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Ruediger Heinze

Biographic Data

ID144696
NAMERuediger Heinze
GIVEN NAMESRuediger
FAMILY NAMEHeinze
SIGNATUREHEINZE R
AFFILIATIONSConcordia University Chicago
ORCID0000-0002-8899-5422
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Cognitive Confusions and Critical Misapprehensions

    Open Access•Ruediger Heinze, Rüdiger Heinze•ARTICLE•Kulturwissenschaftliche Zeitschrift•2023

    This essay uses principles and concepts of cognitive psychology and the context of 19th century visual culture to show that the narrator of Henry James’s »The Real Thing« (1892) is an unreliable narrator – a point which has been made before – not primarily because his judgments are incongruous with those of an implied author (a troubled concept in itself) and reader (as has been argued by critics so far) but rather because the manner in which he …

  • Melting Pots & Mosaics

    Open Access•Ruediger Heinze, Rüdiger Heinze•BOOK•Melting Pots and Mosaics•2017

    In the past decades, children of immigrants have drawn increased attention not only in press and media, but also in a number of academic fields, among them sociology, history, or ethnology. Surprisingly, literary and cultural studies have been somewhat more reluctant to approach the topic. While there is work on individual authors or, at the very most, particular ethnic groups, comparative approaches are rare. This monograph aims to amend this. I…

  • The Dream of the Unified Field’1

    Open Access•Ruediger Heinze•ARTICLE•European Journal of American…•2008•References: 2

    This paper collates two critical ideas about American poetry: originality and influence. Under the precept of the former, poets and critics call for – and on occasion celebrate – an originally American, more or less coherent national poetry, while the latter hosts complaints about the “forfeiture of grand opportunities” (Shaw) exactly because contemporary American poetry fails to contribute to a genuinely innovative national literature. This fail…

  • A Diasporic Overcoat

    Ruediger Heinze•ARTICLE•Journal of Postcolonial Writing•2007•Cited by: 1•References: 9

    Starting as an analysis of the relation between (self)‐naming and (dis)‐affection in Jhumpa Lahiri’s novel The Namesake, this paper suggests that the problems described and their critical reception can be seen to reflect more substantial problems permeating contemporary discussions around so‐called immigrant or diasporic literature and culture, and wider debates around multiculturalism and identity politics. It argues that discussions of diaspori…

  • Patronage and Recruitment in the Tudor and Early Stuart Church

    Ruediger Heinze, R W Heinze•ARTICLE•Sixteenth Century Journal•1997

  • Religion and Regime

    Open Access•Ruediger Heinze, R W Heinze•ARTICLE•Journal of History•1970

    "Religion and Regime: a Sociological Account of the Reformation, by Guy E. Swanson." Canadian Journal of History, 5(1), pp. 101–102

  • A Diasporic Overcoat

    Ruediger Heinze•ARTICLE•Journal of Postcolonial Writing•2007•Cited by: 1•References: 9

    Starting as an analysis of the relation between (self)‐naming and (dis)‐affection in Jhumpa Lahiri’s novel The Namesake, this paper suggests that the problems described and their critical reception can be seen to reflect more substantial problems permeating contemporary discussions around so‐called immigrant or diasporic literature and culture, and wider debates around multiculturalism and identity politics. It argues that discussions of diaspori…

  • Religion and Regime

    Open Access•Ruediger Heinze, R W Heinze•ARTICLE•Journal of History•1970

    "Religion and Regime: a Sociological Account of the Reformation, by Guy E. Swanson." Canadian Journal of History, 5(1), pp. 101–102

  • Patronage and Recruitment in the Tudor and Early Stuart Church

    Ruediger Heinze, R W Heinze•ARTICLE•Sixteenth Century Journal•1997

  • A Diasporic Overcoat

    Ruediger Heinze•ARTICLE•Journal of Postcolonial Writing•2007•Cited by: 1•References: 9

    Starting as an analysis of the relation between (self)‐naming and (dis)‐affection in Jhumpa Lahiri’s novel The Namesake, this paper suggests that the problems described and their critical reception can be seen to reflect more substantial problems permeating contemporary discussions around so‐called immigrant or diasporic literature and culture, and wider debates around multiculturalism and identity politics. It argues that discussions of diaspori…

  • The Dream of the Unified Field’1

    Open Access•Ruediger Heinze•ARTICLE•European Journal of American…•2008•References: 2

    This paper collates two critical ideas about American poetry: originality and influence. Under the precept of the former, poets and critics call for – and on occasion celebrate – an originally American, more or less coherent national poetry, while the latter hosts complaints about the “forfeiture of grand opportunities” (Shaw) exactly because contemporary American poetry fails to contribute to a genuinely innovative national literature. This fail…

  • Melting Pots & Mosaics

    Open Access•Ruediger Heinze, Rüdiger Heinze•BOOK•Melting Pots and Mosaics•2017

    In the past decades, children of immigrants have drawn increased attention not only in press and media, but also in a number of academic fields, among them sociology, history, or ethnology. Surprisingly, literary and cultural studies have been somewhat more reluctant to approach the topic. While there is work on individual authors or, at the very most, particular ethnic groups, comparative approaches are rare. This monograph aims to amend this. I…

  • Cognitive Confusions and Critical Misapprehensions

    Open Access•Ruediger Heinze, Rüdiger Heinze•ARTICLE•Kulturwissenschaftliche Zeitschrift•2023

    This essay uses principles and concepts of cognitive psychology and the context of 19th century visual culture to show that the narrator of Henry James’s »The Real Thing« (1892) is an unreliable narrator – a point which has been made before – not primarily because his judgments are incongruous with those of an implied author (a troubled concept in itself) and reader (as has been argued by critics so far) but rather because the manner in which he …

Sociology (5 works) · Art (4 works) · History (4 works) · Anthropology (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Diaspora, migration, transnational identity (2 works) · Epistemology (2 works) · History (2 works)

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