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The Dream of the Unified Field’1

Originality, Influence, the Idea of a National Literature and Contemporary American Poetry

Bibliographic Data

ID6188075
AuthorsRuediger Heinze (0000-0002-8899-5422, corresponding author)
Year2008
Volume3
Issue3
Publication date2008-10-09
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherOpenEdition (PUBLISHER)
DOI10.4000/ejas.2482
OpenAlexW2031054701
LanguageEN
References cited4

This paper collates two critical ideas about American poetry: originality and influence. Under the precept of the former, poets and critics call for – and on occasion celebrate – an originally American, more or less coherent national poetry, while the latter hosts complaints about the “forfeiture of grand opportunities” (Shaw) exactly because contemporary American poetry fails to contribute to a genuinely innovative national literature. This failure is argued to be the result of an inability of poets to free themselves from incapacitating literary influences due to the “academization” and “inbred professionalism” (Altieri) of the creative writing programs. Both ideas, this essay will argue, although apparently oppositional, are based on the same – inherently inconsistent – notion of influence and predominantly appear in the context of discussions around the project/idea of a national poetry/literature. The paper will examine the critical history of these two ideas and their connection to the conception of an American national poetry

Aesthetics · American literature · American poetry · Art · Context (archaeology · Dream · Literature · Originality · Poetry · Political science · Precept · Social science · Sociology · Value (mathematics · Digital Humanities and Scholarship · History · Law · Musicology and Musical Analysis · Philosophy · Poetry Analysis and Criticism · Psychology

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Citation velocityhistorical
Highly citedNo

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