Adopting imports
New images and alliances in Brazilian popular music of the 1990s
Bibliographic Data
| ID | 4753304 |
|---|---|
| Authors | Cristina Magaldi (corresponding author) |
| Year | 1999 |
| Volume | 18 |
| Issue | 3 |
| Pages | 309-329 |
| Publication date | 1999-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000008898 |
| OpenAlex | W2113306632 |
| Language | EN |
| Citations received | 13 |
| References cited | 24 |
Anyone visiting Brazil today in search of an idealised 'Brazilian Sound' might, at first, be disappointed with the popular music scene. The visitor will soon realise that established musical styles such as bossa nova and MPB (Música Popular Brazileira (Brazilian Popular Music)), with their well-defined roles within the Brazilian social and political scene of the 1960s, 1970s, and early 1980s, have lost their immediate appeal with some contemporary audiences, and especially with Brazilian urban youth. In the 1990s, Brazilian radio and TV are saturated with a variety of new local genres that borrow heavily from international musical styles of all kinds and use state-of-the-art electronic apparatus. Hybrid terms such assamba-rock, samba-reggae, mangue-beat, afro-beat, for-rock(a contraction of forró and rock),sertaneja-country, samba-rap, andpop-nejo(a contraction of pop andsertanejo), are just a few examples of the marketing labels which are loosely applied to the current infusion of international music in the local musical scene
Acoustics · Advertising · Appeal · Art · Beat (acoustics · Business · Media studies · Musical · Political science · Politics · Popular music · Rock music · Sociology · Violin musical styles · Visitor pattern · Visual arts · Asian Culture and Media Studies · Brazilian cultural history and politics · Computer Science · History · Law · Music History and Culture
Keiner Wird Gewinnen
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Global Black Self-Fashionings
White Rapper/Black Beats
Global media flows
Cosmopolitismo e world music no Rio de Janeiro na passagem para o século XX
Hip-hop feminist politics in the film Antonia
Transnational connections
The embeddedness of cultural industries
Musicians' Performances and Performances of "Musician" in Salvador da Bahia, Brazil
Maracatunaíma musical semiotics, the Northeastern imaginary and the sound of Fortaleza
Cultural Complexity
The Brazilian Sound
Old and New Identities, Old and New Ethnicities
The Allure of the Foreign
The Postmodernism Debate in Latin America
Locating listening
Rhythm and irreverence
The music industry and the `cultural imperialism' thesis
The Brazilian Sound
Ethnicity, Identity and Music
Co-option, Cultural Resistance, and Afro-Brazilian Identity
Interpreting world music
Rock nacional and dictatorship in Argentina
Guns and roses
The Predicament of Culture
Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
Mozart in Mirrorshades
Popular Musics of the Non-Western World
Interpreting Electronic Sound Technology in the Contemporary Javanese Soundscape
At the Crossroads
The Brazilian sound
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,54 |
| Citation span | 2002 - 2024 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 13 |