent role in the Europa poems of both Moschus and Horace. This article will investigate the role of these motifs and argue for a closer connection between these two poems than has thus far been allowed. It wil…
Staging Rachel
Lamentations Rabbah Proem 24, a late ancient rabbinic midrash, is in many ways a unique text within the entire rabbinic corpus. It presents an extraordinary array of characters (including Abraham, Moses, the Torah, and even the alphabet) who are called upon to placate God, but fail. As their quest proves inconclusive, the biblical Rachel jumps into the fray to tell her story: how out of sisterly compassion she allowed Leah to take her own place i…
The Genres of Late Antique Christian Poetry
Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems:…
The Poet and the Evangelist in Nonnus’ Paraphrase of the Gospel According to John
Christian poetry, and biblical epic in particular, is intensely self-conscious. Both Greek and Latin Christian poets begin or end their compositions, paraphrases and centos with poetological reflections on the value and objectives of their works. The fifth-century Paraphrase of the Gospel according to John is an anomaly in this tradition. While Nonnus’ mythological epic, the Dionysiaca , is heavily self-conscious in that it includes a strong auth…
Short-Circuiting Heroism
Quintus' Posthomerica includes no fewer than three episodes in which Achillean characters bring about their own deaths: Achilles himself, Ajax, and Oenone. The last episode, coming soon after the successful resolution of Philoctetes' wrath in Book 9, suggests that this Achillean type of heroism irrevocably leads to (self-)destruction but also that an epic poem written in the traditional mold cannot entirely dispense with this type of short-circui…
Smyrna and Its Local Traditions in the Poetic Investiture of Quintus’ Posthomerica
The poetic investiture scene in Quintus’ Posthomerica (12.308–13) is the only passage in which this epic’s narrator speaks about himself in the first person. These lines have often been commented upon from an intertextual and metaliterary perspective, but the specificity of the geographical markers mentioned by Quintus has not been adequately explained. This article proposes that Quintus places his Homer specifically at the site of the old city o…
Art (9 works) · Literature (8 works) · Classical Antiquity Studies (7 works) · History (6 works) · Poetry (6 works) · Byzantine Studies and History (5 works) · Philosophy (5 works) · History (4 works) · Historical and Linguistic Studies (3 works) · Mythology (3 works)