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Suzanne Pinckney Stetkevych

Biographic Data

ID1442555
NAMESuzanne Pinckney Stetkevych
GIVEN NAMESSuzanne Pinckney
FAMILY NAMEStetkevych
SIGNATURESTETKEVYCH S P
AFFILIATIONSGeorgetown University
ORCID0000-0001-7137-2790
VERIFIEDYes
TOTAL WORKS30
TOTAL CITATIONS21
AUTHOR COUNT30
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2021
H-INDEX3
  • Irony, Archeology, and the Rule of Rhyme

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of the American Oriental…•2021•References: 1

    Two contrasting approaches to the genesis of the Luzūmiyya rhymed in Ṭasmu serve as entry points into Abū l-ʿAlāʾ al-Maʿarrī's (d. 449/1058) double-rhymed diwan, Luzūm mā lā yalzam. The first takes the seventh/thirteenth-century litterateur Ibn al-Qifṭī's account of the Umayyad caliph al-Walīd's Mosque of Damascus excavations, which was read before al-Maʿarrī, as the inspiration for the poem. This reading elicits the metaphorical connection, thro…

  • Labīd, ʿAbīd, and Lubad

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2020

    The blind Syrian poet, man of letters and scholar, Abū al-ʿAlāʾ al-Maʿarrī (363 H/973 CE -449 H/1057 CE ) is the author of two celebrated diwans. The second of these, his controversial double-rhymed and alphabetized, Luzūm Mā Lā Yalzam (Requiring What is Not Obligatory), known simply as Al-Luzūmiyyāt (The Compulsories), features his uninhibited, often highly ironic and usually pessimistic, religious, and ‘philosophical’ ideas along with mordant c…

  • The Mute Immortals Speak

    Suzanne Pinckney Stetkevych•BOOK•The Mute Immortals Speak•2019

    A body of Bedouin oral poetry which was collected in the second or third Islamic century, the pre-Islamic qasidah, or ode, stands with the Qur'an as a twin foundation of Arabo-Islamic literary culture. Throughout the rich fifteen-hundred-year history of classical Arabic literature, the qasidah served as profane anti-text to the sacred text of the Qur'an. While recognizing the esteem in which Arabs have traditionally held this poetry of the pagan …

  • Al-Sharīf al-Raḍī and Nahj al-balāghah

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2019•Cited by: 1

    This study explores the relationship between the extraordinary poetic achievement of Sharīf al-Raḍī (d. 406/1016) in his highly lyrical and influential Dīwān , on the one hand, and the literary-religious accomplishment of his unrivalled compilation of the sermons, epistles, and sayings of ʿAlī ibn Abī Ṭālib, Nahj al-balāghah , on the other. It examines the interplay among the contemporary Mutanabbī-dominated literary scene, the Imāmī Shīʿite domi…

  • Solomon and Mythic Kingship in the Arab-Islamic Tradition

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2017•Cited by: 3

    This article contrasts techniques from non-narrative, poetic and Qurʾānic texts with the narratives of Qiṣaṣ al-anbiyāʾ (the Stories of the Prophets) in order to interpret passages on Sulaymān/Solomon in pre- and early Arabic-Islamic texts. Beginning with the renowned non-narrative Sulaymān passage in the pre-Islamic poet al-Nābighah al-Dhubyānī’s ode of apology to the Lakhmid king al-Nuʿmān ibn al-Mundhir and several Qurʾānic passages concerning…

  • Abbasid Panegyric

    Suzanne Pinckney Stetkevych•ARTICLE•British Journal of Middle Eastern…•2016

    This study argues that the third AH/ninth CE century panegyrists (praise poets) of the Abbasid caliphal court at Baghdad (and briefly at Samarra) were responsible for constructing the image of a Golden Age of Arab-Islamic dominion that was subsequently adopted by the poets and thinkers of the Nahḍa or ‘Arab Awakening’ of the nineteenth and twentieth centuries. Challenged to create a poetry that would serve as the linguistic correlative of the ast…

  • The Snake in the Tree in Abu al-ʿAlaʾ al-Maʿarri’s Epistle of Forgiveness

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2014

    This study first proposes to interpret the opening passages of Abū al-ʿAlāʾ al-Maʿarrī’s (363-449/973-1058) Risālat al-Ghufrān ( Epistle of Forgiveness ) in terms of the mythic, lexic and ludic elements that make up the substance of what is essentially a non-narrative discourse. The study argues that al-Maʿarrī uses his parodic “heavenly garden” as a “ludic space” in which his self-righteous protagonist and addressee, Ibn al-Qāriḥ, as well as his…

  • The Mantle Odes

    Suzanne Pinckney Stetkevych, Suzanne Stetkevych•BOOK•The mantle odes•2010

    Also author of The Poetics of Islamic Legitimacy (2002) and The Mute Immortals Speak (1993), Stetkevych (Indiana Univ.) provides an original translation and careful analysis of three landmark poems in Arabic Islamic literature: Ka'b ibn Zuhayr's "Su'ad Has Departed" (presented to the prophet in his life), Al-Busiri's "Mantle Ode" (13th century), and Ahmad Shawqi's "The Way of the Mantle" (early 20th century). The author argues that these are esse…

  • Al-Sharīf al-Radī and the Poetics of 'Alid Legitimacy Elegy for al-Husayn ibn 'Alī on 'Āshūrā', 391 A.H

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2008

    Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections

  • From Sīrah to Qasīdah

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2007

    This study of the celebrated 7/13th century madīh/nabawī (praise poem to the Prophet Muhammad), al-Būsīrī's Qasīdat al-Burdah (Mantle Ode), takes as its premise the supplicatory structure of the ode expounded in the author's earlier study of the poem, "From Text to Talisman" (2006). It argues that the central portions of the Burdah, Parts IV to VIII, which are derived from prose sources for the Sīrah (biography) of the Prophet, have been poetical…

  • Poetic Genius and Poetic Jinni

    Open Access•Suzanne Pinckney Stetkevych•ARTICLE•International Journal Middle East…•2007•Cited by: 1

    Long appreciated for its combination of lyric charm and mordant wit, Ibn Shuhayd al-Andalusi's (992–1035) Risalat al-tawabiʿ wa-l-zawabiʿ (Epistle of Attendant Jinn and Whirling Demons), as I have argued recently, also offers a sophisticated treatise on poetic influence and inspiration. Composed around 1013–17, the epistle consists of the young poet's highly ironic and parodic defense against accusations of plagiarism leveled by one Abu Bakr ibn …

  • From Text to Talisman

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2006•Cited by: 2

    According to popular and literary tradition, when the Mamlūk period poet al-Būsīrī (d. 694-6/1294-7) was stricken with semi-paralysis that confounded his physicians, he turned in despair to compose a poem of praise to the Prophet Muhammad (madīh nabawī). He then saw the Prophet in a dream and recited the poem to him, upon which the Prophet bestowed his mantle (burdah) upon him, and the poet awoke miraculously cured. The present study argues that …

  • The Poetics of Islamic Legitimacy

    Suzanne Pinckney Stetkevych, Suzanne Stetkevych•BOOK•The Poetics of Islamic Legitimacy•2002

    Opens the beauty and power of Arabic poetic masterpieces to Western readers.

  • The Poetics of Islamic Legitimacy

    Suzanne Pinckney Stetkevych•BOOK•The poetics of Islamic legitimacy•2002

    Transgression and Redemption: Cuckolding the King - Al-Nabighah al-Dhubyani and the Pre-Islamic Royal Ode 2. Transmission and Submission: Praising the Prophet - Kaeb ibn Zuhayr and the Islamic Ode 3. Celebration and Restoration: Praising the Caliph - Al-Akhal and the Umayyad Victory Ode 4. Supplication and Negotiation: The Client Outraged - Al-Akhal and the Supplicatory Ode 5. Political Dominion as Sexual Domination - Abu al-Eatihiyah, Abu Tammim…

  • Umayyad Panegyric and the Poetics of Islamic Hegemony

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1997•Cited by: 1

  • The Poetics of Postcolonialism

    Hussein N Kadhim, Ahmad Shawqi et al.•ARTICLE•Journal of Arabic Literature•1997

  • Reorientations

    Shawkat M Toorawa, Suzanne Pinckney Stetkevych•ARTICLE•Journal of the American Oriental…•1997

    Employing contemporary literary theory, eight members of the Chicago school of Arabic and Persian literature analyze a broad spectrum of poetry, ranging from the pre-Islamic ode of the sixth century to seventeenth-century Persian Safavid Moghul verse

  • The Mute Immortal Speak

    Albert Arazi, Suzanne Pinckney Stetkevych•ARTICLE•Studia Islamica•1996

  • Reorientations/Arabic and Persian Poetry

    Aboubakr Chraïbi, Suzanne Pinckney Stetkevych•ARTICLE•Studia Islamica•1996•Cited by: 5

    Quite simply: these are seminal essays. . . . Distinguished scholarship, erudite, and full of innovative ways of interpreting Arabic and Persian poetry. -Omar Pound [This book] reads Arabic and Persian poetry in a refreshingly new and significant way. . . . raises our understanding . . . to a new level. -James T. Monroe Innovative methodologies reorient critical readings of classical Middle Eastern literature

  • Sarah and the Hyena

    Suzanne Pinckney Stetkevych•ARTICLE•History of Religions•1996•Cited by: 4

  • Abū Tammām and the Poetics of the ‘Abbāsid Age

    Suzanne Pinckney Stetkevych•BOOK•Abū Tammām and the Poetics of the…•1991

    Foremost among the poetic accomplishments of the "Abbasid age was the sudden flowering of a highly rhetorical and strikingly modern style of poetry , termed "badī'." It found its most radical and controversial exponent in the celebrated panegyrist to the courts of al-Ma'mūn and al-Mu'tasim, Abū Tammām Habīb ibn Aws Al- Tā'ī. The present study offers a reevaluation of the Arabic literary dispute over Abū Tammām and badī'. It then proposes a redefi…

  • The Arabic Novel

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1988

  • Beyond the Line

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1988

  • The Rithā' of Ta'abbata Sharran a Study of Blood-Vengeance in Early Arabic Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Semitic Studies•1986

    Journal Article THE RITHĀ' OF TA'ABBATA SHARRAN A STUDY OF BLOOD-VENGEANCE IN EARLY ARABIC POETRY Get access SUZANNE PINCKNEY STETKEVYCH SUZANNE PINCKNEY STETKEVYCH INDIANA UNIVERSITY Search for other works by this author on: Oxford Academic Google Scholar Journal of Semitic Studies, Volume XXXI, Issue 1, SPRING 1986, Pages 27–45, https://doi.org/10.1093/jss/XXXI.1.27 Published: 01 March 1986

  • Ritual and Sacrificial Elements in the Poetry of Blood-Vengeance

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1986•Cited by: 1

Next
  • Reorientations/Arabic and Persian Poetry

    Aboubakr Chraïbi, Suzanne Pinckney Stetkevych•ARTICLE•Studia Islamica•1996•Cited by: 5

    Quite simply: these are seminal essays. . . . Distinguished scholarship, erudite, and full of innovative ways of interpreting Arabic and Persian poetry. -Omar Pound [This book] reads Arabic and Persian poetry in a refreshingly new and significant way. . . . raises our understanding . . . to a new level. -James T. Monroe Innovative methodologies reorient critical readings of classical Middle Eastern literature

  • Sarah and the Hyena

    Suzanne Pinckney Stetkevych•ARTICLE•History of Religions•1996•Cited by: 4

  • Solomon and Mythic Kingship in the Arab-Islamic Tradition

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2017•Cited by: 3

    This article contrasts techniques from non-narrative, poetic and Qurʾānic texts with the narratives of Qiṣaṣ al-anbiyāʾ (the Stories of the Prophets) in order to interpret passages on Sulaymān/Solomon in pre- and early Arabic-Islamic texts. Beginning with the renowned non-narrative Sulaymān passage in the pre-Islamic poet al-Nābighah al-Dhubyānī’s ode of apology to the Lakhmid king al-Nuʿmān ibn al-Mundhir and several Qurʾānic passages concerning…

  • From Text to Talisman

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2006•Cited by: 2

    According to popular and literary tradition, when the Mamlūk period poet al-Būsīrī (d. 694-6/1294-7) was stricken with semi-paralysis that confounded his physicians, he turned in despair to compose a poem of praise to the Prophet Muhammad (madīh nabawī). He then saw the Prophet in a dream and recited the poem to him, upon which the Prophet bestowed his mantle (burdah) upon him, and the poet awoke miraculously cured. The present study argues that …

  • Al-Sharīf al-Raḍī and Nahj al-balāghah

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2019•Cited by: 1

    This study explores the relationship between the extraordinary poetic achievement of Sharīf al-Raḍī (d. 406/1016) in his highly lyrical and influential Dīwān , on the one hand, and the literary-religious accomplishment of his unrivalled compilation of the sermons, epistles, and sayings of ʿAlī ibn Abī Ṭālib, Nahj al-balāghah , on the other. It examines the interplay among the contemporary Mutanabbī-dominated literary scene, the Imāmī Shīʿite domi…

  • Poetic Genius and Poetic Jinni

    Open Access•Suzanne Pinckney Stetkevych•ARTICLE•International Journal Middle East…•2007•Cited by: 1

    Long appreciated for its combination of lyric charm and mordant wit, Ibn Shuhayd al-Andalusi's (992–1035) Risalat al-tawabiʿ wa-l-zawabiʿ (Epistle of Attendant Jinn and Whirling Demons), as I have argued recently, also offers a sophisticated treatise on poetic influence and inspiration. Composed around 1013–17, the epistle consists of the young poet's highly ironic and parodic defense against accusations of plagiarism leveled by one Abu Bakr ibn …

  • Umayyad Panegyric and the Poetics of Islamic Hegemony

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1997•Cited by: 1

  • Ritual and Sacrificial Elements in the Poetry of Blood-Vengeance

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1986•Cited by: 1

  • The Ṣuʿlūk and His Poem

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of the American Oriental…•1984•Cited by: 1

  • Structuralist Interpretations of Pre-Islamic Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1983•Cited by: 1

  • Toward a Redefinition of "Badī" Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1981•Cited by: 1

  • The 'Abbasid Poet Interprets History

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1979

  • Toward a Redefinition of "Badī" Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1981•Cited by: 1

  • Structuralist Interpretations of Pre-Islamic Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1983•Cited by: 1

  • The Ṣuʿlūk and His Poem

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of the American Oriental…•1984•Cited by: 1

  • The Rithā' of Ta'abbata Sharran a Study of Blood-Vengeance in Early Arabic Poetry

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Semitic Studies•1986

    Journal Article THE RITHĀ' OF TA'ABBATA SHARRAN A STUDY OF BLOOD-VENGEANCE IN EARLY ARABIC POETRY Get access SUZANNE PINCKNEY STETKEVYCH SUZANNE PINCKNEY STETKEVYCH INDIANA UNIVERSITY Search for other works by this author on: Oxford Academic Google Scholar Journal of Semitic Studies, Volume XXXI, Issue 1, SPRING 1986, Pages 27–45, https://doi.org/10.1093/jss/XXXI.1.27 Published: 01 March 1986

  • Ritual and Sacrificial Elements in the Poetry of Blood-Vengeance

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1986•Cited by: 1

  • Archetype and Attribution in Early Arabic Poetry

    Open Access•Suzanne Pinckney Stetkevych•ARTICLE•International Journal Middle East…•1986•References: 14

    The premier position of the Lāmiyyat al-'Arab among the poetry of al-shu'arā' al-Ta'alīk (the brigand-poets) of the Jāhiliyya is undeniable. Among scholars and philologists, both Arab and Orientalist, it has remained over the centuries the object of the most minute philological commentaries. Its Arab commentators number more than 20, among them the foremost names in classical Arabic literary scholarship: al-Mubarrad (d. 285/898), the doyen of the…

  • The Arabic Novel

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1988

  • Beyond the Line

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Near Eastern Studies•1988

  • Abū Tammām and the Poetics of the ‘Abbāsid Age

    Suzanne Pinckney Stetkevych•BOOK•Abū Tammām and the Poetics of the…•1991

    Foremost among the poetic accomplishments of the "Abbasid age was the sudden flowering of a highly rhetorical and strikingly modern style of poetry , termed "badī'." It found its most radical and controversial exponent in the celebrated panegyrist to the courts of al-Ma'mūn and al-Mu'tasim, Abū Tammām Habīb ibn Aws Al- Tā'ī. The present study offers a reevaluation of the Arabic literary dispute over Abū Tammām and badī'. It then proposes a redefi…

  • The Mute Immortal Speak

    Albert Arazi, Suzanne Pinckney Stetkevych•ARTICLE•Studia Islamica•1996

  • Reorientations/Arabic and Persian Poetry

    Aboubakr Chraïbi, Suzanne Pinckney Stetkevych•ARTICLE•Studia Islamica•1996•Cited by: 5

    Quite simply: these are seminal essays. . . . Distinguished scholarship, erudite, and full of innovative ways of interpreting Arabic and Persian poetry. -Omar Pound [This book] reads Arabic and Persian poetry in a refreshingly new and significant way. . . . raises our understanding . . . to a new level. -James T. Monroe Innovative methodologies reorient critical readings of classical Middle Eastern literature

  • Sarah and the Hyena

    Suzanne Pinckney Stetkevych•ARTICLE•History of Religions•1996•Cited by: 4

  • Umayyad Panegyric and the Poetics of Islamic Hegemony

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•1997•Cited by: 1

  • The Poetics of Postcolonialism

    Hussein N Kadhim, Ahmad Shawqi et al.•ARTICLE•Journal of Arabic Literature•1997

  • Reorientations

    Shawkat M Toorawa, Suzanne Pinckney Stetkevych•ARTICLE•Journal of the American Oriental…•1997

    Employing contemporary literary theory, eight members of the Chicago school of Arabic and Persian literature analyze a broad spectrum of poetry, ranging from the pre-Islamic ode of the sixth century to seventeenth-century Persian Safavid Moghul verse

  • The Poetics of Islamic Legitimacy

    Suzanne Pinckney Stetkevych, Suzanne Stetkevych•BOOK•The Poetics of Islamic Legitimacy•2002

    Opens the beauty and power of Arabic poetic masterpieces to Western readers.

  • The Poetics of Islamic Legitimacy

    Suzanne Pinckney Stetkevych•BOOK•The poetics of Islamic legitimacy•2002

    Transgression and Redemption: Cuckolding the King - Al-Nabighah al-Dhubyani and the Pre-Islamic Royal Ode 2. Transmission and Submission: Praising the Prophet - Kaeb ibn Zuhayr and the Islamic Ode 3. Celebration and Restoration: Praising the Caliph - Al-Akhal and the Umayyad Victory Ode 4. Supplication and Negotiation: The Client Outraged - Al-Akhal and the Supplicatory Ode 5. Political Dominion as Sexual Domination - Abu al-Eatihiyah, Abu Tammim…

  • From Text to Talisman

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2006•Cited by: 2

    According to popular and literary tradition, when the Mamlūk period poet al-Būsīrī (d. 694-6/1294-7) was stricken with semi-paralysis that confounded his physicians, he turned in despair to compose a poem of praise to the Prophet Muhammad (madīh nabawī). He then saw the Prophet in a dream and recited the poem to him, upon which the Prophet bestowed his mantle (burdah) upon him, and the poet awoke miraculously cured. The present study argues that …

  • From Sīrah to Qasīdah

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2007

    This study of the celebrated 7/13th century madīh/nabawī (praise poem to the Prophet Muhammad), al-Būsīrī's Qasīdat al-Burdah (Mantle Ode), takes as its premise the supplicatory structure of the ode expounded in the author's earlier study of the poem, "From Text to Talisman" (2006). It argues that the central portions of the Burdah, Parts IV to VIII, which are derived from prose sources for the Sīrah (biography) of the Prophet, have been poetical…

  • Poetic Genius and Poetic Jinni

    Open Access•Suzanne Pinckney Stetkevych•ARTICLE•International Journal Middle East…•2007•Cited by: 1

    Long appreciated for its combination of lyric charm and mordant wit, Ibn Shuhayd al-Andalusi's (992–1035) Risalat al-tawabiʿ wa-l-zawabiʿ (Epistle of Attendant Jinn and Whirling Demons), as I have argued recently, also offers a sophisticated treatise on poetic influence and inspiration. Composed around 1013–17, the epistle consists of the young poet's highly ironic and parodic defense against accusations of plagiarism leveled by one Abu Bakr ibn …

  • Al-Sharīf al-Radī and the Poetics of 'Alid Legitimacy Elegy for al-Husayn ibn 'Alī on 'Āshūrā', 391 A.H

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2008

    Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections

  • The Mantle Odes

    Suzanne Pinckney Stetkevych, Suzanne Stetkevych•BOOK•The mantle odes•2010

    Also author of The Poetics of Islamic Legitimacy (2002) and The Mute Immortals Speak (1993), Stetkevych (Indiana Univ.) provides an original translation and careful analysis of three landmark poems in Arabic Islamic literature: Ka'b ibn Zuhayr's "Su'ad Has Departed" (presented to the prophet in his life), Al-Busiri's "Mantle Ode" (13th century), and Ahmad Shawqi's "The Way of the Mantle" (early 20th century). The author argues that these are esse…

  • The Snake in the Tree in Abu al-ʿAlaʾ al-Maʿarri’s Epistle of Forgiveness

    Suzanne Pinckney Stetkevych•ARTICLE•Journal of Arabic Literature•2014

    This study first proposes to interpret the opening passages of Abū al-ʿAlāʾ al-Maʿarrī’s (363-449/973-1058) Risālat al-Ghufrān ( Epistle of Forgiveness ) in terms of the mythic, lexic and ludic elements that make up the substance of what is essentially a non-narrative discourse. The study argues that al-Maʿarrī uses his parodic “heavenly garden” as a “ludic space” in which his self-righteous protagonist and addressee, Ibn al-Qāriḥ, as well as his…

  • Abbasid Panegyric

    Suzanne Pinckney Stetkevych•ARTICLE•British Journal of Middle Eastern…•2016

    This study argues that the third AH/ninth CE century panegyrists (praise poets) of the Abbasid caliphal court at Baghdad (and briefly at Samarra) were responsible for constructing the image of a Golden Age of Arab-Islamic dominion that was subsequently adopted by the poets and thinkers of the Nahḍa or ‘Arab Awakening’ of the nineteenth and twentieth centuries. Challenged to create a poetry that would serve as the linguistic correlative of the ast…

Art (28 works) · Literature (28 works) · Philosophy (27 works) · Poetry (25 works) · Islamic Studies and History (24 works) · History (22 works) · Philosophy (16 works) · History (14 works) · Theology (13 works) · Historical and Linguistic Studies (12 works)

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