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David Edgar

Biographic Data

ID144919
NAMEDavid Edgar
GIVEN NAMESDavid
FAMILY NAMEEdgar
SIGNATUREEDGAR D
AFFILIATIONSRoyal National Theatre
ORCID0000-0002-6878-8135
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS5
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Memorial tributes to A. Sivanandan

    Open Access•Bali Gill, Colin Prescod et al.•ARTICLE•Race & Class•2018

  • Building Sustainability on Deep Values Through Mindfulness Nurturing

    Open Access•Estrella Bernal, David Edgar et al.•ARTICLE•Ecological Economics•2017•References: 10

  • The politics of the Right

    Open Access•David Edgar•ARTICLE•Race & Class•2016

  • Shouting fire

    Open Access•David Edgar•ARTICLE•Race & Class•2006•Cited by: 1•References: 1

    In recent years, fears about the influence of sexual and violent images, a growing concern for the victims of crime and emerging movements against the insulting of religions have widened the range of acceptable restrictions on freedom of expression in the arts. These new non-legal pressures rely on a blurring of the boundaries between representation and enactment or promotion, so that to dramatise is often seen as to condone. The right of consume…

  • Cold War Theatre

    Loren Kruger, John Elsom et al.•ARTICLE•Theatre Journal•1993

  • Festivals of the oppressed

    Open Access•David Edgar•ARTICLE•Race & Class•1988

  • The Migrant’s Vision

    David Edgar•ARTICLE•New left review•1984

    Shame, Salman Rushdie’s new novel, is written from a very different perspective from that of the earlier Midnight’s Children. The latter novel was a book written about India by an Indian; the white metropolitan reader was an eavesdropper, overhearing the voice of a strange, far-away country of

  • Nicholas Nickleby

    Jill Nassivera, Charles Dicken et al.•ARTICLE•Theatre Journal•1982

  • Reagan's hidden agenda

    Open Access•David Edgar•ARTICLE•Race & Class•1981

  • The Jail Diary of Albie Sachs

    Edward Pixley, David Edgar•ARTICLE•Theatre Journal•1979

  • Methuen's New Theatrescripts

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

  • Racism, fascism and the politics of the National Front

    Open Access•David Edgar•ARTICLE•Race & Class•1977•Cited by: 4

  • Racism, fascism and the politics of the National Front

    Open Access•David Edgar•ARTICLE•Race & Class•1977•Cited by: 4

  • Shouting fire

    Open Access•David Edgar•ARTICLE•Race & Class•2006•Cited by: 1•References: 1

    In recent years, fears about the influence of sexual and violent images, a growing concern for the victims of crime and emerging movements against the insulting of religions have widened the range of acceptable restrictions on freedom of expression in the arts. These new non-legal pressures rely on a blurring of the boundaries between representation and enactment or promotion, so that to dramatise is often seen as to condone. The right of consume…

  • Methuen's New Theatrescripts

    Bonnie Marranca, Bonnie G Marranca et al.•ARTICLE•Performing Arts Journal•1977

  • Racism, fascism and the politics of the National Front

    Open Access•David Edgar•ARTICLE•Race & Class•1977•Cited by: 4

  • The Jail Diary of Albie Sachs

    Edward Pixley, David Edgar•ARTICLE•Theatre Journal•1979

  • Reagan's hidden agenda

    Open Access•David Edgar•ARTICLE•Race & Class•1981

  • Nicholas Nickleby

    Jill Nassivera, Charles Dicken et al.•ARTICLE•Theatre Journal•1982

  • The Migrant’s Vision

    David Edgar•ARTICLE•New left review•1984

    Shame, Salman Rushdie’s new novel, is written from a very different perspective from that of the earlier Midnight’s Children. The latter novel was a book written about India by an Indian; the white metropolitan reader was an eavesdropper, overhearing the voice of a strange, far-away country of

  • Festivals of the oppressed

    Open Access•David Edgar•ARTICLE•Race & Class•1988

  • Cold War Theatre

    Loren Kruger, John Elsom et al.•ARTICLE•Theatre Journal•1993

  • Shouting fire

    Open Access•David Edgar•ARTICLE•Race & Class•2006•Cited by: 1•References: 1

    In recent years, fears about the influence of sexual and violent images, a growing concern for the victims of crime and emerging movements against the insulting of religions have widened the range of acceptable restrictions on freedom of expression in the arts. These new non-legal pressures rely on a blurring of the boundaries between representation and enactment or promotion, so that to dramatise is often seen as to condone. The right of consume…

  • The politics of the Right

    Open Access•David Edgar•ARTICLE•Race & Class•2016

  • Building Sustainability on Deep Values Through Mindfulness Nurturing

    Open Access•Estrella Bernal, David Edgar et al.•ARTICLE•Ecological Economics•2017•References: 10

  • Memorial tributes to A. Sivanandan

    Open Access•Bali Gill, Colin Prescod et al.•ARTICLE•Race & Class•2018

Political science (8 works) · Sociology (7 works) · Law (5 works) · Art (4 works) · History (4 works) · History (4 works) · Law (4 works) · Politics (4 works) · Psychology (3 works) · Computer Science (2 works)

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