Frank Capra’s Eastern Horizons
American identity and the cinema of international relations
Bibliographic Data
| ID | 11190776 |
|---|---|
| Authors | Marsha Siefert (Central European University, corresponding author) |
| Year | 2015 |
| Volume | 35 |
| Issue | 3 |
| Pages | 539-541 |
| Publication date | 2015-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2015.1059618 |
| OpenAlex | W853362920 |
| Language | EN |
Classically Hollywood, uniquely American—so have Frank Capra’s films like Mr. Smith Goes to Washington (1939) and Meet John Doe (1941) been used to project American identity in scholarship and on s
Aesthetics · Archaeology · Art · Art history · Capra · Hollywood · Identity (music) · Media studies · Movie theater · Political science · Scholarship · Sociology · European history and politics · French Historical and Cultural Studies · History · Italian Fascism and Post-war Society · Law
| Highly cited | No |
|---|