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Karen Kurczynski

Biographic Data

ID1444549
NAMEKaren Kurczynski
GIVEN NAMESKaren
FAMILY NAMEKurczynski
SIGNATUREKURCZYNSKI K
AFFILIATIONSKAREN KURCZYNSKI teaches art history and critical theory at Northeastern University and Massachusetts College of Art in Boston. She is currently writing a monograph entitled “The Avant-Garde Won't Give Up: The Art and Politics of Asger Jorn,” based on her dissertation at New York University, as well as co-curating a centennial exhibition on Asger Jorn's artistic dialogues for the Museum Jorn in Denmark in 2014.
ORCID0009-0008-6546-3491
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Steve Locke’s ‘#Killers’

    Open Access•Karen Kurczynski•ARTICLE•Journal of Visual Culture•2025

    This article explores the critical reflection on whiteness initiated by Steve Locke’s series of drawings entitled ‘#Killers’, which depict the white perpetrators of lethal violence against Black victims in graphite on paper. Locke presents a subjective take on media and social media images that he reframes as portraits of pathological whiteness. The article argues that, while other artists have powerfully memorialized Black victims, Locke’s drawi…

  • Yayoi Kusama

    Karen Kurczynski•ARTICLE•Asian Diasporic Visual Cultures…•2016

  • Materialism and Intersubjectivity in Cobra

    Open Access•Karen Kurczynski•ARTICLE•Art History•2016

  • No Man's Land

    Karen Kurczynski•ARTICLE•October•2012•References: 9

    July 01 2012 No Man's Land Karen Kurczynski Karen Kurczynski KAREN KURCZYNSKI teaches art history and critical theory at Northeastern University and Massachusetts College of Art in Boston. She is currently writing a monograph entitled “The Avant-Garde Won't Give Up: The Art and Politics of Asger Jorn,” based on her dissertation at New York University, as well as co-curating a centennial exhibition on Asger Jorn's artistic dialogues for the Museum…

  • Primitivism, humanism, and ambivalence

    Open Access•Karen Kurczynski, Nicola Pezolet•ARTICLE•Res: Anthropology and Aesthetics•2011•References: 4

  • Leveraging Situationism

    Open Access•Karen Kurczynski•ARTICLE•Third Text•2008•Cited by: 1

  • Expression as vandalism

    Open Access•Karen Kurczynski•ARTICLE•Res: Anthropology and Aesthetics•2008•Cited by: 1

  • Leveraging Situationism

    Open Access•Karen Kurczynski•ARTICLE•Third Text•2008•Cited by: 1

  • Expression as vandalism

    Open Access•Karen Kurczynski•ARTICLE•Res: Anthropology and Aesthetics•2008•Cited by: 1

  • Leveraging Situationism

    Open Access•Karen Kurczynski•ARTICLE•Third Text•2008•Cited by: 1

  • Expression as vandalism

    Open Access•Karen Kurczynski•ARTICLE•Res: Anthropology and Aesthetics•2008•Cited by: 1

  • Primitivism, humanism, and ambivalence

    Open Access•Karen Kurczynski, Nicola Pezolet•ARTICLE•Res: Anthropology and Aesthetics•2011•References: 4

  • No Man's Land

    Karen Kurczynski•ARTICLE•October•2012•References: 9

    July 01 2012 No Man's Land Karen Kurczynski Karen Kurczynski KAREN KURCZYNSKI teaches art history and critical theory at Northeastern University and Massachusetts College of Art in Boston. She is currently writing a monograph entitled “The Avant-Garde Won't Give Up: The Art and Politics of Asger Jorn,” based on her dissertation at New York University, as well as co-curating a centennial exhibition on Asger Jorn's artistic dialogues for the Museum…

  • Yayoi Kusama

    Karen Kurczynski•ARTICLE•Asian Diasporic Visual Cultures…•2016

  • Materialism and Intersubjectivity in Cobra

    Open Access•Karen Kurczynski•ARTICLE•Art History•2016

  • Steve Locke’s ‘#Killers’

    Open Access•Karen Kurczynski•ARTICLE•Journal of Visual Culture•2025

    This article explores the critical reflection on whiteness initiated by Steve Locke’s series of drawings entitled ‘#Killers’, which depict the white perpetrators of lethal violence against Black victims in graphite on paper. Locke presents a subjective take on media and social media images that he reframes as portraits of pathological whiteness. The article argues that, while other artists have powerfully memorialized Black victims, Locke’s drawi…

Art (7 works) · Art history (4 works) · Computer Science (4 works) · Sociology (4 works) · Library science (3 works) · Philosophy (3 works) · Political science (3 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Citation (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae