Irmgard Emmelhainz
Biographic Data
| ID | 1457177 |
|---|---|
| NAME | Irmgard Emmelhainz |
| GIVEN NAMES | Irmgard |
| FAMILY NAME | Emmelhainz |
| SIGNATURE | EMMELHAINZ I |
| AFFILIATIONS | LIttoral ENvironnement et Sociétés |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Les expériences de journalisme audiovisuel de Sonimage, ou les nouvelles formes du politique en lien avec le visuel
En 1973, Jean-Luc Godard et Anne-Marie Miéville ont fondé à Grenoble une compagnie de production nommée Sonimage, qui est envisagée comme un projet de « journalisme audiovisuel ». De nombreux chercheurs ont souligné une rupture radicale dans l’œuvre de Godard, au niveau de son engagement politique et esthétique, des films du Groupe Dziga Vertov aux vidéos de Sonimage. Cependant, à l’instar de Michael Witt, j’observe une cohérence dans le travail …
Toxic Loves, Impossible Futures
Tyranny of Common Sense The
What is Radical
What does it mean to think and act radically, and how does this relate to forms of radicalism connected to earlier moments, for example, in the 20th century? What can be the role of radical art and scholarship under the conditions of late capitalism? More generally, how can art and artists serve the ongoing struggle for social justice and the agendas of emancipatory social change? Finally, what kinds of art criticism and art historical scholarshi…
Amy Sara Carroll's ReMex
Amy Sara Carroll's ReMex: Toward an Art History of the NAFTA Era interprets Mexico City-based, feminist, and border, or Chicano, art in and around the 1990s. Its premise is that aesthetics and politics “form a loop” in order to express what the author calls “Greater Mexico.” With this term, Carroll proposes that “Mexico” is no longer a territory but rather an imaginary that transcends its geographic borders. In her view, the denationalization bro…
La tiranía del sentido común
Algunas consideraciones sobre el arte en México de las décadas de 1990 y 2000
Título: "Algunas consideraciones sobre el arte en México de los 1990s y 2000s" Resumen: En los últimos 25 años, una forma distinta de hacer, exhibir y circular arte en México se incorporó a la economía global con ayuda de fondos públicos y privados. El arte en México de los 1990s y 2000s abarca la transición de una reflexión sobre las promesas rotas de la modernidad desde un punto de vista periférico, y un desafío a la hueca imagen de mexicanidad…
From Third Worldism to Empire
Through the lens of two films by the Swiss film‐maker Jean‐Luc Godard, Ici et ailleurs (1970–1974) and Notre musique (2004), in which he addresses the Palestine Question, the article sketches out the discursive shifts in geopolitical engagement from the French movement of Third Worldism to current cultural wars and interventionism. In the late 1960s and early 1970s artists, writers, journalists and film‐makers produced works speaking for and abou…
A Trialogue on Nervus Rerum
August 01 2009 A Trialogue on Nervus Rerum Irmgard Emmelhainz Irmgard Emmelhainz Irmgard Emmelhainz recently completed a doctoral dissertation on Jean-Luc Godard and the Palestine Question at the University of Toronto. Some of her work on Godard is forthcoming in Third Text and Screen, and her work on contemporary art has appeared in magazines in Canada, Mexico, and France. Search for other works by this author on: This Site Google Scholar Author…
From Third Worldism to Empire
Through the lens of two films by the Swiss film‐maker Jean‐Luc Godard, Ici et ailleurs (1970–1974) and Notre musique (2004), in which he addresses the Palestine Question, the article sketches out the discursive shifts in geopolitical engagement from the French movement of Third Worldism to current cultural wars and interventionism. In the late 1960s and early 1970s artists, writers, journalists and film‐makers produced works speaking for and abou…
A Trialogue on Nervus Rerum
August 01 2009 A Trialogue on Nervus Rerum Irmgard Emmelhainz Irmgard Emmelhainz Irmgard Emmelhainz recently completed a doctoral dissertation on Jean-Luc Godard and the Palestine Question at the University of Toronto. Some of her work on Godard is forthcoming in Third Text and Screen, and her work on contemporary art has appeared in magazines in Canada, Mexico, and France. Search for other works by this author on: This Site Google Scholar Author…
From Third Worldism to Empire
Through the lens of two films by the Swiss film‐maker Jean‐Luc Godard, Ici et ailleurs (1970–1974) and Notre musique (2004), in which he addresses the Palestine Question, the article sketches out the discursive shifts in geopolitical engagement from the French movement of Third Worldism to current cultural wars and interventionism. In the late 1960s and early 1970s artists, writers, journalists and film‐makers produced works speaking for and abou…
A Trialogue on Nervus Rerum
August 01 2009 A Trialogue on Nervus Rerum Irmgard Emmelhainz Irmgard Emmelhainz Irmgard Emmelhainz recently completed a doctoral dissertation on Jean-Luc Godard and the Palestine Question at the University of Toronto. Some of her work on Godard is forthcoming in Third Text and Screen, and her work on contemporary art has appeared in magazines in Canada, Mexico, and France. Search for other works by this author on: This Site Google Scholar Author…
La tiranía del sentido común
Algunas consideraciones sobre el arte en México de las décadas de 1990 y 2000
Título: "Algunas consideraciones sobre el arte en México de los 1990s y 2000s" Resumen: En los últimos 25 años, una forma distinta de hacer, exhibir y circular arte en México se incorporó a la economía global con ayuda de fondos públicos y privados. El arte en México de los 1990s y 2000s abarca la transición de una reflexión sobre las promesas rotas de la modernidad desde un punto de vista periférico, y un desafío a la hueca imagen de mexicanidad…
What is Radical
What does it mean to think and act radically, and how does this relate to forms of radicalism connected to earlier moments, for example, in the 20th century? What can be the role of radical art and scholarship under the conditions of late capitalism? More generally, how can art and artists serve the ongoing struggle for social justice and the agendas of emancipatory social change? Finally, what kinds of art criticism and art historical scholarshi…
Amy Sara Carroll's ReMex
Amy Sara Carroll's ReMex: Toward an Art History of the NAFTA Era interprets Mexico City-based, feminist, and border, or Chicano, art in and around the 1990s. Its premise is that aesthetics and politics “form a loop” in order to express what the author calls “Greater Mexico.” With this term, Carroll proposes that “Mexico” is no longer a territory but rather an imaginary that transcends its geographic borders. In her view, the denationalization bro…
Toxic Loves, Impossible Futures
Tyranny of Common Sense The
Les expériences de journalisme audiovisuel de Sonimage, ou les nouvelles formes du politique en lien avec le visuel
En 1973, Jean-Luc Godard et Anne-Marie Miéville ont fondé à Grenoble une compagnie de production nommée Sonimage, qui est envisagée comme un projet de « journalisme audiovisuel ». De nombreux chercheurs ont souligné une rupture radicale dans l’œuvre de Godard, au niveau de son engagement politique et esthétique, des films du Groupe Dziga Vertov aux vidéos de Sonimage. Cependant, à l’instar de Michael Witt, j’observe une cohérence dans le travail …
Art (5 works) · Political science (5 works) · Art history (3 works) · Art, Politics, and Modernism (3 works) · History (3 works) · Law (3 works) · Politics (3 works) · Aesthetics (2 works) · Colonialism (2 works) · History (2 works)