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Marsha Siefert

Biographic Data

ID1435962
NAMEMarsha Siefert
GIVEN NAMESMarsha
FAMILY NAMESiefert
SIGNATURESIEFERT M
AFFILIATIONSCentral European University
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS17
WORKS AS AUTHOR12
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Workers of the World Unite – On Screen. The World Federation of Trade Unions, Das Lied der Ströme (1954), and the International Left

    Open Access•Marsha Siefert•ARTICLE•Moving the Social•2026

    This article addresses the strategic use of media for mobilisation and education by the World Federation of Trade Unions (WFTU), with a focus on the film, Das Lied der Ströme (Song of the Rivers), which was commissioned to document the Third WFTU Congress held in Vienna, October 1953. The genesis of the film is placed within the context of early Cold War efforts by international organisations on all sides of the divide - USIA, NATO, ILO, UNESCO, …

  • Labor in State-Socialist Europe, 1945–1989

    Marsha Siefert•EDITOR•BOOK•Labor in State-Socialist Europe,…•2020

    Labor regimes under communism in East-Central Europe were complex, shifting, and ambiguous. This collection of sixteen essays offers new conceptual and empirical ways to understand their history from the end of World War II to 1989, and to think about how their experiences relate to debates about labor history, both European and global. The authors reconsider the history of state socialism by re-examining the policies and problems of communist re…

  • Enemy Number One

    Marsha Siefert•ARTICLE•Diplomatica•2020

  • Between Truth and Time

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2018

  • Frank Capra’s Eastern Horizons

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2015

    Classically Hollywood, uniquely American—so have Frank Capra’s films like Mr. Smith Goes to Washington (1939) and Meet John Doe (1941) been used to project American identity in scholarship and on s

  • Popular Television in Eastern Europe During and Since Socialism

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2014•Cited by: 8

    With the advent of the EU Screen project (www.euscreen.eu) and its associated journal, the inclusion of formerly socialist countries from Eastern Europe into the history and investigation of Europe

  • Radio Diplomacy and the Cold War

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•2003

    Radio Diplomacy and the Cold War Marsha Siefert Marsha Siefert 1Central European University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 53, Issue 2, 1 June 2003, Pages 365–373, https://doi.org/10.1111/j.1460-2466.2003.tb02596.x Published: 10 January 2006

  • Radio Diplomacy and the Cold War

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•2003

    Journal Article Radio Diplomacy and the Cold War Get access Marsha Siefert Marsha Siefert 1Central European University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 53, Issue 2, 1 June 2003, Pages 365–373, https://doi.org/10.1111/j.1460-2466.2003.tb02596.x Published: 10 January 2006

  • Image/Music/Voice

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•1995

    Journal Article Image/Music/Voice: Song Dubbing in Hollywood Musicals Get access Marsha Siefert Marsha Siefert 1Marsha Siefert teaches in the Department of Communication at Muhlenberg College. Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 45, Issue 2, June 1995, Pages 44–64, https://doi.org/10.1111/j.1460-2466.1995.tb00727.x Published: 07 February 2006

  • Aesthetics, Technology, and the Capitalization of Culture

    Open Access•Marsha Siefert•ARTICLE•Science in Context•1995•Cited by: 8•References: 3

    The ArgumentThis article uses the history of early sound recording technology in the united States between 1878 and 1915 to show how published discourse contributed to the way the talking machine was defined and situated as a commercially viable product. Comparing the published accounts of Edison's phonograph and Berliners gramophone in popular scientific articles between 1878 and 1896 illustrates that technological advances in sound recording te…

  • Ferment in the Field

    E Barbara Phillips, George Gerbner et al.•ARTICLE•Contemporary Sociology A Journal…•1986

  • World Communications

    Open Access•Michael G Morgan, George Gerbner et al.•ARTICLE•Journal of Policy Analysis and…•1985•Cited by: 1

  • The Dynamics of Evaluation

    Marsha Siefert•ARTICLE•Poetics Today•1984

    A defining feature of performance whether music, dance, or drama, folk, popular, or elite has been its singularity. The score or script or text may be known, it may have been performed once or a thousand times before, and yet each performance is still in some ways new, a product of that particular moment and those particular circumstances. In this singularity resides the potential that the next performance will transcend the text and all that has…

  • Popular Television in Eastern Europe During and Since Socialism

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2014•Cited by: 8

    With the advent of the EU Screen project (www.euscreen.eu) and its associated journal, the inclusion of formerly socialist countries from Eastern Europe into the history and investigation of Europe

  • Aesthetics, Technology, and the Capitalization of Culture

    Open Access•Marsha Siefert•ARTICLE•Science in Context•1995•Cited by: 8•References: 3

    The ArgumentThis article uses the history of early sound recording technology in the united States between 1878 and 1915 to show how published discourse contributed to the way the talking machine was defined and situated as a commercially viable product. Comparing the published accounts of Edison's phonograph and Berliners gramophone in popular scientific articles between 1878 and 1896 illustrates that technological advances in sound recording te…

  • World Communications

    Open Access•Michael G Morgan, George Gerbner et al.•ARTICLE•Journal of Policy Analysis and…•1985•Cited by: 1

  • The Dynamics of Evaluation

    Marsha Siefert•ARTICLE•Poetics Today•1984

    A defining feature of performance whether music, dance, or drama, folk, popular, or elite has been its singularity. The score or script or text may be known, it may have been performed once or a thousand times before, and yet each performance is still in some ways new, a product of that particular moment and those particular circumstances. In this singularity resides the potential that the next performance will transcend the text and all that has…

  • World Communications

    Open Access•Michael G Morgan, George Gerbner et al.•ARTICLE•Journal of Policy Analysis and…•1985•Cited by: 1

  • Ferment in the Field

    E Barbara Phillips, George Gerbner et al.•ARTICLE•Contemporary Sociology A Journal…•1986

  • Image/Music/Voice

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•1995

    Journal Article Image/Music/Voice: Song Dubbing in Hollywood Musicals Get access Marsha Siefert Marsha Siefert 1Marsha Siefert teaches in the Department of Communication at Muhlenberg College. Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 45, Issue 2, June 1995, Pages 44–64, https://doi.org/10.1111/j.1460-2466.1995.tb00727.x Published: 07 February 2006

  • Aesthetics, Technology, and the Capitalization of Culture

    Open Access•Marsha Siefert•ARTICLE•Science in Context•1995•Cited by: 8•References: 3

    The ArgumentThis article uses the history of early sound recording technology in the united States between 1878 and 1915 to show how published discourse contributed to the way the talking machine was defined and situated as a commercially viable product. Comparing the published accounts of Edison's phonograph and Berliners gramophone in popular scientific articles between 1878 and 1896 illustrates that technological advances in sound recording te…

  • Radio Diplomacy and the Cold War

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•2003

    Radio Diplomacy and the Cold War Marsha Siefert Marsha Siefert 1Central European University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 53, Issue 2, 1 June 2003, Pages 365–373, https://doi.org/10.1111/j.1460-2466.2003.tb02596.x Published: 10 January 2006

  • Radio Diplomacy and the Cold War

    Open Access•Marsha Siefert•ARTICLE•Journal of Communication•2003

    Journal Article Radio Diplomacy and the Cold War Get access Marsha Siefert Marsha Siefert 1Central European University Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 53, Issue 2, 1 June 2003, Pages 365–373, https://doi.org/10.1111/j.1460-2466.2003.tb02596.x Published: 10 January 2006

  • Popular Television in Eastern Europe During and Since Socialism

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2014•Cited by: 8

    With the advent of the EU Screen project (www.euscreen.eu) and its associated journal, the inclusion of formerly socialist countries from Eastern Europe into the history and investigation of Europe

  • Frank Capra’s Eastern Horizons

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2015

    Classically Hollywood, uniquely American—so have Frank Capra’s films like Mr. Smith Goes to Washington (1939) and Meet John Doe (1941) been used to project American identity in scholarship and on s

  • Between Truth and Time

    Marsha Siefert•ARTICLE•Historical Journal Of Film Radio…•2018

  • Labor in State-Socialist Europe, 1945–1989

    Marsha Siefert•EDITOR•BOOK•Labor in State-Socialist Europe,…•2020

    Labor regimes under communism in East-Central Europe were complex, shifting, and ambiguous. This collection of sixteen essays offers new conceptual and empirical ways to understand their history from the end of World War II to 1989, and to think about how their experiences relate to debates about labor history, both European and global. The authors reconsider the history of state socialism by re-examining the policies and problems of communist re…

  • Enemy Number One

    Marsha Siefert•ARTICLE•Diplomatica•2020

  • Workers of the World Unite – On Screen. The World Federation of Trade Unions, Das Lied der Ströme (1954), and the International Left

    Open Access•Marsha Siefert•ARTICLE•Moving the Social•2026

    This article addresses the strategic use of media for mobilisation and education by the World Federation of Trade Unions (WFTU), with a focus on the film, Das Lied der Ströme (Song of the Rivers), which was commissioned to document the Third WFTU Congress held in Vienna, October 1953. The genesis of the film is placed within the context of early Cold War efforts by international organisations on all sides of the divide - USIA, NATO, ILO, UNESCO, …

Political science (9 works) · Sociology (8 works) · History (6 works) · Law (6 works) · Politics (5 works) · Computer Science (4 works) · Historical Geopolitical and Social Dynamics (4 works) · Media studies (4 works) · Art (3 works) · European history and politics (3 works)

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