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Cristina Magaldi

Biographic Data

ID1449570
NAMECristina Magaldi
GIVEN NAMESCristina
FAMILY NAMEMagaldi
SIGNATUREMAGALDI C
AFFILIATIONSTowson University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS8
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Cosmopolitismo e world music no Rio de Janeiro na passagem para o século XX

    Open Access•Cristina Magaldi•ARTICLE•Música Popular em Revista•2013•References: 4

    O foco deste ensaio é a circulação internacional da música enquanto uma força globalizante que permitiu a criação de uma cultura cosmopolita no início do século XX. Meu principal objetivo é oferecer ideias sobre questões ligadas a identidades cosmopolitas e à música popular em geral, e no Rio de Janeiro em particular. Mais do que apresentar o repertório popular do início do século XX em seu potencial para exibir signos de "brasilidade", mostro a …

  • Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu

    Cristina Magaldi•BOOK•Music in Imperial Rio de Janeiro•2004

    This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian m…

  • Adopting imports: New images and alliances in Brazilian popular music of the 1990s

    Open Access•Cristina Magaldi•ARTICLE•Popular Music•1999•Cited by: 8•References: 15

    Anyone visiting Brazil today in search of an idealised 'Brazilian Sound' might, at first, be disappointed with the popular music scene. The visitor will soon realise that established musical styles such as bossa nova and MPB (Música Popular Brazileira (Brazilian Popular Music)), with their well-defined roles within the Brazilian social and political scene of the 1960s, 1970s, and early 1980s, have lost their immediate appeal with some contemporar…

  • Music for the Elite: Musical Societies in Imperial Rio de Janeiro

    Cristina Magaldi•ARTICLE•Latin American Music Review•1995

    Au Bresil, sous l'empereur Pierre II (1822-1831), le developpement de la bourgeoisie suscita une vie culturelle plus intense. Tout au long du 19 eme siecle, les societes musicales privees se multiplierent (Sociedade Phil'Euterpe, Club Fluminense, Sociedade Philarmonica et Philarmonica Fluminense, Sociedade Campezina) en plus des clubs (Clubs Mozart, Beethoven) et des societes locales. Les souscriptions pour des saisons d'operas etaient de regle. …

  • Adopting imports: New images and alliances in Brazilian popular music of the 1990s

    Open Access•Cristina Magaldi•ARTICLE•Popular Music•1999•Cited by: 8•References: 15

    Anyone visiting Brazil today in search of an idealised 'Brazilian Sound' might, at first, be disappointed with the popular music scene. The visitor will soon realise that established musical styles such as bossa nova and MPB (Música Popular Brazileira (Brazilian Popular Music)), with their well-defined roles within the Brazilian social and political scene of the 1960s, 1970s, and early 1980s, have lost their immediate appeal with some contemporar…

  • Music for the Elite: Musical Societies in Imperial Rio de Janeiro

    Cristina Magaldi•ARTICLE•Latin American Music Review•1995

    Au Bresil, sous l'empereur Pierre II (1822-1831), le developpement de la bourgeoisie suscita une vie culturelle plus intense. Tout au long du 19 eme siecle, les societes musicales privees se multiplierent (Sociedade Phil'Euterpe, Club Fluminense, Sociedade Philarmonica et Philarmonica Fluminense, Sociedade Campezina) en plus des clubs (Clubs Mozart, Beethoven) et des societes locales. Les souscriptions pour des saisons d'operas etaient de regle. …

  • Adopting imports: New images and alliances in Brazilian popular music of the 1990s

    Open Access•Cristina Magaldi•ARTICLE•Popular Music•1999•Cited by: 8•References: 15

    Anyone visiting Brazil today in search of an idealised 'Brazilian Sound' might, at first, be disappointed with the popular music scene. The visitor will soon realise that established musical styles such as bossa nova and MPB (Música Popular Brazileira (Brazilian Popular Music)), with their well-defined roles within the Brazilian social and political scene of the 1960s, 1970s, and early 1980s, have lost their immediate appeal with some contemporar…

  • Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu

    Cristina Magaldi•BOOK•Music in Imperial Rio de Janeiro•2004

    This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian m…

  • Cosmopolitismo e world music no Rio de Janeiro na passagem para o século XX

    Open Access•Cristina Magaldi•ARTICLE•Música Popular em Revista•2013•References: 4

    O foco deste ensaio é a circulação internacional da música enquanto uma força globalizante que permitiu a criação de uma cultura cosmopolita no início do século XX. Meu principal objetivo é oferecer ideias sobre questões ligadas a identidades cosmopolitas e à música popular em geral, e no Rio de Janeiro em particular. Mais do que apresentar o repertório popular do início do século XX em seu potencial para exibir signos de "brasilidade", mostro a …

Brazilian cultural history and politics (3 works) · Art (2 works) · Law (2 works) · Literature, Culture, and Criticism (2 works) · Music History and Culture (2 works) · Musical (2 works) · Political science (2 works) · Politics (2 works) · Sociology and Education in Brazil (2 works) · Acoustics (1 works)

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