The Migrant’s Vision
Bibliographic Data
| ID | 10310264 |
|---|---|
| Authors | David Edgar (0000-0002-6878-8135, corresponding author) |
| Year | 1984 |
| Volume | 1 |
| Issue | 144 |
| Pages | 124-128 |
| Publication date | 1984-03-31 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New left review (JOURNAL) |
| Journal identifiers | ISSN: 0028-6060 • E-ISSN: 2044-0480 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.64590/iq3 |
| OpenAlex | W4414178542 |
| Language | EN |
Shame, Salman Rushdie’s new novel, is written from a very different perspective from that of the earlier Midnight’s Children. The latter novel was a book written about India by an Indian; the white metropolitan reader was an eavesdropper, overhearing the voice of a strange, far-away country of
Metropolitan area · Perspective (graphical · White (mutation · White paper · Comparative and World Literature · Legal and cultural studies analysis · Postcolonial and Cultural Literary Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |