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The Genres of Late Antique Christian Poetry

Between Modulations and Transpositions

Bibliographic Data

ID19905832
EditorsFotini Hadjittofi (0000-0002-2092-2497), Anna Lefteratou
Year2020
Pages340
Publication date2020-10-12
Open AccessNo
TypeBOOK
VenueGenres of Late Antique Christian Poetry (SOURCE_BOOK)
PublisherDe Gruyter (PUBLISHER • DE)
DOI10.1515/9783110696219
OpenAlexW4239074172
ISBN9783110696219
Open LibraryOL29533262M
LanguageEN

Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems: on the one hand, the classical poetic models and, on the other, the various genres and sub-genres of Christian prose. Keeping in mind the different settings of the Greek-speaking East and the Latin-speaking West, the contributions seek to understand the impact of historical setting on genre, the influence of the paideia shared by authors and audiences, and the continued relevance of traditional categories of literary genre. While our immediate focus is genre, most of the contributions also engage with the ideological ramifications of the transposition of Christian themes into classicizing literature. This volume offers important and original case studies on the reception and appropriation of the classical past and its literary forms by Christian poetry.

Antique · Art · Literature · Poetry · Visual arts · Byzantine Studies and History · Classical Antiquity Studies · Historical and Linguistic Studies · Christianity in literature · Classical literature · Classical literature, history and criticism · Classical poetry · Congresses · Early Christian poetry · Greek Christian poetry · History and criticism · Latin Christian poetry · Middle ages

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