The Mute Immortals Speak
Pre-Islamic Poetry and the Poetics of Ritual
Bibliographic Data
| ID | 23135283 |
|---|---|
| Authors | Suzanne Pinckney Stetkevych (0000-0001-7137-2790, corresponding author) |
| Year | 2019 |
| Publication date | 2019-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | The Mute Immortals Speak (SOURCE_BOOK) |
| Publisher | Cornell University Press (PUBLISHER) |
| DOI | 10.7591/9781501720178 |
| OpenAlex | W2035205148 |
| ISBN | 9781501720178 |
| Language | EN |
| Citations received | 28 |
A body of Bedouin oral poetry which was collected in the second or third Islamic century, the pre-Islamic qasidah, or ode, stands with the Qur'an as a twin foundation of Arabo-Islamic literary culture. Throughout the rich fifteen-hundred-year history of classical Arabic literature, the qasidah served as profane anti-text to the sacred text of the Qur'an. While recognizing the esteem in which Arabs have traditionally held this poetry of the pagan past, modern critics in both East and West have yet to formulate a poetics that would provide the means to analyze and evaluate the qasidah. Suzanne Pinckney Stetkevych here offers the first aesthetics appropriate for this orally composed Arabic verse, an aesthetics that is built on—and tested on—close readings of a number of the poems. Drawing on the insights of contemporary literary theory, anthropology, and the history of religions, Stetkevych maintains that the poetry of the qasidah is ritualized in both form and function. She brings to bear an extensive body of lore, legend, and myth as she interprets individual themes and images with references to rites of passage and rituals of sacrifice. Her English translations of the poems under discussion convey the power and beauty of the originals, as well as a sense of their complex intertextuality and distinctive lexicon. The Mute Immortals Speak will be important for students and scholars in the fields of Middle Eastern literatures, Islamic studies, folklore, oral literature, and literary theory, and by anthropologists, comparatists, historians of religion, and medievalists
Archaeology · Art · Islam · Literature · Poetics · Poetry · Archaeology and Historical Studies · Historical and Linguistic Studies · History · Islamic Studies and History
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Aesthetic poetry and creative translations
Mourning Women
Beyond words
In Search of Chronology
The Global Significance of Arabic Language and Literature
Opposition to Word-Breaking in the Practice of Qur’an Commentary in Eighth/Fourteenth- and Ninth/Fifteenth-Century Mamlūk Cairo
From Lostness to Salvation
Il potere delle donne e della loro parola nella Sīrat al-Zīr Sālim
On the Relationship between Birds and Spirits of the Dead
The Enemy Combatant as Poet
From Bayt to Stanza
The Apocalypse of Peace
Lamenting Karbala in Europe
The Issue of Pre‐Islamic Arabic Christian Poetry Revisited
Contemporary Emirati Literature
We Deportees
Classical Arabic Poetry in Contemporary Studies
Los sermones de ‘Alī ibn Abī Ṭālib en la confluencia entre las enseñanzas islámicas del Corán y la ética cultural basada en las tradiciones orales sobre la naturaleza de la Arabia del siglo VII
Female Camel Nomenclature among Arabia’s Bedouins
The stranger at the sea
Classical poetic motifs as alchemical metaphors in the Shudhūr al-dhahab and its commentaries
The Semantics of Qurʾanic Language
Subjectivity, agency, and the question of gender in Fadwa Tuqan’s post- naksa poetry
Orphanhood and allegoresis in Raḍwā ʿĀshūr’s Granada Trilogy
Considerazioni teoriche e critiche sull’imitazione parodica (al-Muʿāraḍa al-hazliyya) in epoca mamelucca
Emotion and Islamic Hagiology
Frame semantics in research on oral poetries
| Unique citing works | 28 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 1970 - 2026 (57) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |